A Bouquet of Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Barber of Seville (Overture)
orchestra:
Vienna Philharmonic
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini7:35
2Prelude to Act 1 from Carmen
orchestra:
Orchestre national de l’ORTF (RTF / ORTF / Radio France)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Carmen : Prélude
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (Italian lyrics)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:33
3Symphony no. 4 in A, op. 90 (”Italian”): I. Allegro vivace
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn10:43
4Symphony no. 4 in A, op. 90 (”Italian”): II. Andante con moto
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:28
5Symphony no. 4 in A, op. 90 (”Italian”): III. Con moto moderato
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:16
6Symphony no. 4 in A, op. 90 (”Italian”): IV. Saltarello (Presto)
producer:
John Mordler (producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1976-07-23)
conductor:
Riccardo Muti (conductor) (on 1976-07-23)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-07-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (on 1976-07-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:37
7Hungarian March from The Damnation of Faust
orchestra:
Hallé Orchestra
conductor:
Sir John Barbirolli (conductor and cellist)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:41
8Scherzo Capriccioso, op. 66
producer:
Harold Lawrence and Wilma Cozart
orchestra:
Hallé Orchestra (on 1957-06-28)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1957-06-28)
balance engineer:
C. Robert Fine
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (on 1957-06-28)
recording of:
Scherzo capriccioso, op. 66, B. 131 (for orchestra) (on 1957-06-28)
composer:
Antonín Dvořák (composer) (from 1883-04-04 until 1883-05-02)
premiered at:
[concert] (1883-05-16)
publisher:
Bote & Bock (in 1884)
part of:
Works of Antonín Dvořák by opus number (number: op. 66) and Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 131)
Antonín Dvořák12:12
9Capriccio Italien, op. 45
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Paul Kletzki (Polish conductor and composer)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Pyotr Ilyich Tchaikovsky14:20
▼ CD 2
#TitleArtistRatingLength
1Sinfonia Concertante in E-flat, K. 364: I. Allegro maestoso
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and David Mottley (producer)
viola:
David Oistrakh (violinist) (in 1972-03)
violin:
Igor Oistrakh (violinist) (in 1972-03)
orchestra:
Berlin Philharmonic (in 1972-03)
conductor:
David Oistrakh (violinist) (in 1972-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1972-03)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: I. Allegro maestoso (in 1972-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart13:24
2Sinfonia Concertante in E-flat, K. 364: II. Andante
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and David Mottley (producer)
viola:
David Oistrakh (violinist) (in 1972-03)
violin:
Igor Oistrakh (violinist) (in 1972-03)
orchestra:
Berlin Philharmonic (in 1972-03)
conductor:
David Oistrakh (violinist) (in 1972-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1972-03)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: II. Andante (in 1972-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart11:58
3Sinfonia Concertante in E-flat, K. 364: III. Presto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and David Mottley (producer)
viola:
David Oistrakh (violinist) (in 1972-03)
violin:
Igor Oistrakh (violinist) (in 1972-03)
orchestra:
Berlin Philharmonic (in 1972-03)
conductor:
David Oistrakh (violinist) (in 1972-03)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Evangelisches Gemeindehaus (Zehlendorf) in Berlin, Germany (in 1972-03)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1972-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart6:14
4Prelude a l’apres-midi d’un faune
producer:
Suvi Raj Grubb
flute:
Peter Lloyd (English flutist) (from 1979-07-02 until 1979-07-03)
orchestra:
London Symphony Orchestra (from 1979-07-02 until 1979-07-03)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1979-07-02 until 1979-07-03)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-02 until 1979-07-03)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra) (from 1979-07-02 until 1979-07-03)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:22
5Bolero
producer:
René Challan
trombone:
Marcel Galiègue (trombonist)
orchestra:
Orchestre de Paris
conductor:
Jean Martinon (conductor)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France
recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:58
6Romeo and Juliet (Fantasy overture)
producer:
Christopher Bishop (conductor/producer) (in 1972-05)
orchestra:
London Symphony Orchestra (from 1972-05-05 until 1972-05-06)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1972-05-05 until 1972-05-06)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1972-05-05 until 1972-05-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-05-05 until 1972-05-06)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) (from 1972-05-05 until 1972-05-06)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky20:34
▼ CD 3
#TitleArtistRatingLength
1Scheherazade, op. 35: The Sea and Sinbad’s Ship
recorded in:
London (Greater London), England, United Kingdom
solo violin:
Steven Staryk (Canadian violinist) (from 1957-03-17 until 1957-03-28)
orchestra:
Royal Philharmonic Orchestra (from 1957-03-17 until 1957-03-28)
conductor:
Sir Thomas Beecham (conductor) (from 1957-03-17 until 1957-03-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-03-19 until 1957-03-28)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship (from 1957-03-17 until 1957-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:02
2Scheherazade, op. 35: The Story of the Kalender Prince
recorded in and engineered in:
London (Greater London), England, United Kingdom
solo violin:
Steven Staryk (Canadian violinist) (from 1957-03-17 until 1957-03-28)
orchestra:
Royal Philharmonic Orchestra (from 1957-03-17 until 1957-03-28)
conductor:
Sir Thomas Beecham (conductor) (from 1957-03-17 until 1957-03-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-03-19 until 1957-03-28)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince (from 1957-03-17 until 1957-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:02
3Scheherazade, op. 35: The Young Prince and the Young Princess
recorded in:
London (Greater London), England, United Kingdom
solo violin:
Steven Staryk (Canadian violinist) (from 1957-03-17 until 1957-03-28)
orchestra:
Royal Philharmonic Orchestra (in 1957, from 1957-03-17 until 1957-03-28)
conductor:
Sir Thomas Beecham (conductor) (in 1957, from 1957-03-17 until 1957-03-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-03-19 until 1957-03-28)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (from 1957-03-17 until 1957-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (in 1957)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:43
4Scheherazade, op. 35: The Festival of Bagdad - The Sea - The Ship Goes to Pieces on a Rock surmounted by a Bronze Warrior
recorded in:
London (Greater London), England, United Kingdom
solo violin:
Steven Staryk (Canadian violinist) (from 1957-03-17 until 1957-03-28)
orchestra:
Royal Philharmonic Orchestra (from 1957-03-17 until 1957-03-28)
conductor:
Sir Thomas Beecham (conductor) (from 1957-03-17 until 1957-03-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1957-03-19 until 1957-03-28)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman (from 1957-03-17 until 1957-03-28)
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:50
5Meditation from Thais
solo violin:
Lorin Maazel (conductor)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Lorin Maazel (conductor)
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick)
composer:
Jules Massenet (French Romantic composer)
arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Thaïs: Acte II
Jules Massenet5:04
6Love Scene from Romeo and Juliet, op. 17
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
Roméo et Juliette, op. 17: Part II. Scène d'amour
lyricist:
Émile Deschamps (poet)
composer:
Hector Berlioz (composer)
part of:
Roméo et Juliette, symphonie dramatique pour alto, ténor, basse, chœur et orchestre, op. 17, H. 79
Hector Berlioz15:20
7Symphony no. 5 in C-sharp minor: Adagietto
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
orchestra:
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1969-07-16 until 1969-07-18)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1969-07-16 until 1969-07-18)
balance engineer:
Stuart Eltham (engineer) and Allen Stagg
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1969)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1969-07-16 until 1969-07-18)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (from 1969-07-16 until 1969-07-18)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:51
▼ CD 4
#TitleArtistRatingLength
1Pavane
choir vocals:
Chorus of the Paris Opera
orchestra:
Orchestre de Paris
conductor:
Jean‐Pierre Jacquillat (conductor)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:22
2Karelia Suite: Alla Marcia, op. 11 no. 3
producer:
Us Van Der Meulen
orchestra:
Royal Philharmonic Orchestra and London Philharmonic Orchestra (LPO) (in 1953-12)
conductor:
Sir Thomas Beecham (conductor) (in 1953-12)
balance engineer:
Us Van Der Meulen (in 1953-12)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1953-12)
recording of:
Karelia-sarja, op. 11: III. Alla marcia (for orchestra) (in 1953-12)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11
Jean Sibelius4:35
3Flower Duet (Viens Malika) from Lakmé
audio engineer:
Paul Vavasseur (engineer) (from 1970-09-17 until 1970-12-21)
choir vocals:
Chœurs du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
mezzo-soprano vocals [Mallika]:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals [Lakmé]:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1970-09-17 until 1970-12-21)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:57
4Troika from Leiutenant Kijé
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Klaus Tennstedt (conductor)
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika
composer:
Сергей Сергеевич Прокофьев (Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
Sergei Prokofiev2:54
5Three Gymnopédies
piano:
Aldo Ciccolini (pianist)
Erik Satie7:47
6Quartet no. 2 in D: Nocturne
producer:
John Fraser (UK producer)
cello:
Denis Vigay (cellist)
harpsichord:
Ian Watson (conductor and keyboardist)
violin:
Kenneth Sillito (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
arranger:
Marriner (conductor)
orchestrator:
Sir Neville Marriner (conductor)
balance engineer:
Stuart Eltham (engineer)
recording of:
String Quartet no. 2 in D major: III. Notturno (catch-all for arrangements)
composer:
Александр Порфирьевич Бородин (Russian composer)
arrangement of:
String Quartet no. 2 in D major: III. Notturno. Andante
Alexander Borodin7:44
7Sei Nicht Bös from Der Obersteiger
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Otto Ackermann (conductor)
recording of:
Der Obersteiger: Akt II. "Sei nicht bös" (Martin)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Obersteiger: Akt II
Carl Zeller4:18
8Pavane pour une infante défunte
producer:
René Challan
orchestra:
Orchestre de Paris
conductor:
Jean Martinon (conductor)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France
recording of:
Pavane pour une infante défunte (orchestrated version)
orchestrator:
Maurice Ravel (classical composer) (in 1910)
composer:
Maurice Ravel (classical composer) (in 1899)
publisher:
Ed. Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:38
9Vltava (Die Moldau) from Má Vlast
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Malcolm Sargent (conductor)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:54
10Prelude to Act I from La Traviata
orchestra:
Royal Philharmonic Orchestra
conductor:
Tullio Serafin (conductor)
recording of:
La traviata: Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La traviata (german lyrics)
Giuseppe Verdi4:44
11Prelude to Act III from La Traviata
orchestra:
Royal Philharmonic Orchestra
conductor:
Tullio Serafin (conductor)
recording of:
La traviata: Atto III. Preludio
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La traviata (german lyrics)
part of:
La traviata: Act III (english version)
part of:
La traviata: Atto III
Giuseppe Verdi5:05
▼ CD 5
#TitleArtistRatingLength
1España
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
recording of:
España (rhapsody for orchestra)
composer:
Emmanuel Chabrier (composer) (in 1883)
dedicated to:
Charles Lamoureux
Emmanuel Chabrier6:09
2Violin Concerto in E minor, op. 64: I. Allegro
producer:
Victor Olof
violin:
Yehudi Menuhin (violinist) (on 1958-04-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1958-04-30)
conductor:
Efrem Kurtz (conductor) (on 1958-04-30)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-04-30)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (on 1958-04-30)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn12:20
3Violin Concerto in E minor, op. 64: II. Andante
producer:
Victor Olof
violin:
Yehudi Menuhin (violinist) (on 1958-04-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1958-04-30)
conductor:
Efrem Kurtz (conductor) (on 1958-04-30)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-04-30)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (on 1958-04-30)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn7:54
4Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
producer:
Victor Olof
violin:
Yehudi Menuhin (violinist) (on 1958-04-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (on 1958-04-30)
conductor:
Efrem Kurtz (conductor) (on 1958-04-30)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1958-04-30)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (on 1958-04-30)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn6:23
5Pantomime from Zemire et Azor
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Thomas Beecham (conductor)
recording of:
Zémire et Azor (catch-all for arrangements)
composer:
André-Ernest-Modeste Grétry (French/Belgian 18/19th century composer)
arrangement of:
Zémire et Azor
André-Ernest-Modeste Grétry4:10
6Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo a molto maestoso
producer:
John Willan (producer)
piano:
Andrei Gavrilov (pianist) (from 1979-07-04 until 1979-07-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-07-04 until 1979-07-05)
conductor:
Riccardo Muti (conductor) (from 1979-07-04 until 1979-07-05)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-04 until 1979-07-05)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) (from 1979-07-04 until 1979-07-05)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky22:31
7Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplica
producer:
John Willan (producer)
piano:
Andrei Gavrilov (pianist) (from 1979-07-04 until 1979-07-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-07-04 until 1979-07-05)
conductor:
Riccardo Muti (conductor) (from 1979-07-04 until 1979-07-05)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-04 until 1979-07-05)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version) (from 1979-07-04 until 1979-07-05)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky8:11
8Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
producer:
John Willan (producer)
piano:
Andrei Gavrilov (pianist) (from 1979-07-04 until 1979-07-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1979-07-04 until 1979-07-05)
conductor:
Riccardo Muti (conductor) (from 1979-07-04 until 1979-07-05)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-07-04 until 1979-07-05)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version) (from 1979-07-04 until 1979-07-05)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky6:39