| # | Title | Artist | Rating | Length |
|---|
| 1 | Symbolum nicenum: 1. Credo in unum Deum | Johann Sebastian Bach | | 1:55 |
| 2 | Symbolum nicenum: 2. Patrem omnipotentem- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale Gent (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 1:52 |
| 3 | Symbolum nicenum: 3. Et in unum Dominum | Johann Sebastian Bach | | 4:45 |
| 4 | Symbolum nicenum: 4. Et incarnatus est | Johann Sebastian Bach | | 3:14 |
| 5 | Symbolum nicenum: 5. Crucifixus- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale (in 1996-07)
- orchestra:
- La Chapelle Royale and Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 3:03 |
| 6 | Symbolum nicenum: 6. Et resurrexit | Johann Sebastian Bach | | 4:04 |
| 7 | Symbolum nicenum: 7. Et in spiritum sanctum dominum | Johann Sebastian Bach | | 4:49 |
| 8 | Symbolum nicenum: 8. Confiteor | Johann Sebastian Bach | | 3:55 |
| 9 | Symbolum nicenum: 9. Et expecto- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale Gent (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:18 |
| 10 | Sanctus | Johann Sebastian Bach | | 5:19 |
| 11 | Osanna in excelsis- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale Gent (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:39 |
| 12 | Benedictus- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- tenor vocals:
- Christoph Prégardien (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach & Christoph Prégardien | | 4:05 |
| 13 | Osanna in excelsis- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale Gent (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:40 |
| 14 | Agnus Dei- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- alto vocals:
- Andreas Scholl (in 1996-07)
- choir vocals:
- Collegium Vocale Gent
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach & Andreas Scholl | | 6:36 |
| 15 | Dona nobis pacem- recording engineer:
- Nicolas Bartholomée
- assistant engineer:
- Frédéric Briant
- choir vocals:
- Collegium Vocale Gent (in 1996-07)
- orchestra:
- Collegium Vocale Gent (in 1996-07)
- conductor:
- Philippe Herreweghe (in 1996-07)
- recorded at:
- L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
- recording of:
- h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1996-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Dona nobis pacem
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | | 2:52 |
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