Mass in B minor (live for NHK television)

~ Release by Johann Sebastian Bach; Münchener Bach‐Orchester, Münchener Bach‐Chor, Karl Richter (see all versions of this release, 1 available)

Annotation

Rich Rosenwald said:

This is probably a reissue of a deleted disc. This is a live recording in 1969 for Japanese Television. Please note that this is NOT a reissue of Archiv 427 155. This is live and the soloists are different.

http://www.jsbach.org/massb.html

Annotation last modified on 2012-01-20 13:02 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Hohe Messe in h-Moll, BWV 232: Ia. Coro "Kyrie eleison"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach10:45
2Hohe Messe in h-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
soprano vocals:
Ursula Buckel (soprano) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:25
3Hohe Messe in h-Moll, BWV 232: Ic. Coro "Kyrie eleison"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:05
4Hohe Messe in h-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:03
5Hohe Messe in h-Moll, BWV 232: IIb. Coro "Et in terra pax"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:01
6Hohe Messe in h-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:28
7Hohe Messe in h-Moll, BWV 232: IId. Coro "Gratias agimus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:31
8Hohe Messe in h-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
soprano vocals:
Ursula Buckel (soprano) (in 1969-05)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:37
9Hohe Messe in h-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:22
10Hohe Messe in h-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:32
11Hohe Messe in h-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
bass vocals:
Ernst Gerold Schramm (German baritone) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:09
12Hohe Messe in h-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:02
▼ CD 2
#TitleArtistRatingLength
1Hohe Messe in h-Moll, BWV 232: IIIa. Coro "Credo in unum Deum"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:15
2Hohe Messe in h-Moll, BWV 232: IIIb. Coro "Patrem omnipotentem"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:08
3Hohe Messe in h-Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) "Et in unum Dominum"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
soprano vocals:
Ursula Buckel (soprano) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:54
4Hohe Messe in h-Moll, BWV 232: IIId. Coro "Et incarnatus est"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:37
5Hohe Messe in h-Moll, BWV 232: IIIe. Coro "Crucifixus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:26
6Hohe Messe in h-Moll, BWV 232: IIIf. Coro "Et resurrexit"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:25
7Hohe Messe in h-Moll, BWV 232: IIIg. Aria (Basso) "Et in Spiritum Sanctum"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
bass vocals:
Ernst Gerold Schramm (German baritone) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:51
8Hohe Messe in h-Moll, BWV 232: IIIh. Coro "Confiteor unum baptisma"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:52
9Hohe Messe in h-Moll, BWV 232: IIIi. Coro "Et expecto"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:21
10Hohe Messe in h-Moll, BWV 232: IVa. Coro "Sanctus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:15
11Hohe Messe in h-Moll, BWV 232: IVb. Coro "Hosanna"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:21
12Hohe Messe in h-Moll, BWV 232: IVc. Aria (Tenore) "Benedictus"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:06
13Hohe Messe in h-Moll, BWV 232: IVd. Coro "Hosanna"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:08
14Hohe Messe in h-Moll, BWV 232: IVe. Aria (Alto) "Agnus Dei"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
alto vocals:
Marga Höffgen (contralto) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:01
15Hohe Messe in h-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
bassoon:
Peter Dienstbier (bassoonist) (in 1969-05) and Richard Popp (bassoonist) (in 1969-05)
cello:
Fritz Kiskalt (cellist) (in 1969-05)
double bass:
Herbert Duft (double bass player) (in 1969-05)
flute:
Paul Meisen (flautist) (in 1969-05) and Herbert Segl (flautist) (in 1969-05)
horn [corno da caccia]:
Hermann Baumann (horn player) (in 1969-05)
oboe:
Manfred Clement (oboist) (in 1969-05), Kurt Hausmann (oboist) (in 1969-05) and Edgar Shann (oboist) (in 1969-05)
oboe d'amore:
Manfred Clement (oboist) (in 1969-05) and Kurt Hausmann (oboist) (in 1969-05)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1969-05)
timpani:
Mathias Holm (in 1969-05)
trumpet:
Jacques Mas (Trumpeter) (in 1969-05), Pierre Thibaud (French trumpeter) (in 1969-05) and Josef Wiendl (trumpeter) (in 1969-05)
violin:
Kurt Guntner (violinist) (in 1969-05)
choir vocals:
Münchener Bach‐Chor (in 1969-05)
orchestra:
Münchener Bach‐Orchester (in 1969-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-05)
recorded at:
Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1969-05)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:50