Sir Duke

~ Release by Bill Ware (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1C Jam Blues
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
3:12
2I Got It Bad
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:48
3In a Sentimental Mood
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
6:37
4Mood Indigo
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:29
5It Don't Mean a Thing
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:25
6Solitude
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
vibraphone:
Bill Ware
instrumental recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
5:26
7Caravan
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
6:12
8Come Sunday
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
recording of:
Come Sunday (1958 revision with lyrics)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
6:19
9Take the 'A' Train
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
4:51
10Sophisticated Lady
recording engineer:
真田広之
producer and mixer:
佐藤洋 (mastering engineer)
electric guitar:
Marc Ribot
vibraphone:
Bill Ware
instrumental recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
5:21