Nina Simone: The ★ Collection

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1My Way
cover recording of:
My Way (Frank Sinatra song)
lyricist:
Paul Anka
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
5:07
2The House of the Rising Sun
recording engineer:
Mickey Crofford (on 1967-01-05) and Ray Hall (engineer) (on 1967-01-05)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1967-01-05)
cover recording of:
House of the Rising Sun
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
33:52
3Save Me
cover recording of:
Save Me (Aretha Franklin song)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music
3:23
4Here Comes the Sun
cover recording of:
Here Comes the Sun
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
3:32
5I Loves You, Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
3:30
6I Wish I Knew How It Would Feel to Be Free
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:09
7Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:04
8Seems I’m Never Tired of Lovin’ You
recording engineer:
Ray Hall (engineer)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
43:00
9My Sweet Lord
cover recording of:
My Sweet Lord
lyricist and composer:
George Harrison (The Beatles)
publisher:
Harrisongs Ltd.
version of:
He’s So Fine
4:38
10The Times They Are A-Changin’
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
bass [Fender bass] and electric bass guitar:
Gene A Perla
drums (drum set) [drums]:
Charles D. Alias
guitar:
Al Schackman
organ:
Weldon J. Irvine, Jr.
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
background vocals and background vocals [vocalist]:
Virdia Crawford and Doris Willingham
conductor:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
The Times They Are A‐Changin’
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing, LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (from 1963 until 1991) and Special Rider Music (from 1991 to present)
36:00
11I Want a Little Sugar in My Bowl
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist), Dally Small and Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist)
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
2:35
12Mr. Bojangles
phonographic copyright (℗) by:
BMG Music (in 1971)
cover recording of:
Mr. Bojangles
lyricist and composer:
Jerry Jeff Walker
publisher:
Gotillion Music (BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.55:04
13I Shall Be Released
cover recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 and Dwarf Music (from 1967 to present)
3:57
14Ain’t Got No, I Got Life
recording engineer:
Ed Begley (sound engineer in RCA Victor) (on 1968-05-13)
producer:
Joe René
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (on 1968-05-13)
phonographic copyright (℗) by:
BMG Music (in 1968)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States (on 1968-05-13)
recording of:
Ain’t Got No, I Got Life (on 1968-05-13)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) and EMI United Partnership Ltd.
medley of:
Ain’t Got No (from “Hair”)
medley of:
I Got Life (from “Hair”)
42:14
15To Love Somebody
recording engineer:
Ray Hall (engineer) and Mike Moran (American engineer, associated with RCA)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Don Alias (in 1967)
piano and lead vocals:
Nina Simone (US singer, songwriter, pianist, arranger and civil rights activist) (in 1967)
conductor:
Jimmy Wisner
arranger:
Jimmy Wisner
phonographic copyright (℗) by:
BMG Music (in 1969)
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
recorded at:
RCA Studio B (New York) in New York, New York, United States
cover recording of:
To Love Somebody (in 1967)
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers‐BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. and Universal Music Careers
part of:
50/50
42:40
16Angel of the Moring
cover recording of:
Angel of the Morning
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
3:33