| # | Title | Rating | Length |
|---|
| A1 | How to Be Dead | 3.75 | 3:21 |
| A2 | Wow | 3.6 | 4:02 |
| A3 | Gleaming Auction | 4 | 2:04 |
| A4 | Whatever's Left | 3.8 | 2:39 |
| A5 | Spitting Games | 3.95 | 3:46 |
| A6 | Chocolate | 4.35 | 3:02 |
| B1 | Run | 3.7 | 5:54 |
| B2 | Grazed Knees | 3.75 | 2:55 |
| B3 | Ways & Means- recording engineer:
- Ben Georgiades (piano)
- assistant engineer:
- Jeff McLaughlin
- engineer:
- Dan Swift
- producer and mixer:
- Garret Lee
- cello and piano:
- James Banbury
- viola:
- Bruce White
- violin:
- Alison Dods and Fiona McCapra
- strings arranger:
- James Banbury
- mixed for and produced for:
- Big Life Management
- recorded at:
- Sphere Studios in London , England, United Kingdom (piano) and Britannia Row Studios in Islington, London , England, United Kingdom (in 2003-02)
- mixed at:
- The Garage in Kent, England, United Kingdom
- recording of:
- Ways & Means (in 2003-02)
- lyricist:
- Gary Lightbody
- composer:
- Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn
- publisher:
- Big Life Music and Copyright Control
| 4.25 | 4:47 |
| B4 | Tiny Little Fractures | 4 | 2:28 |
| B5 | Somewhere a Clock Is Ticking- recording engineer:
- Ben Georgiades (piano)
- assistant engineer:
- Jeff McLaughlin
- engineer:
- Dan Swift
- producer and mixer:
- Garret Lee
- cello and piano:
- James Banbury
- viola:
- Bruce White
- violin:
- Alison Dods and Fiona McCapra
- strings arranger:
- James Banbury
- mixed for and produced for:
- Big Life Management
- recorded at:
- Sphere Studios in London , England, United Kingdom (piano) and Britannia Row Studios in Islington, London , England, United Kingdom (in 2003-02)
- mixed at:
- The Garage in Kent, England, United Kingdom
- recording of:
- Somewhere a Clock Is Ticking (in 2003-02)
- lyricist:
- Gary Lightbody
- composer:
- Iain Archer, Nathan Connolly, Gary Lightbody, Mark McClelland and Jonny Quinn
- publisher:
- Big Life Music and Copyright Control
| 4 | 4:32 |
| B6 | Same | 3.95 | 3:54 |
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