The Heart of Saturday Night

~ Release by Tom Waits (see all versions of this release, 11 available)

Annotation

Newly Remastererd with Waits/Brennan

Annotation last modified on 2019-03-09 22:10 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1New Coat of Paint
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
New Coat of Paint (in 1974)
lyricist and composer:
Tom Waits
3.53:23
2San Diego Serenade
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
San Diego Serenade (in 1974)
lyricist and composer:
Tom Waits
43:30
3Semi Suite
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Semi Suite (in 1974)
lyricist and composer:
Tom Waits
33:29
4Shiver Me Timbers
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Shiver Me Timbers (in 1974)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc. and フジパシフィックミュージック
34:27
5Diamonds on My Windshield
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Diamonds on My Windshield (in 1974)
lyricist and composer:
Tom Waits
33:12
6(Looking for) The Heart of Saturday Night
sound engineer, engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
(Looking for) The Heart of Saturday Night (in 1974)
lyricist and composer:
Tom Waits
33:53
7Fumblin' With the Blues
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Fumblin’ With the Blues (in 1974)
lyricist and composer:
Tom Waits
33:03
8Please Call Me, Baby
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Please Call Me, Baby (in 1974)
lyricist and composer:
Tom Waits
44:26
9Depot, Depot
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Depot, Depot (in 1974)
lyricist and composer:
Tom Waits
33:47
10Drunk on the Moon
assistant engineer:
Geoff Howe
engineer and producer:
Dayton “Bones” Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
Drunk on the Moon (in 1974)
lyricist and composer:
Tom Waits
35:07
11The Ghosts of Saturday Night (After Hours at Napoleone's Pizza House)
sound engineer and producer:
Dayton “Bones” Howe
assistant engineer:
Geoff Howe
double bass:
Jim Hughart (in 1974)
drums (drum set):
Bill Goodwin (jazz drummer, producer) (in 1974)
piano:
Tom Waits (in 1974)
tenor saxophone:
Pete Christlieb (in 1974)
vocals:
Tom Waits (in 1974)
arranger:
Bob Alcivar
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (in 1974)
recording of:
The Ghosts of Saturday Night (After Hours at Napoleone’s Pizza House) (in 1974)
lyricist and composer:
Tom Waits
3.53:17