Let’s Party

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Individual barcodes:

CD 1: 8711539022372
CD 2: 8711539022389
CD 3: 8711539022396

Annotation last modified on 2011-07-05 07:23 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
recording of:
Wannabe
writer:
Melanie Brown, Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls3.852:53
2Let’s Go Around Again
Louise3:45
3That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music
KC and the Sunshine Band4.23:04
4More Than a Woman
producer:
Freddie Perren
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
percussion:
Bob Zimmitti and Paulinho da Costa (Brazilian percussionist)
piano:
Sonny Burke (soul/jazz/funk keyboardist)
cover recording of:
More Than a Woman
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc. and Gibb Brothers Music
Tavares53:15
5I Haven’t Stopped Dancing Yet
recording of:
I Haven’t Stopped Dancing Yet
composer:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Wizard (Bahamas) Ltd.
Gonzalez3:51
6You Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi-instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi-instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
is based on:
Super Freak
MC Hammer4.154:15
7I Hear You Knockin’
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher) and Francis, Day & Hunter Ltd.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds4.352:47
8Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), EMI Unart Catalog Inc., Huh-Music, Unart Music Corp. and United Artists Music Ltd.
Ike & Tina Turner3.452:56
9Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
Suzi Quatro4.253:34
10See My Baby Jive
producer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Roy Wood Music Ltd.
Wizzard55:00
11Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
Jeff Beck22:52
12Motor Bikin’
Chris Spedding2:35
13Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
14Girls on Film
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3:28
15Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut One Hundred23:14
16Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Rare Blue Music, inc., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:29
17You Take Me Up
engineer and mixer:
Phil Thornalley
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
recording of:
You Take Me Up
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
Thompson Twins3.54:26
18Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Rare Blue Music, Rock Steady Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol4.64:49
192‐4‐6‐8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:19
20Swords of a Thousand Men
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.52:56
▼ CD 2
#TitleArtistRatingLength
1Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans4.351:46
2I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:15
35‐4‐3‐2‐1
producer:
John Burgess (British record producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-12-17)
recording of:
5-4-3-2-1
composer:
Mike Hugg, Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) and Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Keith Prowse Music Publishing Ltd.
Manfred Mann51:59
4Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:29
5Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:21
6C’mon Everybody
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Unart Catalog Inc. and Metric Music Co (publisher)
Eddie Cochran31:57
7The Locomotion
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Little Eva2:27
8Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph-Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph-Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:48
9Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:51
10The Bump
recording of:
The Bump
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny52:33
11Some Girls
Racey3:24
12Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
Kyboside Music, Megasongs Limited and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.83:57
13Don’t Call Me Baby
recording of:
Don’t Call Me Baby
writer:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison and John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Crisler
Madison Avenue3:48
14Good Life
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Ann Saunderson and Kevin Saunderson
composer:
Paris Grey, Roy Holmon and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City3:57
15It Ain’t What You Do It’s the Way That You Do It
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three & Bananarama42:48
16You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
phonographic copyright (℗) by:
Chrysalis (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, EMI Blackwood Music Inc. (1989-07-24–present) and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Leo Sayer53:35
17Blockbuster
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet3:12
18Get It On
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
mixed at and engineered at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
cover recording of:
Get It On (Bang a Gong)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Inc., TRO Essex Music International, Inc. and Westminster Music Ltd.
The Power Station45:32
19Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt
electric guitar and keyboard:
Ian Dench
background vocals:
Claudia Fontaine (vocals, background vocals)
lead vocals:
James Atkin
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Warner Chappell Music Publ. Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
EMF3.553:32
20The Whole of the Moon
recording of:
The Whole of the Moon
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.455:03
▼ CD 3
#TitleArtistRatingLength
1Uptown Top Ranking
recording of:
Uptown Top Ranking
writer:
Althea Forrest, Joe Gibbs, Donna Reid and Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music and EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:44
2Boombastic
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recording of:
Boombastic
writer:
King Floyd, Robert Livingston and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.653:51
3Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back (The Equals song)
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton33:51
4It’s Raining Men
membranophone programming:
Andy Duncan (UK drummer and producer)
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
strings arranger:
Nick Ingman
cover recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Geri Halliwell34:12
5Groovejet (If This Ain’t Love)
engineer:
Gabriel Covacich
co-producer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Boris Dlugosch
background vocals:
Sharon Scott (UK acid jazz singer)
guest lead vocals:
Sophie Ellis‐Bextor
phonographic copyright (℗) by:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (from 2000 to present) and Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
samples:
Love Is You by Carol Williams (US disco musician) and Love Is You (original mix) by Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
lyricist:
Sophie Ellis‐Bextor
composer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Rob Davis (Songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music and Universal Music (plain logo: “Universal Music”)
version of:
Groovejet
Spiller33:46
6You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:04
7I Wanna Be the Only One
producer:
Nigel Lowis
guest vocals:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny's Music, BMG Songs Inc., EMI Blackwood Music Inc. (1989-07-24–present) and Rhettrhyme Music
Eternal feat. BeBe Winans34:16
8Greased Lightnin’
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
additional vocals:
Jeff Conaway (actor)
lead vocals:
John Travolta (American actor and singer)
horn arranger and strings arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (from 1978 to present) and RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
writer:
Warren Casey and Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (from 1978 to present)
part of:
Grease (1971 musical)
John Travolta4.653:17
99 to 5
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
Sheena Easton43:18
10Respectable
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Mel & Kim2.53:18
11Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
Maxine Nightingale4.43:13
12Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:09
13Everybody’s Free (to Feel Good)
producer:
3MI and Band of Gypsies (house duo Nigel Swanston & Tim Cox)
mixer:
Band of Gypsies (house duo Nigel Swanston & Tim Cox)
arranger:
3MI
vocals arranger:
Rozalla
recording of:
Everybody’s Free (to Feel Good)
composer:
Tim Cox and Nigel Andrew Swanston
publisher:
Peermusic (UK) Limited
Rozalla43:29
14Use It Up Wear It Out
recording of:
Use It Up and Wear It Out
writer:
Lawrence Russell Brown (lyricist) and Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited and Unichappell (publisher)
Odyssey43:49
15Boogie Oogie Oogie
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey5:28
16Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
engineer:
Mike Duffy (mixing for Nitzer Ebb) and Mark McGuire (UK producer/engineer)
producer:
Matt Aitken, Stock Aitken Waterman, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
mixer:
Mixmaster Pete Hammond (UK producer aka "Mixmaster")
guitar:
Matt Aitken (in 1986-10)
keyboard:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) and Suzanne Rhatigan
lead vocals:
Rick Astley (English singer, songwriter and radio personality) (in 1986-10)
phonographic copyright (℗) by:
PWL (in 1987)
recorded at:
PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music Publishing Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント, ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部 and Terrace Music (in 1987)
Rick Astley4.453:31
17Tequila
producer:
Edwyn Collins
remixer:
Mint Royale
recording of:
Tequila (Terrorvision cover)
additional writer:
Terrorvision
writer:
Chuck Rio (Daniel Flores)
is based on:
Tequila
Terrorvision3.54:09
18Can You Dig It?
producer:
Martin Coogan
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
music videos:
Can You Dig It? by The Mock Turtles
recording of:
Can You Dig It?
lyricist and composer:
Martin Coogan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:11
19Tubthumping
edit of:
Tubthumping (album version) by Chumbawamba
recording of:
Tubthumping
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba43:22
20The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:53