40 oz. to Freedom

~ Release by Sublime (see all versions of this release, 14 available)

Annotation

This reissue by MCA does not include "Get Out!", which is the second track on the original pressing. "Get Out!" is not included on the reissue due to legal issues with the samples and other copyrighted material used in them; however, in the album booklet, the lyrics for that track are still printed.

Annotation last modified on 2013-03-17 14:32 UTC.

Tracklist

CD 1
#TitleRatingLength
1Waiting for My Ruca
samples:
[Lou dog barking] by Nowell’s King Louie (Bradley Nowell’s dalmatian) & Bradley Nowell, History Lesson – Part II by Minutemen (early 80s US hardcore punk band), The Style You Haven’t Done Yet by Boogie Down Productions and Tough by Kurtis Blow
recording of:
Waiting for My Ruca
lyricist and composer:
Bradley Nowell
2:20
240 oz. to Freedom3:03
3Smoke Two Joints
samples:
Na Touch da Just (extended single version) by Just-Ice, No More ?'s by Eazy‐E and Outside! by The Ziggens
cover recording of:
Smoke Two Joints
writer:
Chris Kay and Michael Kay
52:53
4We’re Only Gonna Die for Our Arrogance
edit of:
We’re Only Gonna Die for Our Arrogance (original) by Sublime (ska punk)
cover recording of:
We’re Only Gonna Die
lyricist and composer:
Greg Graffin
arranger:
Jay Bentley, Greg Graffin, Brett Gurewitz and Pete Fienstone (US drummer, Bad Religion)
43:07
5Don’t Push
recording of:
Don’t Push
composer:
Sublime (ska punk)
is based on:
Buffalo Soldier
is based on:
Comfortably Numb
is based on:
Could You Be Loved
is based on:
Lick a Shot
is based on:
She’s Crafty
is based on:
Up All Night (Boomtown Rats)
is based on:
Wake the Town (Tenor Saw)
is based on:
We Rule the Dancehall
54:19
65446 That’s My Number / Ball and Chain
medley including a cover recording of:
54‐46 (That’s My Number)
lyricist and composer:
Toots Hibbert
medley including a recording of:
Ball and Chain (Sublime)
lyricist and composer:
Bradley Nowell
medley including a partial cover recording of:
Boops
55:18
7Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
3.353:05
8Let’s Go Get Stoned
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
edit of:
Lets Go Get Stoned by Sublime (ska punk)
recording of:
Let’s Go Get Stoned
lyricist and composer:
Bradley Nowell
is based on:
#1 Hit Song
3:33
9New Thrash
recording of:
New Thrash
lyricist and composer:
Bradley Nowell
is based on:
I Don’t Live Today
1:30
10Scarlet Begonias
samples:
Funky Drummer by James Brown (“The Godfather of Soul”)
cover recording of:
Scarlet Begonias
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc.
53:32
11Live at E’s
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums] and percussion:
Ras M.G. (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar [lead guitar]:
Elephant Levitation (in 1991)
vocals:
Brad Nowell (in 1991) and Ras M.G. (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Live at E’s
3:09
12D.J.s
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
samples:
Just Don’t Bite It by N.W.A (US hip hop group)
recording of:
D.J.s
lyricist and composer:
Bradley Nowell
is based on:
A Message to You, Rudy
is based on:
Corner Stone
is based on:
Na Touch Da Just
is based on:
Ride Natty Ride
3:18
13Chica Me Tipo
recording of:
Chica Mi Tipo
composer:
Marshall Goodman, Bradley Nowell and Eric Wilson (Sublime)
translator:
Bradley Nowell
arrangement of:
Chick on My Tip
2:16
14Right Back
recording of:
Right Back
lyricist and composer:
Bradley Nowell
is based on:
Mix Up, Mix Up
2:49
15What Happened
recording of:
What Happened (Sublime)
composer:
Sublime (ska punk)
is based on:
Party At Ground Zero (Fishbone)
is based on:
Rhapsody in Blue (standard 1942 orchestration)
is based on:
Tequila
3:28
16New Song
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
New Song (Sublime)
composer:
Sublime (ska punk)
is based on:
Can't Do Nuttin' for Ya Man
is based on:
The Nigga Ya Love to Hate
33:14
17Ebin
recording of:
Ebin
lyricist and composer:
Bradley Nowell
3:32
18Date Rape
edit of:
Date Rape / Rawhide by Sublime (ska punk)
recording of:
Date Rape
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
4.53:38
19Hope
cover recording of:
Hope
lyricist and composer:
Milo Aukerman
1:43
20KRS-One52:24
21Rivers of Babylon
producer:
Michael "Miguel" Happoldt
guest guitar and guest vocals:
Jack Maness (in 1991)
guitar:
Bradley Nowell (in 1991)
xylophone:
Eric Wilson (Sublime) (in 1991)
vocals:
Bradley Nowell (in 1991)
cover recording of:
Rivers of Babylon (in 1991)
writer:
Brent Dowe and Trevor McNaughton
publisher:
Blue Mountain Music and Far Musikverlag GmbH
32:29
22Thanx
edit of:
Thanx (full version) by Sublime (ska punk)
recording of:
Thanx
writer:
Marshall Goodman, Bradley Nowell and Eric Wilson (Sublime)
4:23