Die Schöpfung

~ Release by Haydn; Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
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1Die Schöpfung: Erster Teil: 1. Die Vorstellung des Chaos
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: I. Die Vorstellung des Chaos (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:10
2Die Schöpfung: Erster Teil: 2. Recitative (Raphael, Uriel) and Chorus: “Im Anfange schuf Gott Himmel und Erde” / “Und der Geist Gottes schwebte auf der Fläche der Wasser”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: II. Rezitativ: Im Anfange schuf Gott Himmel und Erde (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:59
3Die Schöpfung: Erster Teil: 3. Aria (Uriel) and Chorus: “Nun schwanden vor dem heiligen Strahle” / “Verzweiflung, Wut und Schrecken”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: III. Arie und Chor: Nun schwanden vor dem heiligen Strahle (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:39
4Die Schöpfung: Erster Teil: 4. Accompanied Recitative (Raphael): “Und Gott machte das Firmament”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IV. Accompagnato-Rezitativ: Und Gott machte das Firmament (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:54
5Die Schöpfung: Erster Teil: 5. Solo (Gabriel) with Chorus: “Mit Staunen sieht das Wunderwerk” / “Und laut ertönt aus ihren Kehlen”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: V. Solo mit Chor: Mit staunen sieht das Wunderwerk (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:01
6Die Schöpfung: Erster Teil: 6. Recitative (Raphael): “Und Gott sprach: Es sammle sich das Wasser”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VI. Rezitativ: Und Gott sprach: Es sammle sich das Wasser (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:47
7Die Schöpfung: Erster Teil: 7. Aria (Raphael): “Rollend in schäumenden Wellen”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VII. Rollend in schäumenden Wellen (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:52
8Die Schöpfung: Erster Teil: 8. Recitative (Gabriel): “Und Gott sprach: Es bringe die Erde Gras hervor”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:35
9Die Schöpfung: Erster Teil: 9. Aria (Gabriel): “Nun beut die Flur das frische Grün”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:08
10Die Schöpfung: Erster Teil: 10: Recitative (Uriel): “Und die himmlischen Heerscharen verkündigten”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:13
11Die Schöpfung: Erster Teil: 11. Chorus: “Stimmt an die Saiten”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:56
12Die Schöpfung: Erster Teil: 12. Recitative (Uriel): “Und Gott sprach: Es sei’n Lichter an der Feste des Himmels”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:39
13Die Schöpfung: Erster Teil: 13. Accompanied Recitative (Uriel): “In vollem Glanze steiget jetzt”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:36
14Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:52
15Die Schöpfung: Zweiter Teil: 15. Recitative (Gabriel): “Und Gott sprach: Es bringe das Wasser in der Fülle hervor”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:28
16Die Schöpfung: Zweiter Teil: 16. Aria (Gabriel): “Auf starkem Fittiche schwinget sich der Adler stolz”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn7:19
17Die Schöpfung: Zweiter Teil: 17. Accompanied Recitative (Raphael): “Und Gott schuf große Walfische”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:12
18Die Schöpfung: Zweiter Teil: 18. Recitative (Raphael): “Und die Engel rührten ihr’ unsterblichen Harfen”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:19
19Die Schöpfung: Zweiter Teil: 19. Trio (Gabriel, Uriel, Raphael) and Chorus: “In holder Anmut stehn” / “Der Herr ist groß in seiner Macht”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:30
▼ CD 2
#TitleArtistRatingLength
1Die Schöpfung: Zweiter Teil: 20. Recitative (Raphael): “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:27
2Die Schöpfung: Zweiter Teil: 21. Accompanied Recitative (Raphael): “Gleich öffnet sich der Erde Schoß”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:05
3Die Schöpfung: Zweiter Teil: 22. Aria (Raphael): “Nun scheint in vollem Glanze der Himmel”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:14
4Die Schöpfung: Zweiter Teil: 23. Recitative (Uriel): “Und Gott schuf den Menschen”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:42
5Die Schöpfung: Zweiter Teil: 24. Aria (Uriel): “Mit Würd’ und Hoheit angetan”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:26
6Die Schöpfung: Zweiter Teil: 25. Recitative (Raphael): “Und Gott sah jedes Ding”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:26
7Die Schöpfung: Zweiter Teil: 26. Chorus and Trio (Gabriel, Uriel, Raphael): “Vollendet ist das große Werk” / “Zu dir, o Herr, blickt alles auf”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn8:09
8Die Schöpfung: Dritter Teil: 27. Accompanied Recitative (Uriel): “Aus Rosenwolken bricht”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn3:59
9Die Schöpfung: Dritter Teil: 28. Duet (Eva, Adam) with Chorus: “Von deiner Güt’ o Herr und Gott” / “Gesegnet sei des Herren Macht”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Adam]:
Rodney Gilfry (baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Eva]:
Donna Brown (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn9:10
10Die Schöpfung: Dritter Teil: 29. Recitative (Adam, Eva): “Nun ist die erste Pflicht erfüllt”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Adam]:
Rodney Gilfry (baritone) (from 1995-02-16 until 1995-02-21)
soprano vocals [Eva]:
Donna Brown (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn2:34
11Die Schöpfung: Dritter Teil: 30. Duet (Adam, Eva): “Holde Gattin, dir zur Seite”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
bass vocals [Adam]:
Rodney Gilfry (baritone) (from 1995-02-16 until 1995-02-21)
soprano vocals [Eva]:
Donna Brown (soprano) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn7:58
12Die Schöpfung: Dritter Teil: 31. Recitative (Uriel): “O glücklich Paar, und glücklich immerfort”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn0:24
13Die Schöpfung: Dritter Teil: 32. Chorus: “Singt dem Herren, alle Stimmen”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
contralto vocals:
Caroline Stormer (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1996)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn3:18

Credits

Release

art direction:Lutz Bode (art director)
photography:Clive Barda (photographer)
Richard Holt (photographer)
Tanja Niemann
Andrew Poulson
Sheila Rock (UK photographer)
liner notes:H.C. Robbins Landon
executive producer:Dr. Peter Czornyj
booklet editor:Roswita Cervone (liner notes)
Discogs:https://www.discogs.com/release/2094334 [info]
ASIN:DE: B0000057FS [info]
other databases:https://www.musik-sammler.de/media/713437/ [info]
discography entry:https://www.deutschegrammophon.com/de/cat/4492172 [info]