Top 200 Classics: The Very Best of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#	Title	Artist	Rating	Length
1	Symphony No. 5 in C minor Op. 67: Allegro con brio orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Symphony no. 5 in C minor, op. 67: I. Allegro con brio composer: Ludwig van Beethoven (German composer) (from 1804 until 1808) part of: Symphony no. 5 in C minor, op. 67	Ludwig van Beethoven		7:24
2	1812 Overture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: The Year 1812, Festival Overture in E-flat major, op. 49 premiered in: Moscow, Russia (on 1882-08-20) composer: Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1880-09 until 1880-11) part of: The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49) is based on: Боже, Царя храни!	Пётр Ильич Чайковский		15:33
3	On the Beautiful Blue Danube (An der schönen blauen Donau) Waltz Op. 314 orchestra: Orchestra of Vienna Volksoper (Alfred Scholz pseudonym; also Vienna Strauss Orchestra) and Vienna Opera Orchestra conductor: Alfred Scholz recording of: An der schönen blauen Donau, op. 314 premiered in: Wien, Austria (on 1867-02-15) composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866) part of: Works of Johann Strauss Jr. by opus number (number: op. 314)	Johann Strauss II		10:08
4	Concerto No. 4 in F minor, Op. 8, 4 'Winter': Allegro non molto violin: Werner Riessmann (violin player) orchestra: Baroque Festival Orchestra (probably another Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”	Antonio Vivaldi		3:44
5	William Tell: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (name used on budget releases, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) conductor: Alfred Scholz phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989) recording of: Guillaume Tell : Ouverture composer: Gioachino Rossini (composer) librettist: Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy part of: Guglielmo Tell (italian version by Calisto Bassi) part of: Guillaume Tell	Gioachino Rossini		12:09
6	A Midsummer Night's Dream: Wedding March orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace composer: Felix Mendelssohn (composer) (in 1842) part of: Ein Sommernachtstraum, op. 61	Felix Mendelssohn		5:29
7	Also Sprach Zarathustra - Introduction - Sonnenaufgang Op. 30 orchestra: Slovenian Symphony Orchestra (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) composer: Richard Strauss (German composer) (in 1896) part of: Also sprach Zarathustra (op 30; TrV 176)	Richard Strauss		1:50
8	Orphée aux enfers (Orpheus in the Underworld) : Overture (Can-can) orchestra: Royal Philharmonic Orchestra conductor: Frank Shipway (British conductor) recording of: Orphée aux enfers : Ouverture additional composer: Carl Binder (in 1860) composer: Jacques Offenbach (German-French composer, cellist and impresario) part of: Orphée aux enfers (opéra féerie in four acts, 1874) part of: Orphée aux Enfers (opéra bouffe in two acts, 1858) part of: Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871) part of: Orpheus in the Underworld	Jacques Offenbach		10:17
9	Messiah, Oratorio, HWV 56: Hallelujah Chorus choir vocals: Ljubljana Radio Symphony Chorus (RTV Slovenia Chamber Choir) orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		4:22
10	Sonata for Piano No. 14 in C sharp minor Op. 27/2 Moonlight Sonata: Adagio sostenuto piano: Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04) recording of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04) composer: Ludwig van Beethoven (German composer) (in 1801) part of: Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”	Ludwig van Beethoven		6:05
11	Clair de Lune from Suite Bergamasque piano: Dieter Goldmann (pianist, Alfred Scholz related) recording of: Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) composer: Claude Debussy (composer) (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82a (for piano)	Claude Debussy		5:26
12	Peer Gynt Suite No. 1 Op. 46: In the Hall of the Mountain King orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		2:23
13	Gayaneh: Sabre Dance orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) composer: Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942) arrangement of: Gayaneh: Act III, Scene VII (Expiation). Sabre Dance	Արամ Խաչատրյան		2:37
14	Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera baritone vocals: Rudolf Knoll (operatic baritone) choir vocals: Salzburg Mozarteum Chorus soprano vocals: Gerda Hartmann (soprano) tenor vocals: Richard Brünner (tenor) orchestra: The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra conductor: Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master) chorus master: Ernst Hinreiner (conductor) phonographic copyright (℗) by: Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996) compilation of: Carmina Burana: Fortuna imperatrix mundi: O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg, Государственный академический симфонический оркестр России (“Evgeny Svetlanov” / GASO), Russian State Symphony Orchestra, Kurt Prestel (conductor, chorus master), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester & Chor Salzburg, Kurt Prestel (conductor, chorus master) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi recording of: Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera composer: Carl Orff (composer) (in 1936) publisher: B. Schott’s Söhne (publisher; do not use as label) version of: Fortune plango vulnera (Poem, CB 16) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff		5:37
15	Le Carnaval des Animaux (Carnival of the Animals) : Aquarium orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (conductor, Alfred Scholz pseudonym) recording of: Le Carnaval des animaux : VII. Aquarium composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		2:30
16	Hungarian Rhapsody No. 2 in C Sharp Minor piano: Dieter Goldmann (pianist, Alfred Scholz related) recording of: 19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version) composer: Franz Liszt (Hungarian composer, pianist and conductor) part of: 19 Hungarian Rhapsodies, S. 244 / R. 106	Franz Liszt		9:27
17	Light Cavalry (Leichte Kavallerie): Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Leichte Kavallerie: Ouvertüre composer: Franz von Suppè (composer) part of: Leichte Kavallerie	Franz von Suppé		6:53
18	Carmen Suite No. 2: Chanson du Toréador orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet		2:40
19	Les Contes d'Hoffmann: Barcarole orchestra: Royal Philharmonic Orchestra London conductor: Frank Shipway (British conductor) recording of: Les Contes d’Hoffmann: Barcarolle (catch-all for arrangements) composer: Jacques Offenbach (German-French composer, cellist and impresario) arrangement of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)	Jacques Offenbach		3:20
20	Lakmé: Flower Duet soprano vocals: Charlotte Kinder and Gilda Stein (soprano) orchestra: The City of Prague Philharmonic Orchestra conductor: James Fitzpatrick recording of: Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs … Dôme épais le jasmin » (Lakmé, Mallika) composer: Léo Delibes (composer) librettist: Philippe Gille and Edmond Gondinet publisher: Jenkinsongs Ltd. part of: Lakmé : Acte I	Léo Delibes		4:25
21	Suite for Orchestra No. 3 in D Major BWV 1068: Air (Air on the G String) orchestra: Royal Philharmonic Orchestra conductor: Frank Shipway (British conductor) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068	Johann Sebastian Bach		5:50
22	Rhapsody in Blue piano: Dieter Goldmann (pianist, Alfred Scholz related) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Rhapsody in Blue (standard 1942 orchestration) orchestrator: Ferde Grofé (pianist, arranger, conductor and composer) (in 1942) composer: George Gershwin (composer) (in 1924) publisher: Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label) revision of: Rhapsody in Blue (original 1924 jazz band version, less often performed)	George Gershwin		13:12
23	Symphony No. 9 in D Minor Op. 125 Choral (Ode To Joy) / Part I & Part II - Presto - Allegro molto assai - Andante maestoso - Allegro energico choir vocals: Bratislava Opera Chorus orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) composer: Ludwig van Beethoven (German composer) (from 1822 until 1824) librettist: Friedrich Schiller (German poet and playwright) is based on: An die Freude part of: Symphony no. 9 in D minor, op. 125 “Choral”	Ludwig van Beethoven		23:40
24	Boléro orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Samo Hubad (conductor) recording of: Boléro composer: Maurice Ravel (classical composer) (in 1928) publisher: Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?) premiered at: Palais Garnier in Paris, Île-de-France, France (on 1928-11-22) part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)	Maurice Ravel		13:56
25	Rêverie piano: Pavica Gvozdić (pianist) recording of: Rêverie, L. 68, CD 76 (for piano) composer: Claude Debussy (composer) (in 1890) premiered at: [concert] (1899-02-27) publisher: Choudens (in 1891) and Eugène Fromont (in 1905) part of: Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 68) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 76)	Claude Debussy		5:37
26	Bagatelle No. 25 in A Minor Op. 33 (Für Elise) piano: Hugo Steurer (classical pianist) recording of: Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto composer: Ludwig van Beethoven (German composer) (from 1808 until 1810) part of: Kinsky catalogue (Beethoven WoO works) (number: WoO 59)	Ludwig van Beethoven		3:51
27	Canon and Gigue In D Major: Canon (Pachelbel's Canon) orchestra: The City of Prague Philharmonic Orchestra conductor: James Fitzpatrick recording of: Canon and Gigue in D major, T. 377: I. Canon composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Johann Pachelbel		5:26
28	Canon and Gigue in D Major: Gigue orchestra: The City of Prague Philharmonic Orchestra conductor: James Fitzpatrick recording of: Canon and Gigue in D major, T. 377: II. Gigue composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, T. 377	Johann Pachelbel		1:52
29	The Nutcracker Op. 71a: Ballet Suite: Dance of the Sugar Plum Fairy orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (Variation II: Dance of the Sugar Plum Fairy) composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)	Пётр Ильич Чайковский		2:09
30	Die Walküre: Ride of the Valkyries orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt composer: Richard Wagner (composer) (from 1854 until 1856) publisher: Schott Music International (publisher; do not use as label) part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner		5:19
31	Serenade No. 13 in G Major "Eine kleine Nachtmusik" KV 525: Allegro orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		6:32
32	Toccata and Fugue in D minor, BWV 565 organ and organ [Silbermann organ]: Otto Winter (organist, harpsichordist and pianist) recorded at: Calvary Church (Eule organ 1987) in Szombathely, Vas, Hungary recording of: Toccata und Fuge d-Moll, BWV 565 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 565)	Johann Sebastian Bach		8:32
33	The Nutcracker Op. 71a: Ballet Suite: Waltz of the Flowers orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a revision of: Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (valse des fleurs; waltz of the flowers)	Пётр Ильич Чайковский		7:14
34	Peer Gynt Suite No. 1 Op. 46: Morning Mood orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:56
35	Lohengrin: Bridal Chorus „Treulich geführt” choir vocals: Radio Symphony Choir Ljubljana (RTV Slovenia Chamber Choir) orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) chorus master: Mirko Cuderman (choir master) recording of: Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) composer: Richard Wagner (composer) (from 1846 until 1848) librettist: Richard Wagner (composer) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		8:09
36	Sonata for Piano No. 11 in A Major KV 331: Rondo alla Turca: Allegretto piano: Hugo Steurer (classical pianist) recording of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto composed in: Paris, Île-de-France, France (in 1778) composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”	Wolfgang Amadeus Mozart		3:22
37	The Nutcracker Op. 71a. Ballet Suite: Trepak (Russian Dance) orchestra: Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym) recording of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace composer: Пётр Ильич Чайковский (Russian romantic composer) part of: Fantasia (Disney soundtrack) part of: The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques	Пётр Ильич Чайковский		1:16
38	The Thieving Magpie (La Gazza Ladra): Overture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: La gazza ladra: Ouverture composer: Gioachino Rossini (composer) (in 1817) librettist: Giovanni Gherardini part of: La gazza ladra part of: The Thieving Magpie (English version by Sams)	Gioachino Rossini		10:34
39	The Tale of Tsar Saltan: Flight of the Bumblebee orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Полёт шмеля (Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) composer: Николай Андреевич Римский‐Корсаков (Russian composer) (from 1899 until 1900) part of: The Tale of Tsar Saltan: Act III	Николай Андреевич Римский‐Корсаков		1:32
40	Prelude Op. 28/15 in D Flat Major Raindrop Prelude piano: Dieter Goldmann (pianist, Alfred Scholz related) recording of: Prélude no. 15 in D-flat major, op. 28: Sostenuto composer: Fryderyk Chopin (composer) (from 1836 until 1839) part of: 24 Préludes pour le piano, op. 28	Fryderyk Chopin		5:34
41	Samson et Dalila : « Mon cœur s'ouvre à ta voix » mezzo-soprano vocals and mezzo-soprano vocals [Delilah]: Rita Noël (American operatic mezzo-soprano and trained violist) orchestra: London Festival Orchestra (Alfred Scholz pseudonym), Nürnberger Symphoniker (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Radio Bratislava Symphony Orchestra (name used by Alfred Scholz, may be incorrect) conductor: Anton Nanut (Alfred Scholz pseudonym), Alfred Scholz, Hans Swarowsky (conductor) and Hans Swarowsky (conductor, used as Alfred Scholz pseudonym) recording of: Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) composer: Camille Saint‐Saëns (composer) part of: Samson et Dalila : Acte II	Camille Saint‐Saëns		6:39
42	Peer Gynt Suite No. 1 Op. 46: Anitra's Dance orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:34
43	Concerto for Piano and Orchestra No. 21 in C Major, KV 467: Andante piano: Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) conductor: Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Piano no. 21 in C major, K. 467: II. Andante composer: Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09) part of: Concerto for Piano no. 21 in C major, K. 467	Wolfgang Amadeus Mozart	3	5:37
44	Carmen Suite No. 1: Les Toréadors orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet		2:20
45	Nabucco: Chorus of the Hebrew Slaves choir vocals: Ljubljana Radio Symphony Chorus (RTV Slovenia Chamber Choir) orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Marko Munih (conductor) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		4:22
46	Pavane for a Dead Princess (Pavane pour une infante défunte) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: Pavane pour une infante défunte (orchestrated version) orchestrator: Maurice Ravel (classical composer) (in 1910) composer: Maurice Ravel (classical composer) (in 1899) publisher: Ed. Max Eschig part of: Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a) orchestration of: Pavane pour une infante défunte (original version for solo piano)	Maurice Ravel		5:40
47	Arabesque No. 1 piano: Jurica Maurai (probably a Scholz pseudonym) recording of: Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) composer: Claude Debussy (composer) (from 1890 until 1891) part of: Deux arabesques, L. 66, CD 74 (for piano)	Claude Debussy		3:57
48	Symphony No. 9 in E Minor From the New World, Op. 95: Finale: Allegro con fuoco orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Antonín Dvořák		11:25
49	An American in Paris piano: Dieter Goldmann (pianist, Alfred Scholz related) orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: An American in Paris composer: George Gershwin (composer) (in 1928) publisher: Chappell Music Ltd. premiered at: Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1928-12-13) part of: An American in Paris (2015 Broadway musical)	George Gershwin		18:36
50	Symphony No. 7 in A Major Op. 92 - Allegretto orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 7 in A major, op. 92: II. Allegretto composer: Ludwig van Beethoven (German composer) (from 1811 until 1812) part of: Symphony no. 7 in A major, op. 92	Ludwig van Beethoven		8:39
51	Swan Lake Op. 20: Ballet Suite: Dance of the Swans orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1876) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) part of: The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)	Пётр Ильич Чайковский		3:16
52	Jesu, Joy of Man's Desiring from Cantata "Herz und Mund und Tat und Leben" organ: Eberhard Kraus (organist, harpsichordist and composer) recording of: Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)	Johann Sebastian Bach		4:06
53	Piano Sonata no. 2 in B flat minor Op. 35 - 3 Funeral March (Marche funèbre: Lento) piano: Vitalij Margulis recording of: Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento composer: Fryderyk Chopin (composer) (in 1839) part of: Sonata for Piano no. 2 in B-flat minor, op. 35 “Funeral March”	Fryderyk Chopin		8:14
54	Madame Butterfly: Un bel dì vedremo orchestra: Zagrebačka filharmonija conductor: Samo Hubad (conductor) recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (also: Atto II, parte 1)	Giacomo Puccini		4:16
55	Menuet Celebre orchestra: RTV Chamber Orchestra Zagreb conductor: Tonko Ninić (violinist and conductor) recording of: Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) composer: Luigi Boccherini (composer) (in 1771) part of: Quintet in E major, G. 275, op. 11 no. 5	Luigi Boccherini		3:39
56	The Marriage of Figaro (Le nozze di Figaro): Overture orchestra: London Symphony Orchestra conductor: Alfred Scholz recording of: Le nozze di Figaro, K. 492: Sinfonia composer: Wolfgang Amadeus Mozart (classical composer) (in 1786) part of: Die Hochzeit des Figaro (German translation) part of: Le nozze di Figaro, K. 492	Wolfgang Amadeus Mozart		4:21
57	Lohengrin: Prelude to Act 3 orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Lohengrin, WWV 75: Akt III. Vorspiel composer: Richard Wagner (composer) (from 1846 until 1848) part of: Lohengrin, WWV 75: Akt III	Richard Wagner		3:09
58	Swan Lake Op. 20: Ballet Suite: Mazurka orchestra: Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym) recording of: The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka composer: Пётр Ильич Чайковский (Russian romantic composer) part of: The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)	Пётр Ильич Чайковский		3:50
59	A Night on the Bald Mountain orchestra: Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) conductor: Alfred Scholz recording of: A Night on Bald Mountain (orchestrated by Rimsky-Korsakov) orchestrator: Nikolai Rimsky-Korsakov (Russian composer) (in 1886) composer: Modest Mussorgsky (composer) (from 1867-06-12 until 1867-06-23) is based on: St. John’s Night on the Bare Mountain (original version) part of: Fantasia (Disney soundtrack)	Модест Петрович Мусоргский		11:31
60	Suite for Violoncello No.1 In G Major, BWV 1007: Prelude cello: Jörg Metzger (cellist) orchestra: The City of Prague Philharmonic Orchestra conductor: James Fitzpatrick recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007	Johann Sebastian Bach		2:11
61	Le Carnaval des Animaux (Carnival of the Animals): Final orchestra: Süddeutsche Philharmonie (an Alfred Scholz pseudonym) conductor: Hanspeter Gmür (conductor, Alfred Scholz pseudonym) recording of: Le Carnaval des animaux : XIV. Finale composer: Camille Saint‐Saëns (composer) (in 1886-02) part of: Le Carnaval des animaux (Grande fantaisie zoologique, R 125)	Camille Saint‐Saëns		1:57
62	Concerto for Mandolin and Orchestra in C Major RV 425: Allegro orchestra: Musici di San Marco (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) partial recording of: Concerto for Mandolin in C major, RV 425 composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. V/1) and Ryom-Verzeichnis (number: RV 425)	Antonio Vivaldi		3:10
63	Liebestraum No. 3 in A Flat Major piano: Dieter Goldmann (pianist, Alfred Scholz related) recording of: Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” composer: Franz Liszt (Hungarian composer, pianist and conductor) (in 1850) piano arranger: Franz Liszt (Hungarian composer, pianist and conductor) arrangement of: O lieb, so lang du lieben kannst, S. 298/2 (second version) part of: Liebesträume, S. 541	Franz Liszt		4:26
64	Ave Maria (Featuring Violin) violin: Lucie Švehlová orchestra: The City of Prague Philharmonic Orchestra conductor: James Fitzpatrick recording of: Ave Maria, D. 839 (Schubert; catch-all for arrangements) composer: Franz Schubert (composer) arrangement of: Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)	Franz Schubert		4:39
65	Nocturne No. 2 in E Flat Major Op. 9/2 (Thoughts at Night) piano: Peter Schmalfuss (pianist) recording of: Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante composer: Fryderyk Chopin (composer) (from 1830 until 1832) part of: Nocturnes, op. 9 (original for piano)	Fryderyk Chopin		4:43
66	Water Music Suite No. 1 in F Major: Air orchestra: Kammerorchestra der Slowakischen Philharmonie conductor: Oliver von Dohnányi (conductor) recording of: Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Georg Friedrich Händel		5:32
67	The Barber of Seville: Overture orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Il barbiere di Siviglia: Sinfonia composer: Gioachino Rossini (composer) librettist: Cesare Sterbini part of: Der Barbier von Sevilla (german lyrics) part of: Il barbiere di Siviglia part of: Le Barbier de Séville (french lyrics) part of: The Barber of Seville (english lyrics)	Gioachino Rossini		7:46
68	Concerto for Two Violins, Strings, Basso continuo and Orchestra in D minor BWV 1043: Vivace violin: Ivan Cerkov (violinist, an Alfred Scholz pseudonym) and Helmuth Flattermann (violinist) orchestra: Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043	Johann Sebastian Bach		4:00
69	Rêve Angélique orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) recording of: каменний остров, op. 10: no. 22 Rêve Angélique composer: Антон Рубинштейн (Russian composer Anton Rubinstein) part of: каменний остров, op. 10 (set of 24 piano sketches)	Антон Григорьевич Рубинштейн		6:23
70	Coppélia: Ballet Suite orchestra: Orchestra of the Vienna Volksoper conductor: Leo Gruber (conductor) recording of: Coppélia : Ballet Suite composer: Léo Delibes (composer) is based on: Coppélia	Léo Delibes		9:31
71	Symphony No. 5 in E minor Op. 64: Andante cantabile, con alcuna licenza orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1888-05 until 1888-08) part of: Symphony no. 5 in E minor, op. 64	Пётр Ильич Чайковский		13:12
72	Serenade No. 13 in G Major "Eine kleine Nachtmusik" KV 525: Romanze: Andante orchestra: Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym) conductor: Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) and Alfred Scholz recording of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante composer: Wolfgang Amadeus Mozart (classical composer) (in 1787) part of: Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“	Wolfgang Amadeus Mozart		6:44
73	Adagio in G Minor orchestra: Latvian Philharmonic Orchestra conductor: Ilmārs Lapiņš (Chorus Master, Conductor) recording of: Adagio for Strings and Organ in G minor composer: Remo Giazotto previously attributed to: Tomaso Giovanni Albinoni (Italian Baroque composer) publisher: Ricordi London (Casa Ricordi sublabel for Classical music)	Tomaso Giovanni Albinoni		7:49
74	Träumerei Op. 15 No. 7 (Dreaming) piano: Silvia Čápová (pianist), Dieter Goldmann (pianist, Alfred Scholz related) and Marián Pivka (pianist) recording of: Kinderszenen, op. 15: No. 7. Träumerei (for piano) composer: Robert Schumann (German classical composer) (in 1838) part of: Kinderszenen, op. 15	Robert Schumann		2:41
75	Symphony No. 94 in G Major "Surprise", Andante orchestra: Musici di San Marco (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante composer: Joseph Haydn (composer) (in 1791) part of: Symphony no. 94 in G major, Hob. I:94 “Surprise”	Joseph Haydn		5:56
76	Hungarian Dance No. 5 In G Minor: Allegro - Vivace orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: 21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations) composer: Johannes Brahms (German composer) (from 1858 until 1868) orchestration of: Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace part of: 21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)	Johannes Brahms		2:24
77	Geschichten aus dem Wienerwald (Tales from the Vienna Woods), Waltz Op. 325 orchestra: Vienna Opera Orchestra conductor: Alfred Scholz recording of: Geschichten aus dem Wienerwald, op. 325 composer: Johann Strauss (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Works of Johann Strauss Jr. by opus number (number: op. 325)	Johann Strauss II		12:37
78	Trumpet Voluntary - The Prince of Denmark's March orchestra: Royal Philharmonic Orchestra conductor: Frank Shipway (British conductor) recording of: The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) composer: Jeremiah Clarke (English baroque composer and organist) (in 1700)	Jeremiah Clarke		2:59
79	Symphony No. 5 in C sharp Minor - Adagietto orchestra: Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam composer: Gustav Mahler (composer) (from 1901 until 1902) part of: Symphony no. 5	Gustav Mahler		9:06
80	Water Music Suite No. 2 In D Major: Allegro: Alla Hornpipe orchestra: Bratislava Chamber Orchestra, Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) and Slovenský komorný orchester Bohdana Warchala conductor: Oliver Von Downanti (conductor) recorded at: Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia recording of: Wassermusik: Hornpipe (Allegro) composer: George Frideric Handel (German‐British baroque composer) recording of: Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 2 in D major, HWV 349	Georg Friedrich Händel		3:17
81	Arrival of the Queen of Sheba orchestra: Salzburg Chamber Ensemble recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft part of: Solomon, HWV 67: Act III	Georg Friedrich Händel		3:11
82	Quintet for Piano in A Major Trout Op. 114 D667: Tema con variazioni: Andantino - Allegretto instruments: Wiener Klavierquintett piano: Hugo Steurer (classical pianist) strings: Quintetto Caspar da Salo (string quartet, Alfred Scholz related) recording of: Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto composer: Franz Schubert (composer) (in 1819) publisher: G. Henle Verlag part of: Quintett A-Dur, D. 667 „Forellenquintett“	Franz Schubert		7:37
83	Faust: Soldiers' Chorus choir vocals: Württemberg State Opera Chorus (Alfred Scholz related) orchestra: Orchester der Staatsoper Stuttgart (Alfred Scholz related; not the “Orchester der Württembergischen Staatsoper Stuttgart”) conductor: Alexander von Pitamic (Alfred Scholz pseudonym) recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) composer: Charles Gounod (French composer) part of: Faust : Acte IV	Charles Gounod		2:54
84	Concerto No. 2 in G minor, Op. 8, 2 'Summer': Presto violin: Werner Riessmann (violin player) orchestra: Baroque Festival Orchestra (probably another Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym) and Slovak Chamber Orchestra conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Bohdan Warchal (violinist, conductor) recording of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto composer: Antonio Vivaldi (Italian baroque composer and violinist) (in 1723) part of: Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”	Antonio Vivaldi		3:08
85	Symphony No. 9 In E Minor From The New World Op. 95: Largo orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo composer: Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24) part of: Symfonie č. 9 e moll, op. 95 „Z Nového světa“	Antonín Dvořák		12:18
86	Concerto Grosso Op. 6 No. 8 in G minor (Christmas Concerto): Adagio-Allegro-Adagio orchestra: I Solisti di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti) recording of: Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio composer: Arcangelo Corelli (Italian baroque composer and violinist) part of: Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)	Arcangelo Corelli		3:37
87	Symphony No. 41 in C Major "Jupiter" KV 551, Allegro vivace orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace composer: Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10) part of: Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”	Wolfgang Amadeus Mozart		10:18
88	Symphony No. 8 In B Minor "Unfinished" D759: Allegro Moderato orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato composer: Franz Schubert (composer) (in 1822) part of: Symphony no. 8 in B minor, D. 759 “Unfinished”	Franz Schubert		13:43
89	Brandenburg Concerto No. 6 In B Flat Major III, BWV 1051: Allegro orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Rudolf Pribil (pseudonym for Alfred Scholz) recording of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (Allegro) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051	Johann Sebastian Bach		6:00
90	Concerto for Piano and Orchestra No. 1 in B Flat Minor Op. 23: Allegro non troppo e molto maestoso piano: Dieter Goldmann (pianist, Alfred Scholz related) orchestra: London Festival Orchestra (Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) partial recording of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (original 1874/75 version) composer: Пётр Ильич Чайковский (Russian romantic composer) (from 1874-11 until 1875-02) part of: Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (original 1874/75 version)	Пётр Ильич Чайковский		8:50
91	La Mer: 3 Symphonic Sketches (De l'aube à midi sur la mer) orchestra: Austrian Radio Symphony Orchestra (previously ORF-Symphonieorchester) conductor: Milan Horvat (Croatian conductor, 1919-2014) recording of: La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” composer: Claude Debussy (composer) (from 1903 until 1905) part of: La Mer, trois esquisses symphoniques pour orchestre, L. 109	Claude Debussy		9:02
92	Symphony No. 101 in D Major Clock: Andante orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Carlo de Pantelii (Alfred Scholz pseudonym) and Alfred Scholz recording of: Symphony no. 101 in D major, Hob. I:101 “Clock”: II. Andante composer: Joseph Haydn (composer) (in 1794) part of: Symphony no. 101 in D major, Hob. I:101 “Clock”	Joseph Haydn		8:14
93	Thaïs: Méditation orchestra: Royal Philharmonic Orchestra conductor: Frank Shipway (British conductor) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) composer: Jules Massenet (French Romantic composer) (in 1894) part of: Thaïs: Acte II	Jules Massenet		5:08
94	Sylvia: Ballet Suite orchestra: Orchester der Wiener Volksoper conductor: Leo Gruber (conductor) partial recording of: Sylvia composer: Léo Delibes (composer) recording of: Sylvia: Ballet Suite composer: Léo Delibes (composer) is based on: Sylvia	Léo Delibes		7:46
95	The Magic Flute (Die Zauberflöte) K. 620: Overture orchestra: Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Alfred Scholz recording of: Die Zauberflöte: Ouvertüre composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Die Zauberflöte, K. 620	Wolfgang Amadeus Mozart		7:26
96	Cavalleria Rusticana: Intermezzo orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: Cavalleria rusticana: Intermezzo composer: Pietro Mascagni (composer & conductor) (in 1888) part of: Cavalleria rusticana part of: Cavalleria rusticana (german lyrics)	Pietro Mascagni		3:26
97	Romeo and Juliet Fantasy Overture recording of: Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed) composer: Пётр Ильич Чайковский (Russian romantic composer) (in 1869) revised by: Пётр Ильич Чайковский (Russian romantic composer) (in 1870, in 1880) dedicated to: Милий Алексеевич Балакирев (composer, pianist, conductor) part of: The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39) revision of: Romeo and Juliet (1870, rarely performed)	Пётр Ильич Чайковский		18:05
98	Concerto for Horn and Orchestra No. 2 in E flat Major KV 417: Rondo: Allegro horn: Josef Dokupil (horn player, an Alfred Scholz pseudonym) orchestra: Mozart Festival Orchestra (an Alfred Scholz pseudonym) conductor: Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) recording of: Concerto for Horn no. 2 in E-flat major, K. 417: I. Allegro composer: Wolfgang Amadeus Mozart (classical composer) (in 1783) part of: Concerto for Horn no. 2 in E-flat major, K. 417	Wolfgang Amadeus Mozart		7:57
99	Mozart Requiem KV 626 - 8 Sequentia Lacrimosa choir vocals: Ljubljana Radio Symphony Chorus (RTV Slovenia Chamber Choir) orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) recording of: Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) orchestrator: Franz Xaver Süßmayr additional composer: Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)	Wolfgang Amadeus Mozart		3:48
100	El amor brujo (Liebeszauber / Love the Magician) - A media noche - Danza ritual del fuego orchestra: Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) conductor: Anton Nanut (conductor) recording of: El amor brujo: VII. A medianoche (Los sortilegios) composer: Manuel de Falla (Spanish composer) part of: El amor brujo (for symphony orchestra) recording of: El amor brujo: VIII. Danza ritual del fuego composer: Manuel de Falla (Spanish composer) part of: El amor brujo (for symphony orchestra)	Manuel de Falla		4:20
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Top 200 Classics: The Very Best of Classical Music

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