Annotation

Recorded:

12/1972
2/1973

Annotation last modified on 2014-07-21 21:23 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Teil I, I. Coro "Jauchzet, frohlocket"
recorded in:
West Germany (in 1972-10)
choir vocals:
Chorus of the Bavarian Radio (in 1972-10), Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Orchestra of the Bavarian Radio (in 1972-10) and Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1972-10, in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor) and Josef Schmidhuber (chorus master) (in 1972-10)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach8:41
2Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) "Bereite dich, Zion"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:04
3Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral con Recitativo (Basso) "Er ist auf Erden kommen arm"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach3:34
4Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Eugen Jochum (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach6:31
5Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral "Brich an, o schönes Morgenlicht"
choir vocals:
Chor des Bayerischen Rundfunks and Tölzer Knabenchor
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Eugen Jochum (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:21
6Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) "Frohe Hirten, eilt, ach eilet"
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:15
7Weihnachts-Oratorium, BWV 248: Teil II, XVII Aria (Tenore) "Schaut hin, dort liegt im finsteren Stall"
tenor vocals:
Horst Laubenthal (tenor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Eugen Jochum (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:01
8Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) "Schlafe, mein Liebster"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach10:12
9Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Aria (Alto) "Wir singen dir in deinem Heer"
alto vocals:
Brigitte Fassbaender (mezzo-soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks
conductor:
Eugen Jochum (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1973-02)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:29
10Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1976)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:25
11Weihnachts-Oratorium, BWV 248: Teil V, IIIL. Aria (Basso) "Erleucht auch meine finstre Sinnen"
bass vocals:
Hermann Prey (baritone) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach4:41
12Weihnachts-Oratorium, BWV 248: Teil V, LI. Terzetto (Soprano, Alto, Basso) "Ach, wann wird die Zeit erscheinen?"
alto vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1973-02)
bass vocals:
Hermann Prey (baritone) (in 1973-02)
soprano vocals:
Elly Ameling (soprano) (in 1973-02)
tenor vocals:
Horst Laubenthal (tenor) (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:37
13Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral "Ich steh an deiner Krippe hier"
choir vocals:
Chor des Bayerischen Rundfunks (in 1973-02) and Tölzer Knabenchor (in 1973-02)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-02)
conductor:
Eugen Jochum (conductor) (in 1973-02)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1973-02)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach1:19