100 Must-Have Movie Classics, Vol. 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Annotation last modified on 2022-10-02 20:50 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Concerto No. 2 in E Major for Violin and Strings, BWV 1042: I. Allegro (From "The Twilight Saga: Breaking Dawn - Part 1")Johann Sebastian Bach7:29
2Piano Concerto No. 5 in E-Flat Major, Op. 73, "Emperor": II. Adagio un poco mosso (From "The King's Speech")Ludwig van Beethoven7:54
324 Préludes, Op. 28: No. 15, in D-Flat Major "Raindrop" (From "Prometheus")
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin5:36
4Swan Lake, Op. 20, Act II: No.10 Scene (From "Black Swan")Pyotr Ilyich Tchaikovsky2:49
5Orpheus in the Underworld, Act II: Can-Can (From "Midnight in Paris")
choir vocals:
WDR Rundfunkchor Köln
orchestra:
WDR Rundfunkorchester Köln
recording of:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (widely known as “Can-can”)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux Enfers: Acte II, Tableau 4 (Les Enfers)
Jacques Offenbach1:40
6Ave Maria (From "The American")
orchestra:
Simhah Chamber Collegium
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod2:49
7Pomp and Circumstance, Op.39: March No. 1 in D Major (From "Austin Powers in Goldmember")
recording of:
Pomp and Circumstance Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:05
8Laudate Dominum, K. 339 (From "Philadelphia")
choir vocals:
Jeunesses Musicales (Polish youth orchestra)
soprano vocals:
Mária Zádori (soprano)
vocals:
Chor "Jeunesses Musicales" and Mária Zádori (soprano)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:10
9Piano Sonata No. 14 in C-Sharp Minor, Op.27: No.2 "Moonlight": I. Adagio sostenuto (From "Crimson Tide")Ludwig van Beethoven5:19
10An American in Paris (From "As Good As It Gets")
recording of:
An American in Paris
composer:
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
premiered at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13)
part of:
An American in Paris (2015 Broadway musical)
George Gershwin18:16
11Tritsch-Tratsch-Polka, Op.214 (From "Moonraker")
orchestra:
Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:42
12Canon in D Major (From "The Proposal")
orchestra:
Neues Bachisches Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (from 1982 until 1984)
recording of:
Canon and Gigue in D major, T. 377: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel24:24
13Serenade No.13 in G Major, K. 525, "Eine kleine Nachtmusik": IV. Rondo Allegro (From "There's Something About Mary")Wolfgang Amadeus Mozart4:03
14Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Ländern und Menschen (Of Foreign Lands and People) (From "The Accompanist")
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:36
15Peter and the Wolf, Op. 67: March (From "A Christmas Story")
partial recording of:
Peter and the Wolf, op. 67
composer and librettist:
Сергей Сергеевич Прокофьев (Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev4:05
16Faust: Ballet Music Waltz (From "The American President")Charles Gounod2:41
17Il Trovatore, Act II: Anvil Chorus - "Vedi! Le fosche notturne" (From "D2: The Mighty Ducks")Giuseppe Verdi3:13
18Adagio in G Minor (From "Flashdance")
Tomaso Giovanni Albinoni9:50
19Don Giovanni, K. 527, Act I: "Là ci darem la mano" (Instrumental Version) (From "Babette's Feast")Wolfgang Amadeus Mozart3:17
20Water Music: Suite No.1 in F Major, HWV 348: III. Allegro (From "The Dead Poets Society")
Georg Friedrich Händel2:32
21La Boheme, Act I: Mimi's Aria - "Si, Mi chiamano Mimi" (Instrumental Version) (From "Deep Impact")Giacomo Puccini4:49
22A Midsummer Night's Dream, Op. 61, Act II: Intermezzo (From "A Midsummer Night's Sex Comedy")
Felix Mendelssohn3:33
23Impromptu No. 3 in G-Flat Major, D. 899 (From "Gattaca")Franz Schubert5:27
24Rigoletto, Act I: Ducas' Aria - "Questa o quella" (From "Wall Street")
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:53
25The Nutcracker, Op. 71, Act II, Scene XII: E. Dance of the Toy Flutes (From "Inspector Gadget")
Pyotr Ilyich Tchaikovsky3:10
26Thunder and Lightning, Polka, Op.324 (From "Bright Young Things")
violin:
André Rieu
orchestra:
Orchester der Wiener Volksoper, Strauss-Orchester Wien and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Unter Donner und Blitz, op. 324
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 324)
Johann Strauss II3:14
27Requiem in D Minor, K. 626: IV. Rex Tremendae Majestatis (From "Eyes Wide Shut")
baritone vocals:
Gerhard Faulstich (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Berlin Radio Symphony Orchestra (East Berlin, 1923–) and Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:00
28Peer Gynt Suite No.1, Op.46: II. Ases Death (From "Affliction")
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:11
29Prelude in C-Sharp Minor, Op.3: No.2 (From "Shine")Сергей Васильевич Рахманинов5:10
30Symphony No. 8 in B Minor, "Unfinished": II. andante con moto (From "Double Indemnity")Franz Schubert10:20
31Voices of Spring, Op.410 (From "Drop Dead Gorgeous")
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Frühlingsstimmen, op. 410
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1882)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 410)
Johann Strauss II6:59
32Horn Concerto No. 4 in E-Flat, K. 495: II. Romance andante cantabile (From "Blackball")Wolfgang Amadeus Mozart4:35
33Humoresque in G-Flat Major, Op. 101 (From "Fanny and Alexander")Antonín Dvořák2:43
34Tosca, Act II: Vissi d'arte (Instrumental Version) (From "Copycat")
orchestra:
Sofia Philharmonic Orchestra
instrumental recording of:
Tosca: “Vissi d’arte” (catch‐all for arrangements)
composer:
Giacomo Puccini (Italian composer)
arrangement of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Giacomo Puccini3:15
35Carmen Suite No. 2: VI. Danse Boheme (From "There's Something About Mary")
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:37
36Piano Sonata No. 2 in B-Flat Minor, Op.35: III. Marche funèbre (From "Paradise Road")Fryderyk Chopin6:08
37Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace (From "Maurice")
orchestra:
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Michele Audio Corp. (not for release label use!) (in 1987)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky9:15
38Requiem in D Minor, K. 626: I. Requiem aeternam (From "Elizabeth")
baritone vocals:
Gerhard Faulstich (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Edith Wiens (soprano)
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Uwe Gronostay (chorus master and composer)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:51
39Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet - VII. Badenerie (From "Father of the Bride")
orchestra:
Deutsche Bachsolisten
conductor:
Helmuth Winschermann (oboist/conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067
Johann Sebastian Bach42:58
40Waldscenen in B-Flat Minor, Op. 82: III. Einsame Blumen (From "L'accompagnatrice")
recording of:
Waldszenen, op. 82: III. Einsame Blumen. Einfach
composer:
Robert Schumann (German classical composer) (from 1848 until 1849)
part of:
Waldszenen, op. 82
Robert Schumann2:04
41Piano Concerto No. 1 in B-Flat Minor, Op.23: I. Allegro non troppo e molto maestoso (Excerpt) (From "Misery")
piano:
Jenő Jandó (pianist)
orchestra:
Budapesti Filharmóniai Társaság Zenekara
conductor:
András Ligeti (violinist and conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky2.59:01
42Wilhelm Tell, Act III: Soldier's Dance (From "E La Nave Va")Gioachino Rossini5:16
43Symphony No. 9 in E Minor "From the New World": II. Largo (Excerpt) (From "Clear and Present Danger")
orchestra:
Prague Festival Orchestra
conductor:
Pavel Urbanek (an Alfred Scholz pseudonym)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák3:28
44Concierto de Aranjuez: I. Allegro con spirito (From "Brassed Off")
classical guitar:
Zoltán Tokos (Classical guitarist)
orchestra:
Budapesti Vonósok (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Concierto de Aranjuez: I. Allegro con spirito
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo6:01
45The Magic Flute, K.620, Act II: Pamina's Aria "Ach, ich fühl's es ist verschwunden" (From "Face/Off")Wolfgang Amadeus Mozart3:58
46Impromptu No. 4 in A-Flat Major, D. 899 (From "Exotica")Franz Schubert6:43
47Flute Concerto No. 1 in G Major, K. 313: III. Rondo - Tempo di Minuetto (From "Green Card")
flute:
Kurt Berger (flautist, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart36:48
48St. Matthew Passion, BWV 244: No.78 Chorus - "Wir setzen uns mit Tränen nieder" (From "Casino")
choir vocals:
Chorale des Jeunesses Musicales de France
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra)
conductor:
Frigyes Sándor (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1976-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:30
49The Four Seasons: Concerto No.1 in E Major "Spring": I. Allegro (From "Flubber")
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
Antonio Vivaldi3:36
50Moment Musical No. 3 in F Minor, Op. 94, D. 780 (From "E La Nave Va")Franz Schubert1:46
51Nocturne in D-Flat Major, Op. 27: No. 2 (From "Bodily Harm")Fryderyk Chopin6:00
52Artist's Life Waltz, Op. 316 (From "The Age of Innocence")
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Künstlerleben, op. 316
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1867)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 316)
Johann Strauss II9:56
53Préludes, Book I, L. 117: VIII. La Fille Aux Cheveux De Lin (From "Le Chignon D'Olga")Claude Debussy2:22
54La Boheme, Act I: Love Duet - "O suave fanciulla" (From "Awakenings")Giacomo Puccini1:55
55String Quintet in C Major, D. 956: II. Adagio (Excerpt) (From "Notturno")Franz Schubert4:46
56Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro (From "Cruel Intentions")Johann Sebastian Bach7:26
57Horn Concerto No. 3 in E-Flat, K. 447: II. Romance Larghetto (From "Fame")
horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart4:10
58Organ Concerto in F Major, HWV 295, "The Cuckoo and the Nightingale": IV. Allegro (From "Dangerous Liaisons")
Georg Friedrich Händel2:55
59Flute Concerto in D Major, Op.10: No. 3 "Il Gardellino": II. (Without Indication) (From "Jungle 2")Antonio Vivaldi3:24
60Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto (From "Slaughterhouse 5")Johann Sebastian Bach5:11
61Divertimento for String Quartet in D Major, "Salzburg Symphony No.1", K. 136: II. Andante (From "Simpatico")Wolfgang Amadeus Mozart3:58
62Tosca, Act I: Cavaradossi's Aria - "Recondita armonia" (From "The Love Letter")
bass vocals [Sagrestano]:
József Gregor (operatic bass)
tenor vocals [Cavaradossi]:
B. Nagy János (tenor)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Adam Medvecky (conductor)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini5:16
63Piano Concerto No. 1 in E Minor, Op.11: II. Romance - Larghetto (From "The Truman Show")Fryderyk Chopin10:16
64Horn Concerto No. 2 in E-Flat, K. 417: III. Rondo Allegro (From "JFK")Wolfgang Amadeus Mozart23:40
65Aida, Act II: Triumphal March and Chorus - "Gloria all'Egitto" (From "Revenge of the Nerds")
choir vocals:
Bulgarian National Choir and Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) and Sofia Philharmonic Orchestra
conductor:
Georgi Robev (conductor) and Marko Munih (conductor)
recording of:
Aida: Atto II, scena 2. Ballabile (orchestra)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
recording of:
Aida: Gloria all’Egitto (Chor) (for undetermined recordings, could be either of two with this title in Act II)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
part of:
Aida: Atto II
Giuseppe Verdi12:48
66Tristan und Isolde, WWV 90: Overture (From "Melancholia")
Richard Wagner9:26
67Sheherazade, Op. 35: I. Largo e maestoso (From "Nijinsky")Nikolai Rimsky-Korsakov10:13
68Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo - Allegro (From "Fearless")Ludwig van Beethoven11:23
69The Magic Flute, K. 620, Act II: Sarastro's Aria - "In diesen heil'gen Hallen" (From "The General's Daughter")Wolfgang Amadeus Mozart4:23
70Roses from the South Waltz, Op. 388 (From "Ghost Rider")
orchestra:
Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Rosen aus dem Süden, op. 388
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 388)
Johann Strauss II9:15
71Tosca, Act II: Cavaradossi's Aria - "E lucevan le stelle" (From "Heavenly Creatures")
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:26
72Préludes, Book I, L. 117: X. La cathédrale engloutie (From "Escape From New York")
piano:
Zheni Zaharieva (pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy5:43
73The Four Seasons: Concerto No. 4 in F Minor "Winter": I. Allegro non molto (From "Tin Cup")Antonio Vivaldi3:29
74Concerto for Violin, Strings and Continuo in A Minor, BWV 1041: II. Andante (From "The Portrait of A Lady")
violin:
Christian Altenburger (violinist)
orchestra:
Deutsche Bachsolisten
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach5:33
75Horn Concerto No. 1 in D Major, K. 412: I. Allegro (From "The Truman Show")
horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
Wolfgang Amadeus Mozart5:10
76The Four Seasons: Concerto No. 3 in F Major "Autumn": II. Adagio molto (From "Exit to Eden")
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapesti Vonósok (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”
Antonio Vivaldi2:46
77Brandenburg Concerto No. 1 in F Major, BWV 1046: I. Allegro (From "Rounders")Johann Sebastian Bach4:28
78Symphony No. 6 in F Major, Op.68 "Pastorale": I. Allegro ma non troppo (Awakening of Happy Feelings On Arriving in the Country) (From "Immortal Beloved")
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra)
conductor:
János Ferencsik (conductor)
publisher:
Delta Music Inc. (US subsidary of Delta Music GmbH) (in 1988)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:40
79Moment Musical No.2 in A-Flat Major D 780,2 (From "Au Revoir Les Enfants")Franz Schubert6:41
80Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro (From "Die Hard")
orchestra:
Kammerorchester Berlin
conductor:
Peter Wohlert
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:39
81Concerto for Flute, Harp and Orchestra in C Major, K. 299: II. Andantino (From "Cousin Bette")
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart58:36
82La Boheme, Act III: Mimi's Aria - "Addio...D'onde lieta usci" (From "Moonstruck")
soprano vocals [Mimì]:
Virginia Zeani (soprano)
orchestra:
Romanian Opera Orchestra, Bucharest
conductor:
Mihai Brediceanu (composer and conductor)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (Puccini)
Giacomo Puccini3:18
83Madama Butterfly, Act I: Love Duet (Instrumental Version) (From "Death in Venice")Giacomo Puccini7:16
84La Traviata, Act I: Violetta's Aria - "E strano! E strano!" (From "The Adventures of Priscilla")Giuseppe Verdi7:32
85Concerto for Violin and Orchestra in D Major, Op.35: II. Andante (From "Anna Karenina")
violin:
Emmy Verhey (violinist)
performer:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky6:55
86Concerto for Violin and Orchestra in D Major, Op.35: III. Allegro vivacissimo (From "Exposed")
violin:
Emmy Verhey (violinist)
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Ilyich Tchaikovsky10:05
87Wine, Women and Song Waltz, Op.333 (From "Darkman")
orchestra:
Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek
recording of:
Wein, Weib und Gesang, op. 333
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 333)
Johann Strauss II6:16
88Madama Butterfly, Act II: Humming Chorus (From "Heavenly Creatures")
choir vocals:
Sofia National Opera Chorus (in 1987)
orchestra:
Sofia National Opera Orchestra (in 1987)
conductor:
Rouslan Raichev (conductor) (in 1987)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:11
89Ave Maria (From "Eat Drink Man Woman")
choir vocals:
Bulgarian National Chorus
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:47
90Sinfonia Concertante in E-Flat Major, K. 364: I. Allegro maestoso (From "Amadeus")Wolfgang Amadeus Mozart13:17
91Piano Sonata No. 23 in F Minor, Op.57 "Appassionata": III. Allegro ma non troppo - Presto (From "Hard Target")Ludwig van Beethoven7:14
92Lohengrin: Overture (From "Ludwig")
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner6:55
93Piano Concerto No. 1 in B-Flat Minor, Op.23: II. Andantino semplice (From "The Music Lovers")
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Pyotr Ilyich Tchaikovsky6:46
94The Magic Flute, K.620: Overture (From "Watch It")
orchestra:
London Philharmonia Orchestra (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Laurence Siegel (conductor, possibly another pseudonym Alfred Scholz created)
recording of:
Die Zauberflöte: Ouvertüre
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620
Wolfgang Amadeus Mozart7:26
95Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (From "Solitaire For Two")
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch7:58
96Piano Sonata in A Major, K. 331: I. Andante grazioso (From "Frances")Wolfgang Amadeus Mozart12:39
97Rhapsody On a Theme of Paganini, Op. 43 (From "Dead Again")
recording of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
composer:
Сергей Рахманинов (Russian composer) (from 1934-07-03 until 1934-08-18)
premiered at:
[concert] (1934-11-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd (in 1934)
premiered at:
Modell Performing Arts Center at the Lyric in Baltimore, Maryland, United States (on 1934-11-07)
part of:
Works of Sergei Rachmaninoff by opus number (number: op. 43)
is based on:
24 Caprices for Solo Violin, MS 25, op. 1 no. 24 in A minor: Tema con variazioni. Quasi presto
quotes music from:
Dies Irae (plainchant)
Sergei Rachmaninoff23:14
98Prélude à l'après-midi d'un faune (Prelude to the Afternoon of a Faun) (From "Nijinsky")
orchestra:
Leipzig Radio Symphony Orchestra
conductor:
Max Pommer (conductor)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:39
99The Planets: IV. Jupiter, the Bringer of Jollity (From "Annie Hall")
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:57
100Radetzky March, Op. 228 (From "The Age of Innocence")
orchestra:
Orchester der Wiener Volksoper, Royal Promenade Orchestra, The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Wiener Johann Strauss Orchester
conductor:
Peter Falk (conductor), Joseph Francek (conductor, pseudonym for Alfred Scholz), Alfred Gehardt (conductor), Frank Meyer (conductor, pseudonym for Alfred Scholz) and Paul Kantschieder
recording of:
Radetzky‐Marsch, op. 228
composer:
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien, Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss I2:54

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