A Duke in Concert

~ Release by Duke Ellington & His Orchestra (see all versions of this release, 1 available)

Annotation

The 1954 Los Angeles Concert
The 1953 Pasadena Concert

Annotation last modified on 2015-11-08 09:34 UTC.

Tracklist

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▼ CD 1: CD1 The 1953 Pasadena Concert
#TitleRatingLength
1The Tattooed Bride
recording of:
The Tattooed Bride
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
9:25
2Diminuendo in Blue / Crescendo in Blue
live recording of:
Diminuendo and Crescendo in Blue
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley of:
Diminuendo in Blue
medley of:
Crescendo in Blue
8:11
3The Hawk Talks
recording of:
The Hawk Talks
composer:
Louie Bellson
3:15
4Monologue
3:20
5St. Louis Blues
producer:
Gene Norman
alto saxophone:
Rick Henderson (jazz saxophonist) (on 1953-03-30)
bass:
Wendell Marshall (on 1953-03-30)
drums (drum set):
Butch Ballard (on 1953-03-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-03-30)
reeds:
Harry Carney (on 1953-03-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1953-03-30) and Russell Procope (on 1953-03-30)
tenor saxophone:
Paul Gonsalves (on 1953-03-30)
trombone:
Quentin Jackson (on 1953-03-30) and Britt Woodman (on 1953-03-30)
trumpet:
Cat Anderson (on 1953-03-30), Willie Cook (on 1953-03-30), Ray Nance (on 1953-03-30) and Clark Terry (American swing trumpeter) (on 1953-03-30)
phonographic copyright (℗) by:
Vogue France
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1953-03-30)
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
2:35
6V.I.P.'s Boogie / Jam With Sam
6:35
7Without a Song
producer:
Gene Norman
alto saxophone:
Rick Henderson (jazz saxophonist) (on 1953-03-30)
bass:
Wendell Marshall (on 1953-03-30)
drums (drum set):
Butch Ballard (on 1953-03-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-03-30)
reeds:
Harry Carney (on 1953-03-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1953-03-30) and Russell Procope (on 1953-03-30)
tenor saxophone:
Paul Gonsalves (on 1953-03-30)
trombone:
Quentin Jackson (on 1953-03-30) and Britt Woodman (on 1953-03-30)
trumpet:
Cat Anderson (on 1953-03-30), Willie Cook (on 1953-03-30), Ray Nance (on 1953-03-30) and Clark Terry (American swing trumpeter) (on 1953-03-30)
phonographic copyright (℗) by:
Vogue France
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1953-03-30)
3:55
8Do Nothin' Till You Hear From Me
producer:
Gene Norman
alto saxophone:
Rick Henderson (jazz saxophonist) (on 1953-03-30)
bass:
Wendell Marshall (on 1953-03-30)
drums (drum set):
Butch Ballard (on 1953-03-30)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-03-30)
reeds:
Harry Carney (on 1953-03-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1953-03-30) and Russell Procope (on 1953-03-30)
tenor saxophone:
Paul Gonsalves (on 1953-03-30)
trombone:
Quentin Jackson (on 1953-03-30) and Britt Woodman (on 1953-03-30)
trumpet:
Cat Anderson (on 1953-03-30), Willie Cook (on 1953-03-30), Ray Nance (on 1953-03-30) and Clark Terry (American swing trumpeter) (on 1953-03-30)
phonographic copyright (℗) by:
Vogue France
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1953-03-30)
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
2:12
9Street Blues
4:26
10Perdido
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
4:52
11Ellington Medley
7:33
▼ CD 2: CD2 The 1954 Los Angeles Concert
#TitleRatingLength
1Smada
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Smada (on 1954-04-13)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
2:32
2Black and Tan Fantasy
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Black and Tan Fantasy (on 1954-04-13)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
5:12
3How High the Moon
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
How High the Moon (on 1954-04-13)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
5:09
4Serious Serenade
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
3:22
5Theme for Trambean
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
4:05
6Skin Deep
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Skin Deep (on 1954-04-13)
composer:
Louie Bellson
5:31
7Mood Indigo
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Mood Indigo (1930 jazz composition and song) (on 1954-04-13)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
6:13
8Blue Jean Beguine
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
4:14
9Take the "A" Train
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1954-04-13)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
9:31
10Satin Doll
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
live recording of:
Satin Doll (on 1954-04-13)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music Inc and WB Music Corp. (1929–2019)
3:54
11Stompin' at the Savoy
bass:
Jimmy Woode (on 1954-04-13)
drums (drum set):
Dave Black (drums) (on 1954-04-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1954-04-13)
reeds:
Harry Carney (on 1954-04-13), Paul Gonsalves (on 1954-04-13), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1954-04-13), Rick Henderson (jazz saxophonist) (on 1954-04-13) and Russell Procope (on 1954-04-13)
trombone:
Quentin Jackson (on 1954-04-13), John Sanders (US jazz trombonist) (on 1954-04-13) and Britt Woodman (on 1954-04-13)
trumpet:
Cat Anderson (on 1954-04-13), Willie Cook (on 1954-04-13), Ray Nance (on 1954-04-13) and Clark Terry (American swing trumpeter) (on 1954-04-13)
phonographic copyright (℗) by:
GNP Crescendo
recorded at:
Embassy Auditorium in North Hollywood, Los Angeles, California, United States (on 1954-04-13)
6:08