Kuschelrock 2

~ Release by Various Artists (see all versions of this release, 8 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
drum machine, drums (drum set), Rhodes piano, synthesizer and vocoder:
Phil Collins (of Genesis) (in 1980)
guitar:
Daryl Stuermer (in 1980)
violin:
Sharokav (in 1980)
lead vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishers) Limited, Imagem Music, Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4.35:23
2Mandy
co-producer:
Clive Davis (record producer, A&R executive and music industry chief executive)
producer:
Ron Dante and Barry Manilow
lead vocals:
Barry Manilow
strings arranger:
Joe Renzetti
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974) and Bell Records (50s-70s US/UK pop, later became Arista) (in 1974)
cover recording of:
Brandy (more popularly known as Mandy) (in 1978)
lyricist:
Scott English
composer:
Richard Kerr
publisher:
Chappell/Morris Ltd., Morris Music Inc, Screen Gems–EMI Music Ltd. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Barry Manilow43:20
3Hymn
Barclay James Harvest5:04
4Stay on These Roads
recording engineer:
Gerry Kitchingham
producer:
Alan Tarney
mixer:
John Hudson (producer, recording and mixing engineer)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
part of:
The Downloader’s Music Source Book (number: 281)
recording of:
Stay on These Roads
lyricist and composer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music
a‐ha44:45
5Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
6The Sun Ain't Gonna Shine Anymore
recording of:
The Sun Ain’t Gonna Shine (Anymore)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music and Seasons Four Music
The Walker Brothers3:12
7Love Hurts
additional recording engineer and additional mixer:
John Punter
recording engineer:
Tony Taverner
producer:
Manny Charlton
bass guitar:
Pete Agnew
drums (drum set):
Darrell Sweet
guitar and synthesizer:
Manny Charlton
background vocals:
Pete Agnew and Darrell Sweet
lead vocals:
Dan McCafferty
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974)
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom and Escape Studios in Kent, England, United Kingdom
part of:
New York Post: 100 Greatest Covers (2007) (number: 75)
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
Nazareth4.453:51
8San Francisco
producer:
Lou Adler and John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
lyricist and composer:
John Phillips (The Mamas & The Papas)
publisher:
MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
Scott McKenzie42:56
9New Kid in Town
engineer:
Allan Blazek, Bruce Hensal, Ed Mashal and Bill Szymczyk
producer and mixer:
Bill Szymczyk
acoustic guitar and lead vocals:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
bass guitar and guitarrón mexicano and background vocals:
Randy Meisner
drums (drum set), percussion and background vocals [& harmony]:
Don Henley
electric guitar [lead]:
Don Felder
Hammond organ [hammond] and Rhodes piano [fender rhodes]:
Joe Walsh (Eagles/James Gang)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Asylum Records (Warner Music subsidiary) (in 1976) and Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) (in 1976)
recorded at:
Criteria Studios in Miami, Florida, United States (from 1976-03 until 1976-10) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
New Kid in Town
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and J.D. Souther
Eagles45:03
10Follow You Follow Me
recording of:
Follow You Follow Me
lyricist:
Mike Rutherford
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Gelring Ltd. (Publishing company Associated with Genesis) (in 1978) and Hit and Run Music (in 1978)
Genesis3:49
11Something's Gotten Hold of My Heart
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (singer, songwriter, producer) and Roger Greenaway
strings arranger:
Mick Harvey
The Window Speaks4:59
12Sign Your Name
recording engineer and mixer:
Phil Legg
producer:
Terence Trent D’Arby (now known as Sananda Maitreya) and Martyn Ware
lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
strings arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
Sign Your Name
lyricist:
Terence Trent D’Arby (now known as Sananda Maitreya)
composer:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) and Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby3.54:35
13I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.95:02
14Lady in Black
recording engineer and mixer:
Peter Gallen
assistant engineer:
Les Cunningham (studio engineer) and Ashley Howe
producer:
Gerry Bron
bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
drums (drum set):
Keith Baker (drummer) (from 1969 until 1970, from 1970-10 until 1970-11)
electric bass guitar:
Paul Newton (UK bassist for Uriah Heep) (from 1969 until 1970)
electric guitar:
Mick Box (from 1970-10 until 1970-11)
guitar:
Mick Box (from 1969 until 1970)
organ:
Ken Hensley (from 1969 until 1970, from 1970-10 until 1970-11)
background vocals:
Mick Box (from 1970-10 until 1970-11), Ken Hensley (from 1970-10 until 1970-11) and Paul Newton (UK bassist for Uriah Heep) (from 1970-10 until 1970-11)
lead vocals:
David Byron (from 1970-10 until 1970-11)
vocals:
David Byron (from 1969 until 1970)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1971, in 2016) and Castle Communications PLC (not for label use, copyright holder) (in 1996)
recorded at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, United Kingdom (from 1969 until 1970, from 1970-10 until 1970-11)
recording of:
Lady in Black (from 1970-10 until 1970-11)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG and S. Bron Music Co. Ltd.
Uriah Heep4.654:45
15China in Your Hand
producer:
Roy Thomas Baker (producer)
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), M15 Publishing (in 1987) and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.255:06
16Maid of Orleans
engineer:
Howard Gray (UK producer, engineer, and electronic musician) and Brian Tench
producer:
Richard Manwaring (Producer) and Orchestral Manoeuvres in the Dark
recording of:
Joan of Arc (Maid of Orleans)
lyricist and composer:
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher) and Dinsong Ltd.
Orchestral Manoeuvres in the Dark2.54:08
17Take My Breath Away
engineer:
Dave Concors, Michael Rosen (US metal producer/engineer) and Tom Whitlock
producer:
Jerry Bruckheimer, Giorgio Moroder and Don Simpson (American film producer, screenwriter, and actor)
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
Rob Brill
electric guitar:
Ric Olsen
synthesizer:
Arthur Barrow and John Crawford (Berlin bassist)
lead vocals:
Terri Nunn (Berlin singer)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
music videos:
Take My Breath Away by Berlin (US new wave/synthpop)
part of:
TV Cream: Real 100 Best Singles Ever (number: 28)
recording of:
Take My Breath Away (song from the 1986 film Top Gun)
lyricist:
Tom Whitlock
composer:
Giorgio Moroder
publisher:
Famous Music Publishing Germany GmbH & Co. KG (ended), Jastian Music Inc. (ended), ワーナー・チャペル音楽出版 Synch事業部 (ended), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
part of:
The 59th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 59)
Berlin3.854:10
▼ CD 2
#TitleArtistRatingLength
1All by Myself
assistant engineer:
Joey Barbaria
engineer:
Jack Sherdel
producer:
Jimmy Ienner (producer)
lead vocals:
Eric Carmen
arranger:
Eric Carmen
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) and Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
recorded at:
O.D.O. Sound Studios in New York, New York, United States (from 1975-08 until 1975-09)
recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov (Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Round Hill Works, Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:51
2Josephine
recording of:
Josephine
lyricist and composer:
Chris Rea
Chris Rea4:25
3Careless Whisper
producer:
George Michael
bass:
Deon Estus
drums (drum set):
Trevor Murrell
guitar:
Hugh Burns
keyboard:
Chris Parren
percussion:
Danny Cummings (British drummer and percussionist)
vocals:
George Michael
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1984)
recording of:
Careless Whisper (in 1984)
writer:
George Michael and Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music Limited (2019-present), Wham! Music Ltd., ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Wham!4.55:00
4Reality
recording of:
Reality
miscellaneous support:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
lyricist:
Jeff Jordan (Vladimir Cosma)
composer:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
publisher:
Lam Larghetto Music (from 1980 to present) and Sarabande (Publisher, likely NOT the label you want) (from 1980 to present)
Richard Sanderson4:01
5Hands to Heaven
recording of:
Hands to Heaven
writer:
David Glasper (Singer - Performer, author & lyricist) and Marcus Lillington
publisher:
Virgin Music (Publishers) Ltd. (in 1988)
Breathe4:16
6Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan and Miami Sound Machine3:37
7The Flame
recording of:
The Flame
writer:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) and Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Sony Music Publishing (UK) Limited, Sony/ATV Songs LLC and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4:40
8Baby, I Love Your Way / Freebird
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1988)
recording of:
Baby, I Love Your Way / Freebird
lyricist and composer:
Allen Collins, Peter Frampton and Ronnie Van Zant
medley of:
Baby, I Love Your Way
medley of:
Free Bird
Will to Power4.54:08
9Rise to the Occasion
engineer:
John Gallen and David Jacob
producer:
Climie Fisher and Stephen Hague
recording of:
Rise to the Occasion
writer:
Simon Climie, Rob Fisher (British keyboardist and half of the 80s synthpop duo Naked Eyes) and Dennis Morgan (US songwriter)
Climie Fisher24:45
10If Leaving Me Is Easy
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
bass:
Alphonso Johnson
drums (drum set), Rhodes piano and synthesizer and lead vocals:
Phil Collins (of Genesis)
flugelhorn:
Rahmlee Michael Davis and Michael Harris (trumpeter, member of The Phenix Horns)
guitar:
Eric Clapton and Daryl Stuermer
vocals:
Phil Collins (of Genesis)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) and Pun Music, Inc. (in 1981)
Phil Collins4.54:51
11Love Is Stronger Than Pride
engineer:
Mike Pela and Ben Rogan
co-producer:
Mike Pela and Ben Rogan
producer:
Sade (group w/ singer of same performance name)
bass guitar:
Paul S. Denman
keyboard:
Andrew Hale (keyboardist/composer)
vocals:
Sade Adu and Leroy Osbourne (vocalist guitarist, songwriter.)
arranger:
Sade (group w/ singer of same performance name)
recording of:
Love Is Stronger Than Pride
lyricist:
Sade Adu
composer:
Sade Adu, Andrew Hale (keyboardist/composer) and Stuart Matthewman
Sade3.854:17
12We've Got Tonight
lead vocals:
Sheena Easton and Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
performer:
Sheena Easton
cover recording of:
We’ve Got Tonite
lyricist and composer:
Bob Seger
publisher:
Hideout Records & Distributors, Inc., 大洋音楽 and Gear Publishing Co (in 1976)
Kenny Rogers & Sheena Easton33:49
13Still Loving You
recorded in:
Köln, Nordrhein-Westfalen, Germany (in 1984)
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
bass guitar:
Francis Buchholz (in 1984)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1984)
electric guitar:
Rudolf Schenker (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1984) and Rudolf Schenker (in 1984)
background vocals:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) and Rudolf Schenker (in 1984)
lead vocals:
Klaus Meine (in 1984)
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984) and EMI (EMI Records, since 1972) (in 1984)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Germany (from 1983 until 1984, in 1984)
recording of:
Still Loving You (in 1984)
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
Scorpions4.46:27
14What's Love Got to Do With It
engineer and mixer:
John Hudson (producer, recording and mixing engineer)
producer:
Terry Britten
drums (drum set):
Graham Jarvis (UK session drummer)
guitar:
Terry Britten
keyboard:
Nick Glennie‐Smith and Billy Livsey
percussion:
Simon Morton
background vocals:
Terry Britten and Tessa Niles
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 134) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 309)
recording of:
What’s Love Got to Do With It
writer:
Graham Lyle and Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Tina Turner4.153:46
15Turn Back the Clock
recording of:
Turn Back the Clock
lyricist and composer:
Clark Datchler
strings arranger:
Anne Dudley (English score composer)
Johnny Hates Jazz34:29
16Mary's Prayer
performer:
Danny Wilson (Scottish pop group) (in 1987)
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer. Ex-Danny Wilson, Ex-Transister, Ex-King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Danny Wilson33:49