Weihnachts-Oratorium, BWV 248 (RIAS-Kammerchor, Akademie für Alte Musik Berlin, René Jacobs), Volume 2

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Rezitativ (E): Und die Hirten kehrten wieder um
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:26
2Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Choral: Seid froh
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:03
3Weihnachts-Oratorium, BWV 248: III. For the Third Day of Christmas: Chor (da capo 24): Herrscher des Himmels, erhöre das Lallen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1997-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:57
4Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Chor: Fallt mit Danken, fallt mit Loben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:02
5Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (E): Und da acht Tage um waren
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:29
6Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Imanuel, o süßes Wort!
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:35
7Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (S/Echo): Flößt, mein Heiland, flößt dein Namen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:35
8Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Rezitativ (B) und Choral (S): Wohlan, dein Name soll allein
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:45
9Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Arie (T): Ich will nur dir zu Ehren leben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:28
10Weihnachts-Oratorium, BWV 248: IV. For the Feast of the Circumcision of Christ: Choral: Jesus richte mein Beginnen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
2:46
11Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor: Ehre sei dir, Gott, gesungen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
6:04
12Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da Jesus geboren war zu Bethlehem
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:22
13Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Chor und Rezitativ (A): Wo ist der neugeborne König der Juden?
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:42
14Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Dein Glanz all Finsternis verzehrt
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:06
15Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Arie (B): Erleucht auch meine finstre Stimme
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:30
16Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Da das der König Herodes hörte
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:10
17Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Warum wollt ihr erschrecken?
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:34
18Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (E): Und ließ versammeln alle Hohepriester
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:12
19Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Terzett (SAT): Ach, wenn wird die Zeit erscheinen?
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
6:00
20Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Rezitativ (A): Mein Liebster herrschet schon
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:30
21Weihnachts-Oratorium, BWV 248: V. For the Sunday after New Year: Choral: Zwar ist solche Herzensstube
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:25
22Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Chor: Herr, wenn die stolzen Feinde schnauben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
5:13
23Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E) und Rezitativ (H): Da berief Herodes die Weisen heimlich
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:43
24Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (S): Du Falscher, suche nur den Herrn zu fällen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:51
25Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (S): Nur ein Wink von seinen Händen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:15
26Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Als sie nun den König gehöret hatten
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:14
27Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Ich steh an deiner Krippen hier
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:46
28Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (E): Und Gott befahl ihnen im Traum
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:23
29Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (T): So geht! Genug, mein Schatz geht nicht von hier
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
1:54
30Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Arie (T): Nun mögt ihr stolzen Feinde schrecken
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
4:17
31Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Rezitativ (SATB): Was will der Höllen Schrecken nun
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
0:51
32Weihnachts-Oratorium, BWV 248: VI. For the Feast of Epiphany: Choral: Nun seid ihr wohl gerochen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1997-01)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
3:39