Don Giovanni

~ Release by Mozart; Chamber Orchestra of Europe, Claudio Abbado (see all versions of this release, 1 available)

Annotation

The libretto for this recording of Don Giovanni differs from more traditional librettos in ways that affect how the scenes are numbered.

  1. Act I Scene XVI includes "Guarda un po'" and "Presto presto pria ch'ei venga" which would traditionally be in their own Scene XVII.
  2. Act II does not include the duet "Per queste tue manine", meaning the traditional scenes XI, XII, and XIII are missing.
  3. The aria "Mi tradì quell'alma ingrata" is part of Act II Scene X instead of in its own scene (traditionally XIV).

Compared to the more traditional numbering, Act I scenes after XVI are off by one, and Act II scenes after X are off by four. However, the track titles match the recording's scene numbers so that the MusicBrainz user can easily match the tags to the libretto.

The libretto for this recording of Don Giovanni differs from more traditional librettos in ways that affect how the scenes are numbered.

  1. Act I Scene XVI includes "Guarda un po'" and "Presto presto pria ch'ei venga" which would traditionally be in their own Scene XVII.
  2. Act II does not include the duet "Per queste tue manine", meaning the traditional scenes XI, XII, and XIII are missing.
  3. The aria "Mi tradì quell'alma ingrata" is part of Act II Scene X instead of in its own scene (traditionally XIV).

Compared to the more traditional numbering, Act I scenes after XVI are off by one, and Act II scenes after X are off by four. However, the track titles match the recording's scene numbers so that the MusicBrainz user can easily match the tags to the libretto.

The libretto for this recording of Don Giovanni differs from more traditional librettos in ways that affect how the scenes are numbered.

  1. Act I Scene XVI includes "Guarda un po'" and "Presto presto pria ch'ei venga" which would traditionally be in their own Scene XVII.
  2. Act II does not include the duet "Per queste tue manine", meaning the traditional scenes XI, XII, and XIII are missing.
  3. The aria "Mi tradì quell'alma ingrata" is part of Act II Scene X instead of in its own scene (traditionally XIV).

Compared to the more traditional numbering, Act I scenes after XVI are off by one, and Act II scenes after X are off by four. However, the track titles match the recording's scene numbers so that the MusicBrainz user can easily match the tags to the libretto.

Annotation last modified on 2014-11-05 00:00 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Don Giovanni, K. 527: Ouverture. Andante - allegro molto
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Ouvertura (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart5:54
2Don Giovanni, K. 527: Act I, Scena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Il commendatore]:
Matti Salminen (operatic bass) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:26
3Don Giovanni, K. 527: Act I, Scena II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
4Don Giovanni, K. 527: Act I, Scena III. Recitativo "Ah! del padre in periglio" (Donna Anna, Don Ottavio) - No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:42
5Don Giovanni, K. 527: Act I, Scena III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:57
6Don Giovanni, K. 527: Act I, Scena IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:40
7Don Giovanni, K. 527: Act I, Scena V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:36
8Don Giovanni, K. 527: Act I, Scena V. Recitativo "Chi è là?"- "Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:58
9Don Giovanni, K. 527: Act I, Scena V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:37
10Don Giovanni, K. 527: Act I, Scena VI. Recitativo "In questa forma dunque" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:33
11Don Giovanni, K. 527: Act I, Scena VII. Coro "Giovinette che fate all'amore" (Zerlina, Masetto, Coro di contadine e contadini)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
12Don Giovanni, K. 527: Act I, Scena VIII. Recitativo "Manco male è partita" ( Don Giovanni, Leporello, Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass-baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:17
13Don Giovanni, K. 527: Act I, Scena VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Act I, Scena IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
15Don Giovanni, K. 527: Act I Scena IX: No. 7 Duettino: Là ci darem la mano" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:55
16Don Giovanni, K. 527: Act I, Scena X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:44
17Don Giovanni, K. 527: Act I, Scena X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:10
18Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Scena XII. Recitativo "Ah, ti ritrovo ancor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
19Don Giovanni, K. 527: Act I, Scena XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
20Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Povera sventurata!" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:23
21Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:06
22Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:38
23Don Giovanni, K. 527: Act I, Scena XIV. Recitativo "Come mai creder deggio" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
24Don Giovanni, K. 540a: Act I, Scena XIV. No. 10a Aria "Dalla sua pace" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
▶ CD 2
▶ CD 3