The Complete Symphonies (compilation of Bernstein Century releases)

~ Release by Gustav Mahler; Leonard Bernstein (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Symphony no. 1 in D major / “Adagio” from Symphony no. 10
▶ CD 2: Symphony no. 2
▼ CD 3: Symphony No. 2 / Symphony No. 5, 4th. Mvt / Symphony No. 8, Part 1
#TitleArtistRatingLength
1Symphony no. 2 in C minor “Resurrection”: Movement IV: “Urlicht” — Sehr feierlich, aber schlicht
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:51
2Symphony no. 2 in C minor “Resurrection”: Movement IV: Etwas bewegter
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:40
3Symphony no. 2 in C minor “Resurrection”: Movement V: Im Tempo des Scherzos. Wild herausfahrend
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:36
4Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:28
5Symphony no. 2 in C minor “Resurrection”: Movement V: Im Anfang sehr zurückgehalten
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:19
6Symphony no. 2 in C minor “Resurrection”: Movement V: Maestoso
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:50
7Symphony no. 2 in C minor “Resurrection”: Movement V: Wieder zurückhaltend
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:34
8Symphony no. 2 in C minor “Resurrection”: Movement V: Sehr langsam und gedehnt
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:23
9Symphony no. 2 in C minor “Resurrection”: Movement V: Langsam. Misterioso
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler7:05
10Symphony no. 2 in C minor “Resurrection”: Movement V: Etwas bewegter
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:03
11Symphony no. 2 in C minor “Resurrection”: Movement V: Mit Aufschwung, aber nicht eilen “O Schmerz!”
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:32
12Symphony no. 2 in C minor “Resurrection”: Movement V: Più mosso “Sterben”
choir vocals:
MasterVoices (fka The Collegiate Chorale until 2015)
mezzo-soprano vocals:
Jennie Tourel (mezzo-soprano)
soprano vocals:
Lee Venora (soprano)
orchestra:
New York Philharmonic (on 1963-09-30)
conductor:
Leonard Bernstein (on 1963-09-30)
chorus master:
Abraham Kaplan (chorus master)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-09-30)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (on 1963-09-30)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:03
13Symphony no. 5 in C-sharp minor: IV: Adagietto. Sehr langsam
orchestra:
Members of the New York Philharmonic (on 1968-06-08)
conductor:
Leonard Bernstein (on 1968-06-08)
recorded at:
Saint Patrick's Cathedral in Midtown Manhattan, New York, New York, United States (on 1968-06-08)
live recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (on 1968-06-08)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:23
14Symphony no. 8 in E-flat major: Part One: "Veni, Creator Spiritus!"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:28
15Symphony no. 8 in E-flat major: Part One: "Imple superna gratia"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler4:20
16Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:52
17Symphony no. 8 in E-flat major: Part One: Tempo I. (Allegro, etwas hastig)
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler1:26
18Symphony no. 8 in E-flat major: Part One: "Infirma nostri corporis"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler2:49
19Symphony no. 8 in E-flat major: Part One: "Accende lumen sensibus"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler5:40
20Symphony no. 8 in E-flat major: Part One: "Qui Paraclitus deceris"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Tu septiformis munere (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler3:51
21Symphony no. 8 in E-flat major: Part One: "Gloria Patri Domino"
bass-baritone vocals:
Ezio Flagello (operatic bass / baritone) (on 1962-09-23) and George London (bass-baritone) (on 1962-09-23)
choir vocals:
Columbus Boychoir (on 1962-09-23), Juilliard Chorus (on 1962-09-23) and Schola Cantorum (New York, fka the MacDowell Chorus, renamed in 1912) (on 1962-09-23)
mezzo-soprano vocals:
Lili Chookasian (contralto) (on 1962-09-23) and Jennie Tourel (mezzo-soprano) (on 1962-09-23)
soprano vocals:
Adele Addison (American soprano) (on 1962-09-23) and Lucine Amara (soprano) (on 1962-09-23)
tenor vocals:
Richard Tucker (tenor) (on 1962-09-23)
orchestra:
New York Philharmonic (on 1962-09-23)
conductor:
Leonard Bernstein (on 1962-09-23)
chorus master:
Don Bryant (on 1962-09-23), Abraham Kaplan (chorus master) (on 1962-09-23) and Hugh Ross (choral director) (on 1962-09-23)
recorded at:
David Geffen Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1962-09-23)
live recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (on 1962-09-23)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”
Gustav Mahler2:33
▶ CD 4: Symphony no. 3 (Movements I–V)
▶ CD 5: Symphony no. 3 (Movement VI) / Three Rückert Songs / Kindertotenlieder
▶ CD 6: Symphony no. 4
▶ CD 7: Symphony no. 5
▶ CD 8: Symphony no. 6
▶ CD 9: Symphony no. 7
▶ CD 10: Symphony no. 8 “Symphony of a Thousand” (Part I)/ Kindertotenlieder
▶ CD 11: Symphony no. 8 “Symphony of a Thousand” (Part II)
▶ CD 12: Symphony no. 9

Credits

Release

copyrighted (©) by:Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
Discogs:https://www.discogs.com/release/8675030 [info]
ASIN:US: B0000589BP [info]