# | Title | Artist | Rating | Length |
---|
1 | Lovin’ You | Minnie Riperton | 3.65 | 3:24 |
2 | Angie Baby | Helen Reddy | 5 | 3:29 |
3 | A Little Bit More | Dr. Hook | 3 | 2:55 |
4 | They Shoot Horses Don’t They | Racing Cars | | 3:41 |
5 | Spanish Stroll | Mink DeVille | | 3:37 |
6 | Peaches- engineer:
- Alan Winstanley
- producer:
- Martin Rushent
- assistant mixer:
- Benny King
- mixer:
- Doug Bennett
- bass guitar:
- Jean‐Jacques Burnel (from 1976-12-20 until 1977-01-28)
- drums (drum set):
- Jet Black (from 1976-12-20 until 1977-01-28)
- guitar and lead vocals:
- Hugh Cornwell (from 1976-12-20 until 1977-01-28)
- keyboard:
- Dave Greenfield (from 1976-12-20 until 1977-01-28)
- publisher:
- EMI April Music Inc.
- recorded at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1976-12-20 until 1977-01-28)
- mixed at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom
- produced at:
- T.W. Studios in Fulham, Hammersmith and Fulham, London , England, United Kingdom (from 1977-01 until 1977-02)
- recording of:
- Peaches (from 1976-12-20 until 1977-01-28)
- writer:
- Brian Duffy , Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
- publisher:
- Albion Music Ltd., April Music Ltd., Complete Music Ltd., Musik-Edition Discoton and Universal Music Publishing MGB Ltd.
| The Stranglers | 4.2 | 4:07 |
7 | 2‐4‐6‐8 Motorway | Tom Robinson Band | 4 | 3:19 |
8 | Dancing in the City | Marshall Hain | | 3:48 |
9 | More Than a Woman | Tavares | 5 | 3:18 |
10 | Baker Street- bass:
- Gary Taylor (in 1977)
- drums (drum set):
- Henry Spinetti (in 1977)
- guitar [lead guitar]:
- Hugh Burns (in 1977)
- guitar [rhythm guitar]:
- Nigel Jenkins (in 1977)
- keyboard:
- Tommy Eyre (in 1977)
- percussion:
- Glen LeFleur (in 1977)
- saxophone:
- Raphael Ravenscroft (in 1977)
- lead vocals:
- Gerry Rafferty (in 1977)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (in 1977)
- edit of:
- Baker Street by Gerry Rafferty
- recording of:
- Baker Street (in 1977)
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, EMI Music Publishing , Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 4 | 4:09 |
11 | Wuthering Heights | Kate Bush | | 4:31 |
12 | Rich Kids | Rich Kids | 5 | 2:58 |
13 | Ever Fallen in Love (With Someone You Shouldn’t’ve) | Buzzcocks | 4.45 | 2:43 |
14 | Hanging On the Telephone- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- cover recording of:
- Hanging On the Telephone (from 1978-06 until 1978-07)
- lyricist and composer:
- Jack Lee
- publisher:
- BMG Blue, Chrysalis Music Ltd. , Chrysalis Records Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Red Admiral Music Inc. and Rare Blue Music Inc (in 1978)
| Blondie | 4.2 | 2:23 |
15 | Darlin’ | Frankie Miller | | 3:11 |
16 | Milk and Alcohol | Dr. Feelgood | 4.65 | 2:48 |
17 | My Sharona | The Knack | 4.1 | 4:04 |
18 | Tears of a Clown | The Beat | 3 | 2:44 |
19 | A Message to You Rudy | The Specials | | 2:56 |
20 | On My Radio | Selector | | 3:10 |