Die Fledermaus

~ Release by Johann Strauss; Júlia Várady, Lucia Popp, Hermann Prey, Ivan Rebroff, René Kollo, Bernd Weikl, Bayerisches Staatsorchester, Carlos Kleiber (see all versions of this release, 6 available)

Tracklist

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▼ CD 1
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1Die Fledermaus: Ouvertüre
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Ouvertüre (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus
part of:
Die Fledermaus (english; unknown version)
Johann Strauss7:40
2Die Fledermaus: Akt I. Nr. 1 Introduktion: „Täubchen, das entflattert ist“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Ha-ha-ha-ha! Da schreibt meine Ida“ (Adele)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
3Die Fledermaus: Akt I. Dialog: „Täubchen, das entflattert ist“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
partial recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:47
4Die Fledermaus: Akt I. Nr. 1a (Duettino): „Ach, ich darf nicht hin zu dir!“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss0:56
5Die Fledermaus: Akt I. Dialog: „Die arme Tante“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Wie glücklich die alte Tante ist…“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:08
6Die Fledermaus: Akt I. Nr. 2 Terzett: „Nein, mit solchen Advokaten“
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carlos Kleiber (conductor)
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
7Die Fledermaus: Akt I. Dialog: „Sag mal, also statt fünf musst du acht Tage“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Also, noch verschärft die Strafe?“ (Rosalinde, Eisenstein, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:51
8Die Fledermaus: Akt I. Nr. 3 Duett: „Komm mit mir zum Souper“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:14
9Die Fledermaus: Akt I. Dialog: „Seid ihr verrückt geworden?“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ja, was ist denn los? Ihr tanzt und singt“ / „Seid ihr verrückt geworden?“ (Rosalinde, Eisenstein, Falke) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:19
10Die Fledermaus: Akt I. Nr. 4 Terzett: „So muss allein ich bleiben“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss3:47
11Die Fledermaus: Akt I. Dialog: „Ach…diese Männer“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Dialog „Ach… Diese Männer“ / „Er weint und tanzt zugleich“ (Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss1:01
12Die Fledermaus: Akt I. Nr. 5 Finale: „Trinke, Liebchen, trinke schnellv
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 5c Terzett „Nein, nein, ich zweifle gar nicht mehr“ … „Mein schönes, grosses Vogelhaus” (Frank, Rosalinde, Alfred) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss10:38
13Die Fledermaus: Akt II. Nr. 6 Introduktion: „Ein Souper heut uns winkt“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:20
14Die Fledermaus: Akt II. Dialog: „Adele, wer hat denn dich hierher eingeladen?“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:53
15Die Fledermaus: Akt II. Nr. 7 Couplet: „Ich lade gern mir Gäste ein“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:03
16Die Fledermaus: Akt II. Dialog: „Durchlaucht, hier ist Ihre Brieftasche wieder“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:46
17Die Fledermaus: Akt II. Nr. 8 Ensemble und Couplet: „Ach, meine Herr’n und Damen“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
partial recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss1:03
18Die Fledermaus: Akt II. „Mein Herr Marquis“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:24
19Die Fledermaus: Akt II. Dialog: „Hoheit, ein Chevalier Chagrin ist da“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Ivan, Orlofskys Kammerdiener]:
Nikolai Lugowoi (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss3:04
20Die Fledermaus: Akt II. Nr. 9 Duett: „Dieser Anstand, so manierlich“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:44
21Die Fledermaus: Akt II. Dialog: „Ah, da ist ja die schöne Unbekannte“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:36
22Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:02
23Die Fledermaus: Akt II. Dialog: „Bravo! Bravissimo!“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:12
24Die Fledermaus: Akt II. Nr. 11 Finale: „Im Feuerstrom der Reben“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss2:14
▼ CD 2
#TitleArtistRatingLength
1Die Fledermaus: Akt II. „Herr, Chevalier, ich grüsse Sie!“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss5:23
2Die Fledermaus: Akt II. Dialog: „Wir werden jetzt sehen das Ballett“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Dialog: „Wir werden jetzt sehen das Ballett“ (Orlofsky) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss0:10
3Die Fledermaus: Akt II. Polka „Unter Donner und Blitz“, op.324
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Unter Donner und Blitz, op. 324 (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss2:56
4Die Fledermaus: Akt II. „Genug damit, genug“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss4:10
5Die Fledermaus: Akt III. Nr. 12 Entr’acte
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (in 1975-10)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss0:57
6Die Fledermaus: Akt III. Dialog: „Täubchen, das entflattert ist“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog: „Täubchen, das entflattert ist” … „Hallo, also das ist ein fideles Gefängnis“ (Alfred, Frosch) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:08
7Die Fledermaus: Akt III. Nr. 13 Melodram
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 13. Melodram „So, da wär’n wir ja zuhause im Vogelhaus“ … „Olga komm her, Ida auch“ (Frank) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:47
8Die Fledermaus: Akt III. Dialog: „Ah, der Herr Direktor ist entschlafen“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss1:34
9Die Fledermaus: Akt III. Nr. 14 Couplets: „Spiel’ ich die Unschuld vom Lande“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss4:13
10Die Fledermaus: Akt III. Dialog: „Herr Direktor!“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Dr. Blind, Advokat]:
Ferry Gruber (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Dialog „Bravo, ganz entzückend!“ … „Herr Direktor!” (Frank, Frosch, Adele, Eisenstein)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss3:26
11Die Fledermaus: Akt III. Nr. 15 Terzett: „Ich stehe voll Zagen“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss7:01
12Die Fledermaus: Akt III. Dialog: „Also, du willst mir Vorwürfe machen?“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
spoken vocals [Frosch, Gerichtsdiener]:
Franz Muxeneder (Austrian actor) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bayerisches Staatsorchester (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Dialog „Du wagst es mir Vorwürfe zu machen“ (Rosalinde, Eisenstein, Alfred, Frank, Frosch) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss0:40
13Die Fledermaus: Akt III. Nr. 16 Finale: „O Fledermaus, o Fledermaus“
recording engineer:
Klaus Behrens (Engineer) and Wolf-Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
bass vocals [Prinz Orlofsky, ein reicher russischer Fürst]:
Ivan Rebroff (in 1975-10)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
tenor vocals [Alfred, Gesangslehrer]:
René Kollo (tenor) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) (in 1975-10)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss2:39

Credits

Release

ASIN:US: B000001G6S [info]