Mozart Edition, Volume 18: Operas: Don Giovanni / Die Entführung aus dem Serail

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Ouvertura (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
6:10
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
4:59
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:43
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:37
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:46
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:39
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:20
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:41
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:48
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
0:34
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:30
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:11
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:30
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:53
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:57
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:41
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:11
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
1:04
19Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:39
20Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
0:20
21Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) / Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:51
22Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:26
23Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai creder deggio" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:36
24Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:50
25Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:29
26Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:10
27Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:25
▼ CD 2
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1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
0:40
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
6:37
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:24
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:24
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. Finale I "Venite, pur avanti" (Leporello, Don Giovanni, Donna Anna, Donna Elvira, Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
7:52
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:11
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:56
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
4:43
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:06
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:02
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:11
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:46
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
0:40
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:23
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:03
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
0:27
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
4:32
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Quintetto "Mille torbidi pensieri" (Donna Elvira, Donna Anna, Leporello, Masetto, Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
partial recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:26
19Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
0:27
20Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:45
21Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
0:47
22Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:19
23Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa è buona" (Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:10
24Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
3:49
25Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
0:46
26Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:16
27Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
3:53
28Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
0:25
▼ CD 3
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1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
8:17
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
6:51
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1995-10)
conductor:
Sigiswald Kuijken (in 1995-10)
recorded at:
Auditorio de Galicia in Santiago de Compostela, A Coruña, Galicia, Spain (in 1995-10)
recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1995-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
6:26
▼ CD 4
#TitleRatingLength
1Die Entführung aus dem Serail, K. 384: Ouvertüre
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384
4:18
2Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich dich denn sehen" (Belmonte) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
12:39
3Die Entführung aus dem Serail, K. 384: Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:07
4Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden" (Osmin) / "Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
6:32
5Die Entführung aus dem Serail, K. 384: Act I, Scene III. Dialog "Könnt'ich mir noch so einen Schurken" (Osmin, Pedrillo)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Könnt' ich mir doch noch so einen Schurken" (Osmin, Pedrillo) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:46
6Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
4:59
7Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:28
8Die Entführung aus dem Serail, K. 384: Act I, Scene V. No. 4 Recitativo ed Aria "Konstanze! Dich wiederzusehen!" (Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
4:58
9Die Entführung aus dem Serail, K. 384: Act I, Scene V. Dialog "Geschwind, geschwind auf die Seite und versteckt!" (Pedrillo, Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. Dialog "Geschwind, geschwind auf die Seite" (Pedrillo) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:04
10Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:38
11Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
0:50
12Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:15
13Die Entführung aus dem Serail, K. 384: Act I, Scene VIII. Dialog "Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
1:33
14Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
2:20
15Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "O des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde, Osmin)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "O, des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:27
16Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
4:37
17Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:46
18Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
3:31
19Die Entführung aus dem Serail, K. 384: Act II, Scene II. Recitativo "Welcher Wechsel herrscht in meiner Seele" (Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:01
20Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
7:15
21Die Entführung aus dem Serail, K. 384: Act II, Scene III. Dialog "Nun, Konstanze, denkst du meinem Begehren nach?" (Selim, Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:40
22Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (from 1999-03-15 until 1999-05-26)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
9:27
23Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim)
orchestra:
Scottish Chamber Orchestra (from 1999-03-15 until 1999-05-26)
conductor:
Charles Mackerras (Australian conductor) (from 1999-03-15 until 1999-05-26)
recorded at:
Caird Hall in Dundee, Scotland, United Kingdom (from 1999-03-15 until 1999-05-26)
recording of:
Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) (from 1999-03-15 until 1999-05-26)
lyricist:
Johann Gottlieb Stephanie ('The Younger')
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
0:29
▶ CD 5

Credits

Release

ASIN:DE: B000066I5R [info]