This One's for Basie

~ Release by Buddy Rich (see all versions of this release, 2 available)

Tracklist

▼ Medium 1
#TitleRatingLength
1Blue and Sentimental
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Blue and Sentimental (on 1956-08-25)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
4:50
2Down for Double
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Down for Double (on 1956-08-25)
writer:
Freddie Green
4:10
3Jump for Me
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pitman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Jump for Me
composer:
Count Basie (pianist) (in 1939)
5:16
4Blues for Basie
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pitman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Blues for Basie
composer:
Harry “Sweets” Edison
7:20
5Jumpin' at the Woodside
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pitman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Jumpin’ at the Woodside (original instrumental)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部, ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
6:27
6Ain't It the Truth
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Ain’t It the Truth (Basie/Harding/Palmer)
composer:
Count Basie (pianist), Buster Harding and Jack Palmer (Jazz pianist and composer)
3:02
7Shorty George
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Shorty George (on 1956-08-24)
composer:
Count Basie (pianist) and Harry “Sweets” Edison
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
5:14
89:20 Special
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
9:20 Special (on 1956-08-24)
lyricist:
William Engvick (in 1941)
writer:
Jack Palmer (Jazz pianist and composer) (in 1941)
composer:
William Engvick (in 1941) and Earle Warren (in 1941)
instrumental recording of:
9:20 Special
lyricist:
William Engvick (in 1941)
writer:
Jack Palmer (Jazz pianist and composer) (in 1941)
composer:
William Engvick (in 1941) and Earle Warren (in 1941)
4:34

Credits

Release

ASIN:US: B0000046PD [info]

Release group

Wikipedia:en: This One's for Basie [info]
Wikidata:Q7786204 [info]