The Continuing Story of Radar Love (club edition)

~ Release by Golden Earring (see all versions of this release, 5 available)

Annotation

Number below barcode is 752915T.

Annotation last modified on 2017-07-21 18:27 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Radar Love
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
4.36:24
2The Vanilla Queen
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973) and Track Records Ltd. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
The Vanilla Queen
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
3.659:15
3Candy’s Going Bad
recording engineer:
Pieter Nieboer
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Damon Lyon-Shaw
arranger:
Golden Earring
phonographic copyright (℗) by:
Dutch Record Company (in 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1973), Red Bullet Productions B.V. (in 1973) and Track Records Ltd. (in 1973)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in Hilversum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Candy’s Going Bad
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) and Track Music Inc.
3.656:13
4She Flies on Strange Wings
recording engineer:
Albert Kos (engineer/editor) and Pieter Nieboer
producer:
Fred Haayen
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1971) and Red Bullet (Dutch independent label) (in 1971)
produced for:
Red Bullet Productions
recorded at:
Phonogram Studios in London (Greater London), England, United Kingdom (from 1970 until 1971)
recording of:
She Flies on Strange Wings (from 1970 until 1971)
lyricist and composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
47:23
5Ce Soir
recording engineer:
John Kriek and Jan Schuurman
executive producer:
Fred Haayen
producer:
Golden Earring
mixer:
Andy Knight (UK engineer) and John Kriek
strings arranger:
Robert Jan Stips
arranger:
Golden Earring
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1975), Polydor International GmbH (not for release label use!) (in 1975), Red Bullet Productions B.V. (in 1975) and Track Records Ltd. (in 1975)
produced for:
Red Bullet Productions
recorded at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
mixed at:
IBC Studios in London (Greater London), England, United Kingdom
recording of:
Kill Me (Ce soir)
lyricist:
John Fenton and Barry Hay
composer:
George Kooymans
publisher:
Feelgood Music, Inc., New Dayglow B.V. and Snamyook Music (publisher associated with George Kooymans)
36:14
6Mad Love’s Comin’
miscellaneous support:
Steve James (Australian, formerly UK producer/engineer) (task: tape operator)
engineer:
Robin Freeman (British recording engineer, producer and musician based in the Netherlands)
producer:
Golden Earring and John Kriek
mixer:
John Kriek, Steve Lillywhite and Damon Lyon-Shaw
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1976) and Red Bullet Productions B.V. (in 1976)
produced for:
Red Bullet Productions
recorded at:
Artisound Studios (Since 2000: Soundwise) in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands and Relight Studio in Hilvarenbeek, Noord-Brabant, Netherlands, Kingdom of the Netherlands
mixed at:
Chappell Studios in London (Greater London), England, United Kingdom
recording of:
Mad Love’s Comin’
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
37:46
7Leather
assistant engineer:
John Kriek and Thom Panunzio
engineer:
Shelly Yakus
producer:
Jimmy Iovine
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1978), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1978) and Red Bullet Productions B.V. (in 1978)
produced for:
Red Bullet Productions
recorded at:
DMC (Dutch Music Center) in Baarn, Utrecht, Netherlands, Kingdom of the Netherlands and Record Plant (New York) in Midtown Manhattan, New York, New York, United States
mixed at:
Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Leather
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Volksmusic
45:02
8Clear Night Moonlight
producer:
Shell Schellekens
recording of:
Clear Night Moonlight
lyricist and composer:
Barry Hay and George Kooymans
publisher:
Volksmusic
3.653:26
9Lost and Found
engineer:
John Kriek
producer:
Shell Schellekens
phonographic copyright (℗) by:
21 Records (in 1982) and Red Bullet (Dutch independent label) (in 1982)
produced for:
Red Bullet Productions
recorded at:
Kooymans Manor (George Kooymans residence & recording studio) in Rijkevorsel, Antwerpen, Flanders, Belgium
mixed at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
Lost and Found
lyricist:
Barry Hay
composer:
Renus Gerritsen
publisher:
Nada International C.V. and Nada Music (Dutch publisher) (in 1982)
43:56
10The Devil Made Me Do It
engineer:
John Kriek
producer:
Shell Schellekens
horn arranger:
Hans Hollestelle
phonographic copyright (℗) by:
21 Records (in 1982) and Red Bullet (Dutch independent label) (in 1982)
produced for:
Red Bullet Productions
recorded at:
Kooymans Manor (George Kooymans residence & recording studio) in Rijkevorsel, Antwerpen, Flanders, Belgium
mixed at:
Soundpush Studio in Blaricum, Noord-Holland, Netherlands, Kingdom of the Netherlands
recording of:
The Devil Made Me Do It
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) and Volksmusic (in 1982)
43:21
11Quiet Eyes
producer:
Shell Schellekens
recording of:
Quiet Eyes
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Volksmusic
4:11
12Twilight Zone
producer:
Shell Schellekens
recording of:
Twilight Zone
lyricist and composer:
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) and Snamyook Music (publisher associated with George Kooymans) (in 1982)
7:52

Credits

Release

manufactured by:MCA Records Canada (1970–1995)
distributed by:Columbia House (direct‐mailing distributor of club editions of releases)
MCA Records Canada (1970–1995)
copyrighted (©) by and phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Discogs:https://www.discogs.com/release/3273540 [info]