Tracklist

CD 1
#TitleRatingLength
1BWV 208-01 Was mir behagt, ist nur die muntre Jagd! Recitativo 'Was mir behagt'
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:37
2BWV 208-02. Aria 'Jagen ist die Lust der Götter'
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:51
3BWV 208-03. Recitativo 'Wie schönste Göttin'
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:13
4BWV 208-04. Aria 'Willst du dich nicht mehr Ergötzen'
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:45
5BWV 208-05. Recitativo 'Ich liebe dich zwar noch!'
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
tenor vocals:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:20
6BWV 208-06. Recitativo 'Ich, der sonst ein Gott'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:38
7BWV 208-07. Aria 'Ein Fürst ist seines Landes Pan'
recorded in:
Wien, Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:33
8BWV 208-08. Recitativo 'Soll denn der Pales Opfer'
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:37
9BWV 208-09. Aria 'Schafe können sicher weiden'
recorded in:
Wien, Austria (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:57
10BWV 208-10. Recitativo 'So stimmt mit ein'
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
0:11
11BWV 208-11. Coro 'Lebe, Sonne dieser Erden'
recorded in:
Wien, Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
choir vocals:
Arnold Schoenberg Chor (in 1988-05)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
tenor vocals [Endymion]:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
chorus master:
Erwin Ortner (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:15
12BWV 208-12. Duetto 'Entzücket uns beide'
recorded in:
Wien, Austria (in 1988-05)
soprano vocals [Diana]:
Yvonne Kenny (Australian soprano) (in 1988-05)
tenor vocals [Endymion]:
Kurt Equiluz (tenor) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
2:01
13BWV 208-13. Aria 'Weil die wollenreichen Herden'
recorded in:
Wien, Austria (in 1988-05)
soprano vocals [Pales]:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
1:48
14BWV 208-14. Aria 'Ihr Felder und Auen'
recorded in:
Wien, Austria (in 1988-05)
bass vocals [Pan]:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:20
15BWV 208-15. Coro 'Ihr lieblichste Blicke'
choir vocals:
Arnold Schoenberg Chor (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden” (in 1988-05)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:37
16BWV 212-01 Mer hahn en neue Oberkeet - 1. Ouvertüre
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": I. Ouvertüre (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
2:11
17BWV 212-02. Aria (Duetto) 'Mer hahn en neue Oberkeet'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Duetto Sopran, Bass) "Mer hahn en neue Oberkeet" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:35
18BWV 212-03. Recitativo 'Nu, Mieke, gib dein Guschel immer her'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:58
19BWV 212-04. Aria 'Ach, es schmeckt doch gar zu gut'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IV. Aria (Sopran) "Ach, es schmeckt doch gar zu gut" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:05
20BWV 212-05. Recitativo 'Der Herr ist gut'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:23
21BWV 212-06. Aria 'Ach, Herr Schösser'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:12
22BWV 212-07. Recitativo 'Es bleibt dabei'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VII. Recitativo (Sopran) "Es bleibt dabei" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
23BWV 212-08. Aria 'Unser trefflicher lieber Kammerherr'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": VIII. Aria (Sopran) "Unser trefflicher, lieber Kammerherr" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
is based on:
Folia
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:32
24BWV 212-09. Recitativo'Er hilft uns allen, alt und jung'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:32
25BWV 212-10. Aria 'Das ist galant'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": X. Aria (Sopran) "Das ist galant" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:15
26BWV 212-11. Recitativo 'Und unsre Gnäd'ge Frau'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:46
27BWV 212-12. Aria 'Fünfzig Taler bares Geld'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:50
28BWV 212-13. Recitativo 'Im Ernst ein Wort!'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIII. Recitativo (Sopran) "Im Ernst ein Wort" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:26
29BWV 212-14. Aria 'Klein-Zschocher müsse'
recorded in:
Wien, Austria (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIV. Aria (Sopran) "Klein-Zschocher müsse" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
7:25
30BWV 212-15. Recitativo 'Das ist zu klug vor dich'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:22
31BWV 212-16. Aria 'Es nehme zehntausend Dukaten'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:43
32BWV 212-17. Recitativo 'Das klingt zu liederlich'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVII. Recitativo (Sopran) "Das klingt zu liederlich" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:21
33BWV 212-18. Aria 'Gib, Schöne'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVIII. Aria (Sopran) "Gib, Schöne, viel Söhne" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:39
34BWV 212-19. Recitativo 'Du hast wohl recht'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:20
35BWV 212-20. Aria 'Dein Wachstum sei feste'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Bass) "Dein Wachstum sei feste und lache vor Lust" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
5:51
36BWV 212-21. Recitativo 'Und damit sei es auch genug'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:15
37BWV 212-22. Aria 'Und daß ihr's alle wißt'
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXII. Aria (Sopran) "Und daß ihrs alle wißt" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:43
38BWV 212-23. Recitativo 'Mein Schatz, erraten!'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
0:33
39BWV 212-24. Coro 'Wir gehn nun'
bass vocals:
Robert Holl (bass-baritone) (in 1988-05)
soprano vocals:
Angela Maria Blasi (soprano) (in 1988-05)
orchestra:
Concentus Musicus Wien (in 1988-05)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-05)
recorded at:
Casino Zögernitz in Wien, Austria (in 1988-05)
recording of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" (in 1988-05)
premiered in:
Leipzig, Sachsen, Germany (on 1742-08-30)
composed in:
Leipzig, Sachsen, Germany (in 1742)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1742)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 212 "Mer hahn en neue Oberkeet"
1:06

Credits

Release

ASIN:UK: B000000SPL [info]