Klara Top 75: 2008

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Symfonie No. 40, K. 550: I. molto allegro
producer:
Arend Prohmann (producer / editor)
orchestra:
Les Musiciens du Louvre (in 2005-10)
conductor:
Marc Minkowski (bassoonist and conductor) (in 2005-10)
balance engineer:
Andrew Wedman (producer and engineer) (in 2005-10)
recorded at:
Maison de la Culture de Grenoble (MC2) in Grenoble, Isère, Auvergne-Rhône-Alpes, France (in 2005-10)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 2005-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:01
2Gymnopédie nr. 1
producer:
Michael Haas (classical music producer) (in 1983-05)
piano:
Pascal Rogé (pianist) (in 1983-05)
balance engineer:
Simon Eadon (classical music engineer) (in 1983-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1983-05)
recording of:
Première Gymnopédie: Lent et douloureux (in 1983-05)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Gymnopédies
Erik Satie3:12
3Mijn vaderland, "De Moldau"
producer:
Otto Gerdes (conductor and producer) and Hans Ritter
orchestra:
Berliner Philharmoniker (in 1960-01)
conductor:
Ferenc Fricsay (conductor) (in 1960-01)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1960-01) and Werner Wolf (engineer/producer) (in 1960-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1960-02)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1960-01)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana310:57
4Suite nr. 3, "Air"
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068
Johann Sebastian Bach5:10
5Bolero
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (in 1985-12)
conductor:
Herbert von Karajan (conductor) (in 1985-12)
balance engineer:
Günter Hermanns (producer/engineer) (in 1985-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1985-12)
recording of:
Boléro (in 1985-12)
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel15:50
6Pur te miro
soprano vocals:
Dana Hanchard and Sylvia McNair (soprano)
orchestra:
English Baroque Soloists
recording of:
L' Incoronazione di Poppea: Act 3 - Pur ti miro
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
arranger:
Corrado Guarino and Gianluigi Trovesi
part of:
L' Incoronazione di Poppea: Act 3
Claudio Monteverdi4:09
7Liebestraum nr. 2 in As
producer:
Christian Gansch (conductor)
piano:
Yundi Li (pianist) (in 2002-10)
balance engineer:
Rainer Maillard (in 2002-10: piano)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-10)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (in 2002-10)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:33
8Gloria (fragment)
choir vocals:
The English Concert Choir
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
Antonio Vivaldi11:12
9Vioolconcerto, "Allegro Giocoso"
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
violin:
Anne‐Sophie Mutter (violinist) (on 1981-09-22)
orchestra:
Berliner Philharmoniker (on 1981-09-22)
conductor:
Herbert von Karajan (conductor) (on 1981-09-22)
balance engineer:
Günter Hermanns (producer/engineer) (on 1981-09-22)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1981-09-22)
recording of:
Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace (on 1981-09-22)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
Konzert für Violine und Orchester D-Dur, op. 77
Johannes Brahms8:35
▼ CD 2
#TitleArtistRatingLength
1Pianoconcerto, "Allegro Molto Moderato"
producer:
Lennart Dehn
piano:
Lilya Zilberstein (pianist) (in 1993-03)
orchestra:
Gothenburg Symphony Orchestra (in 1993-03)
conductor:
Neeme Järvi (Estonian conductor) (in 1993-03)
balance engineer:
Michael Bergek (in 1993-03)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1993-03)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato (in 1993-03)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg12:56
2Forellenkwintet
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
cello:
Clemens Hagen (cellist) (in 1983-12)
double bass:
Alois Posch (double bass player) (in 1983-12)
piano:
András Schiff (pianist) (in 1983-12)
viola:
Veronika Hagen (violist) (in 1983-12)
violin:
Lukas Hagen (violinist) (in 1983-12)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (in 1983-12)
composer:
Franz Schubert (composer) (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“
Franz Schubert8:16
3Stabat Mater
instruments:
Les Talens Lyriques (French classical musical ensemble)
countertenor vocals:
Andreas Scholl (countertenor) (from 1999-02-24 until 1999-02-26)
soprano vocals:
Barbara Bonney (soprano) (from 1999-02-24 until 1999-02-26)
orchestra:
Les Talens Lyriques (French classical musical ensemble) (from 1999-02-24 until 1999-02-26)
conductor:
Christophe Rousset (French harpsichordist & conductor) (from 1999-02-24 until 1999-02-26)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1999)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-24 until 1999-02-26)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:11
4't Wielewaalt en 't Leewerkt
piano:
Jozef de Beenhouwer (Belgian pianist)
recording of:
Het wielewaalt en leeuwerkt
composer:
Lodewijk Mortelmans (Belgian composer & conductor)
Lodewijk Mortelmans5:04
5Celloconcerto in C, "Finale"
cello:
Mischa Maisky (cellist) (in 1986-10)
orchestra:
Chamber Orchestra of Europe (in 1986-10)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1986-10)
recording of:
Cello Concerto no. 1 in C major, Hob. VIIb:1: III. Allegro molto (in 1986-10)
composer:
Joseph Haydn (composer)
part of:
Cello Concerto no. 1 in C major, Hob. VIIb:1
Joseph Haydn6:26
6Ein Deutsches Requiem, "Ihr habt nun Traurigkeit"
organ:
Rudolf Scholz (organist) (from 1983-05-04 until 1983-05-08)
choir vocals:
Wiener Singverein (from 1983-05-04 until 1983-05-08)
soprano vocals:
Barbara Hendricks (soprano) (from 1983-05-04 until 1983-05-08)
orchestra:
Wiener Philharmoniker (from 1983-05-04 until 1983-05-08)
conductor:
Herbert von Karajan (conductor) (from 1983-05-04 until 1983-05-08)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1983-05)
balance engineer:
Günter Hermanns (producer/engineer) (from 1983-05-04 until 1983-05-08)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1983-05-04 until 1983-05-08)
recording of:
Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit” (Chor, Sopran) (from 1983-05-04 until 1983-05-08)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms7:34
7Tocata en fuga in d BWV 565, "Toccata"
organ:
Peter Hurford (organist)
recorded at:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Germany
compilation of:
Toccata and Fugue in D minor, BWV565: I. Toccata by Peter Hurford (organist) and Toccata and Fugue in D minor, BWV565: II. Fugue by Peter Hurford (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565 (from 1974 until 1986)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach9:20
8Mariavespers 1610, "Laudate Pueri"
choir vocals:
Gabrieli Consort & Players (UK early music ensemble) (in 2005-11)
orchestra and performer:
Gabrieli Consort & Players (UK early music ensemble) (in 2005-11)
conductor:
Paul McCreesh (conductor) (in 2005-11)
recorded at:
Chapel of St. Augustine in Tonbridge, Kent, England, United Kingdom (in 2005-11)
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum" (in 2005-11)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:49
9Pianoconcert nr. 21, "Andante"
recording engineer and producer:
Hans Weber (producer/engineer)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
piano:
Géza Anda (pianist) (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (pianist) (in 1961-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:13
10Symphonie fantastique, "Un Bal"
recording engineer:
Stephan Flock and Hans-Rudolf Müller
producer:
Helmut Burk
editor:
Jürgen Bulgrin (Sound engineer) and Reinhard Lagemann
orchestra:
The Cleveland Orchestra (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (in 1996-03)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1996-03)
composer:
Hector Berlioz (composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:04
▼ CD 3
#TitleArtistRatingLength
1Carmina Burana, 'O Fortuna'
sound engineer:
Stanley Goodall (engineer) (in 1983-06) and Colin Moorfoot (engineer) (in 1983-06)
producer:
James Mallinson (producer)
choir vocals:
Rundfunkchor Berlin (in 1983-06)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1983-06)
conductor:
Riccardo Chailly (conductor) (in 1983-06)
chorus master:
Ernst Senff (in 1983-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1983-06)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1983-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1983-06)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff35:05
2Improntu nr. 4 in cis
piano:
Anatol Ugorski (pianist)
recording of:
Fantaisie-impromptu in C-sharp minor, op. 66
composer:
Fryderyk Chopin (composer) (in 1834)
part of:
Works of Fryderyk Chopin by opus number (number: op. 66)
Frédéric Chopin5:28
3Kol Nidrei
engineer:
Gernot von Schultzendorff (Engineer)
producer:
Christian Gansch (conductor)
cello:
Mischa Maisky (cellist) (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (conductor) (in 1991-06)
recording of:
Kol Nidrei, op. 47 (in 1991-06)
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch10:47
4Eine kleine Nachtmusik, "Allegro"
producer:
Arend Prohmann (producer / editor)
orchestra:
Concerto Köln (in 2005-11)
conductor:
Anton Steck (violinist and conductor) (in 2005-11)
balance engineer:
Andrew Wedman (producer and engineer) (in 2005-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2006)
engineered at:
Deutschlandradio Studios in Köln, Nordrhein-Westfalen, Germany (in 2005-11)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (in 2005-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart7:27
5Ave Maria
piano:
Bengt Forsberg (pianist)
soprano vocals:
Anne Sofie von Otter (mezzo-soprano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert4:45
6Water Music, "Hornpipe, Menuet, Rigaudon"
Georg Friedrich Händel9:49
7Symfonie nr. 3, "Songs of Sorrows"
soprano vocals:
Joanna Kozłowska (soprano)
orchestra:
Warsaw Philharmonic Orchestra
conductor:
Kazimierz Kord (conductor)
recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki410:02
8Concerto de Aranjuez, "Adagio"
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
editor and balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
guitar:
Göran Söllscher (classical guitarist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Concierto de Aranjuez: II. Adagio (in 1989-04)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo10:51
9Nabucco, "Va Pensiero" (Slavenkoor)
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
balance engineer:
Klaus Hiemann (German audio) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:53
10A Midsummer Night's Dream, "Huwelijksmars"
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61
Felix Mendelssohn5:06
▼ CD 4
#TitleArtistRatingLength
1Enigma Variaties, "Nimrod"
recording engineer:
Cath Pollard
associate producer:
Ewald Markl
producer:
David R. Murray
orchestra:
Wiener Philharmoniker (in 1998-10)
conductor:
Sir John Eliot Gardiner (in 1998-10)
balance engineer:
Andy Beer and Mike Hatch (engineer/editor)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1998-10)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1998-10)
publisher:
Sir Edward Elgar (dec’d) (composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:49
2Requiem, " Kyrie Eleison"
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart8:27
3Canon in D
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
cello:
Anthony Pleeth (cellist) (in 1985-01)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
violin:
Micaela Comberti (violinist) (in 1985-01), Simon Standage (violinist and conductor) (in 1985-01) and Elizabeth Wilcock (violinist) (in 1985-01)
orchestra:
The English Concert (in 1985-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1985-01)
balance engineer:
Hans-Peter Schweigmann (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Canon and Gigue in D major, T. 377: I. Canon (in 1985-01)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 377
Johann Pachelbel4:28
4Kinderszenen, Op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:57
5Dido & Aeneas, "When I Am Laid"
Henry Purcell9:11
6Vioolconcerto, "Allegretto Non Troppo"
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn6:14
7Sonate nr. 2, "Marche Funèbre"
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
piano:
Hélène Grimaud (pianist) (in 2004-12)
balance engineer:
Stephan Flock (in 2004-12)
recorded at:
Siemens‐Villa in Berlin, Germany (in 2004-12)
recording of:
Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento (in 2004-12)
composer:
Fryderyk Chopin (composer) (in 1839)
part of:
Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”
Frédéric Chopin9:24
8Hohe Messe. "Agnus Dei"
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:46
9Kwintet, "Fandango"
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
compilation of:
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai by Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero (classical and flamenco guitarist) and Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango by Academy of St Martin in the Fields Chamber Ensemble, Pepe Romero (classical and flamenco guitarist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (in 1978-12)
composer:
Luigi Boccherini (composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:25
10Shéhérazade, "Lento"
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков11:03
11Tristan & Isolde, "Isolde's Liebestod"
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:15
▼ CD 5
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1Symfonie nr. 5, op. 67: I. Allegro con brio
engineer:
Wolf-Dieter Karwatky and Hans-Rudolf Müller
producer:
Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (from 1974-03 until 1974-04)
conductor:
Carlos Kleiber (conductor) (from 1974-03 until 1974-04)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1974-03 until 1974-04)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1974-03 until 1974-04)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:19
2Lakmé, "Bloemenduet"
engineer:
Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals and mezzo-soprano vocals [Mallika]:
Jane Berbié (mezzo-soprano) (on 1967-10-12)
soprano vocals and soprano vocals [Lakmé]:
Joan Sutherland (soprano) (on 1967-10-12)
vocals:
Jane Berbié (mezzo-soprano) and Joan Sutherland (soprano)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (on 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:01
3Symfonie nr. 8 ('De Onvoltooide'), "Andante Con Moto"
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert10:43
4Miserere
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
Gregorio Allegri311:47
5Bagatelle "Für Elise"
piano:
Anatol Ugorski (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:58
6Brandenburgs Concerto nr. 3, "Allegro"
orchestra:
Musica Antiqua Köln
conductor:
Reinhard Goebel (violinist and conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Hillborg version with new 2nd mvt)
Johann Sebastian Bach4:56
7De Parelvissers, "Au fond du temple saint"
baritone vocals:
Gregory Cross (tenor) and Gino Quilico (baritone)
orchestra:
Montréal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet7:27
8Die Meistersänger von Nürnberg
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Vorspiel
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner7:31
9Pianoconcerto, "Allegro Con Fuoco"
recording engineer:
Jürgen Bulgrin (Sound engineer) and Reinhard Lagemann
engineer and balance engineer:
Gernot von Schultzendorff (Engineer)
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Wolfgang Stengel
editor:
Reinhard Lagemann
piano:
Martha Argerich (Argentine pianist) (in 1994-12)
orchestra:
Berliner Philharmoniker (in 1994-12)
conductor:
Claudio Abbado (conductor) (in 1994-12)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1994-12)
live recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version) (in 1994-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)
Пётр Ильич Чайковский6:15
▼ CD 6
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1De Notenkraker. "Ouverture"
recording engineer:
Klaus Behrens (Engineer) (in 1990-12)
producer:
Alison Ames and Christian Gansch (conductor)
editor:
Mark Buecker (Engineer of classical recordings)
orchestra:
Boston Symphony Orchestra (in 1990-12)
conductor:
Seiji Ozawa (conductor and composer) (in 1990-12)
balance engineer:
Hans-Peter Schweigmann (in 1990-12)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1990-12)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1990-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
recording of:
Щелкунчик, op. 71: Увертюра (Nutcracker Overture) (in 1990-12)
composer:
Пётр Ильич Чайковский (Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker)
Пётр Ильич Чайковский3:18
2Fantasie nr. 3
piano:
Jozef de Beenhouwer (Belgian pianist)
recording of:
Fantaisie no. 3, op. 18
composer:
Peter Benoit (Belgian/Flemish 19th century classical composer)
Peter Benoit5:00
3Requiem, "Pie Jesu"
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
Montréal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48
Gabriel Fauré3:44
4De Vier Seizoenen, "De Lente"
violin:
Simon Standage (violinist and conductor)
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8
part of:
Le quattro stagioni (“The Four Seasons”)
partial recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8
part of:
Le quattro stagioni (“The Four Seasons”)
Antonio Vivaldi9:38
5Winterreise
piano:
Gerald Moore (pianist) (in 1971-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1971-08)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1972)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1971-08)
recording of:
Winterreise, op. 89, D. 911: V. Der Lindenbaum (in 1971-08)
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1827-02)
part of:
Winterreise, op. 89, D. 911
Franz Schubert4:37
6Symfonie Nr. 5: Adagietto
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch (conductor)
editor:
Mark Bücker (recording engineer) and Martin Derner
orchestra:
Wiener Philharmoniker (in 1996-03)
conductor:
Pierre Boulez (composer and conductor) (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1996-03)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:59
7Peer Gynt, "Solveigs Lied"
soprano vocals:
Barbara Bonney (soprano) (in 1987-06)
orchestra:
Göteborgs Symfoniker (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (do not use if there is a singer) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:56
8Klarinetconcerto in A, "Adagio"
producer:
Wolf Erichson (engineer/producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
basset clarinet:
Charles Neidich (clarinetist) (in 1987-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1987-03)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1987-03)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (in 1987-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:38
9Symfonie nr. 9, "Allegro Assai"
choir vocals:
Wiener Singverein
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven24:17
▼ CD 7
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1Dahomeyse Rapsodie
August de Boeck5:02
2Adagio in G
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music)
Tomaso Albinoni & Remo Giazotto7:17
3Sonate Nr. 14, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:05
4Mattheuspassie, aria "Erbarme dich"
recording engineer:
Graham Meek (in 2002-04)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ian Watson (editor) and Jenni Whiteside
mezzo-soprano vocals:
Magdalena Kožená (mezzo-soprano) (in 2002-04)
orchestra:
Gabrieli Consort & Players (UK early music ensemble) (in 2002-04) and Gabrieli Players (in 2002-04)
conductor:
Paul McCreesh (conductor) (in 2002-04)
balance engineer:
Neil Hutchinson (sound engineer)
recorded at:
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (in 2002-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 2002-04)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:15
5Symfonie nr. 9. ('Uit de Nieuwe Wereld'), "Larghetto"
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–)
conductor:
Ferenc Fricsay (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“
Antonín Dvořák13:54
6Concerto voor 2 Mandolines
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
Antonio Vivaldi10:00
7Concerto voor Orkest, "Giuoco Della Coppie"
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
producer:
Karl-August Naegler (balance engineer)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (composer and conductor) (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
composer:
Béla Bartók (composer) (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:24
8Cavalleria Rusticana, "Intermezzo Sinfonico"
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni4:16
9Die Walküre, "Walkürenrit"
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:58
▼ CD 8
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1Die Zauberflöte, "Aria van de Koningin van de Nacht"
soprano vocals:
Cyndia Sieden
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:51
2The Planets: Jupiter, the Bringer of Jollity
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
executive producer:
Dr. Peter Czornyj
producer:
Lennart Dehn
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (in 1994-02)
conductor:
Sir John Eliot Gardiner (in 1994-02)
balance engineer:
Rainer Maillard
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1994-02)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (in 1994-02)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:13
3Panis Angelicus
recording engineer and balance engineer:
Stephan Flock (in 2002-02)
engineer:
Jürgen Bulgrin (Sound engineer) (in 2002-02), Wolf-Dieter Karwatky (in 2002-02) and Chris Nelson (recording engineer) (in 2002-02)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Stephan Flock (in 2002-02) and Ingmar Haas (Engineer) (in 2002-02)
tenor vocals:
Plácido Domingo (tenor) (in 2002-02)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (in 2002-02)
conductor:
Marcello Viotti (conductor) (in 2002-02)
recorded at:
Auditorium di Milano, Fondazione Cariplo in Milano, Milano, Lombardia, Italy (in 2002-02)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (in 2002-02)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian-born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:39
4Symphonie No. 6 h-Moll, Op. 74 "Pathétique": Allegro con grazia
orchestra:
Russian National Orchestra (Russian National Orchestra)
conductor:
Mikael Pletnev (pianist & conductor)
partial recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
premiered in:
Sankt-Peterburg, Russia (on 1893-10-28)
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
dedicated to:
Vladimir Davydov
publisher:
P. Jurgenson (in 1894-02)
part of:
The Tchaikovsky Handbook (number: TH 30), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 27) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 74)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский7:29
5Vier letzte Lieder, "Beim Schlafengehen"
recording engineer:
Volker Martin
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1973-02-13 until 1973-02-14)
orchestra:
Berliner Philharmoniker (from 1973-02-13 until 1973-02-14)
conductor:
Herbert von Karajan (conductor) (from 1973-02-13 until 1973-02-14)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-02-13 until 1973-02-14)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-02-13 until 1973-02-14)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (from 1973-02-13 until 1973-02-14)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150
Richard Strauss6:15
6An der schönen blauen Donau
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
An der schönen blauen Donau, op. 314
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II11:45
7Hongaarse dans nr. 5
additional orchestra:
Berliner Philharmoniker
additional conductor:
Herbert von Karajan (conductor)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (orch. Schmeling)
orchestrator:
Martin Schmeling
composer:
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
part of:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:18
8Finlandia
orchestra:
Göteborgs Symfoniker (in 1992-09)
conductor:
Neeme Järvi (Estonian conductor) (in 1992-09)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1992-09)
recording of:
Finlandia, op. 26 (for orchestra) (in 1992-09)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius8:59
9Rückertlieder, "Ich bin der Welt abhanden gekommen"
recording engineer:
Jürgen Bulgrin (Sound engineer) (in 2003-06)
producer:
Christian Gansch (conductor)
editor:
Rainer Maillard
alto vocals and mezzo-soprano vocals:
Violeta Urmana (mezzo-soprano / soprano)
soprano vocals:
Violeta Urmana (mezzo-soprano / soprano) (in 2003-06)
orchestra:
Wiener Philharmoniker (in 2003-06)
conductor:
Pierre Boulez (composer and conductor) (in 2003-06)
balance engineer:
Rainer Maillard (in 2003-06)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 2003-06)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (in 2003-06)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Rückert-Lieder
Gustav Mahler7:01
10Pavane op. 50
recording engineer:
Werner Mayer (classical producer) (in 1986-11)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master) (in 1986-11)
balance engineer:
Hans-Peter Schweigmann
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1986-11)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:45
11Messiah, "Hallelujah"
sound engineer:
Hans-Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette (engineer)
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:57
▼ CD 9
#TitleArtistRatingLength
1Gloria in Excelsis Deo
choir vocals:
Polyphony Choir of Trinity College
orchestra:
Britten Sinfonia
conductor:
Stephen Layton (English conductor)
recording of:
Gloria, for Soprano, Chorus and Orchestra, FP 177: I. Gloria
composer:
Francis Poulenc (pianist and composer) (from 1959 until 1960)
part of:
Gloria, for Soprano, Chorus and Orchestra, FP 177
Francis Poulenc2:41
2Vioolconcerto in E minor, 'Allegro molto appassionato'
assistant engineer:
Jürgen Bulgrin (Sound engineer)
producer and editor:
John H. West (classical engineer/producer)
violin:
Daniel Hope (violinist) (in 2007-06)
orchestra:
Chamber Orchestra of Europe (in 2007-06)
conductor:
Thomas Hengelbrock (German violinist and conductor) (in 2007-06)
balance engineer:
Hans-Ulrich Bastin
recorded at:
Stephaniensaal in Graz, Steiermark, Austria (in 2007-06)
recording of:
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (in 2007-06)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64
Felix Mendelssohn11:42
3Liederkreis, 'Waldesgespräch'
piano:
Gerold Huber (pianist)
baritone vocals:
Christian Gerhaher (baritone)
recording of:
Liederkreis, op. 39: Nr. 3. Waldesgespräch
lyricist:
Joseph von Eichendorff
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Liederkreis, op. 39
Robert Schumann2:02
4Prélude à l'après-midi d'un faune
piano:
Jan Michiels (Belgian pianist) and Inge Spinette (Belgian classical pianist, vocal coach)
recording of:
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for two pianos, Debussy)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
arranger:
Claude Debussy (composer) (in 1895)
arrangement of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (original version for orchestra)
Claude Debussy8:47
5Symfonie nr. 6, 'Allegro ma non troppo'
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country”
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven10:29
6Ich wandre durch Theresienstadt
producer:
Sid McLauchlan (Sound engineer and recording producer for classical music.)
accordion:
Bebe Risenfors (in 2006-02)
piano:
Bengt Forsberg (pianist) (in 2006-02)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 2006-02)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2006-02)
recording of:
Ich wandre durch Theresienstadt (in 2006-02)
composer:
Ilse Weber
Ilse Weber2:36
7Prélude nr. 15 in D flat major ("Raindrop"), uit 24 Préludes
recording engineer:
Mark Buecker (Engineer of classical recordings) (in 2007-07)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2007-07)
piano technician:
Jan Kittel (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (in 2007)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2007-07)
recording of:
Prélude no. 15 in D-flat major, op. 28: Sostenuto (in 2007-07)
composer:
Fryderyk Chopin (composer) (from 1836 until 1839)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:51
8Music for a While (uit 'Orpheus Brittanicus, Volume 2')
harpsichord:
Laurence Cummings (harpsichordist, organist and conductor)
viola da gamba:
Anne-Marie Lasla (French gambist)
soprano vocals:
Carolyn Sampson (soprano)
Henry Purcell3:55
9Christmas Oratorio BWV 248, aria "Bereite dich, Zion"
recording engineer:
Michael Brammann
producer:
Martin Sauer (engineer/producer)
mixer and editor:
René Möller and Martin Sauer (engineer/producer)
alto vocals:
Bernarda Fink (mezzo-soprano) (from 2006-12-07 until 2006-12-11)
orchestra:
Concentus Musicus Wien (from 2006-12-07 until 2006-12-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 2006-12-07 until 2006-12-11)
chorus master:
Erwin Ortner (from 2006-12-07 until 2006-12-11)
recorded at:
Wiener Musikverein in Innere Stadt, Wien, Austria (from 2006-12-07 until 2006-12-11)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 2006-12-07 until 2006-12-11)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Johann Sebastian Bach5:40
10Pianoconcerto nr. 5 in F ("Egyptian"), 'Molto Allegro'
piano:
Jean‐Yves Thibaudet (pianist)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Charles Dutoit (conductor)
recording of:
Concerto pour piano et orchestre n° 5 en fa majeur, op. 103 "L'Égyptien": III. Molto allegro
composer:
Camille Saint‐Saëns (composer) (in 1896)
part of:
Concerto pour piano et orchestre n° 5 en fa majeur, op. 103 "L'Égyptien"
Camille Saint‐Saëns5:40

Credits