Mass in B minor / Motets

~ Release by Johann Sebastian Bach; Collegium Vocale Gent, Philippe Herreweghe (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Mass in B minor, BWV 232: III. (a) Symbolum nicenum: Credo in unum Deum
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:58
2Mass in B minor, BWV 232: III. (b) Symbolum nicenum: Patrem omnipotentem
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach1:55
3Mass in B minor, BWV 232: III. (c) Symbolum nicenum: Et in unum Dominum
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
soprano vocals:
Johannette Zomer (soprano) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:47
4Mass in B minor, BWV 232: III. (d) Symbolum nicenum: Et incarnatus est
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:16
5Mass in B minor, BWV 232: III. (e) Symbolum nicenum: Crucifixus
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:06
6Mass in B minor, BWV 232: III. (f) Symbolum nicenum: Et resurrexit
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale (in 1996-07)
orchestra:
La Chapelle Royale (French baroque vocal ensemble) and Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:07
7Mass in B minor, BWV 232: III. (g) Symbolum nicenum: Et in Spiritum Sanctum Dominum
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
bass vocals:
Peter Kooij (baritone) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:52
8Mass in B minor, BWV 232: III. (h) Symbolum nicenum: Confiteor
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach3:57
9Mass in B minor, BWV 232: III. (i) Symbolum nicenum: Et expecto
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:20
10Mass in B minor, BWV 232: IV. (a) Sanctus
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach5:09
11Mass in B minor, BWV 232: IV. (b) Osanna
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:41
12Mass in B minor, BWV 232: IV. (c) Benedictus
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
tenor vocals:
Christoph Prégardien (tenor) (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach4:08
13Mass in B minor, BWV 232: IV. (d) Osanna
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:43
14Mass in B minor, BWV 232: IV. (e) Agnus Dei
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
alto vocals:
Andreas Scholl (countertenor) (in 1996-07)
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach6:30
15Mass in B minor, BWV 232: IV. (f) Dona nobis pacem
recording engineer:
Nicolas Bartholomée
assistant engineer:
Frédéric Briant
choir vocals:
Collegium Vocale Gent (in 1996-07)
orchestra:
Collegium Vocale Gent (in 1996-07)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1996-07)
recorded at:
L'Église St Gilles in Brugge, West-Vlaanderen, Flanders, Belgium (in 1996-07)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (in 1996-07)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
Johann Sebastian Bach2:52
▶ CD 3

Credits

Release

ASIN:US: B003QLY5IS [info]