Die Bach-Kantate, Volume 59: BWV 52, 60, 26, 90

~ Release by Johann Sebastian Bach; Bach-Ensemble, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Kantate "Falsche Welt, dir trau ich nicht", BWV 52: I. Sinfonia
recording engineer:
Richard Hauck (engineer/producer)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia (from 1982-10 until 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach4:33
2Kantate "Falsche Welt, dir trau ich nicht", BWV 52: II. Recitativo "Falsche Welt, dir trau ich nicht!"
recording engineer:
Richard Hauck (engineer/producer)
soprano vocals:
Arleen Augér (soprano)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": II. Recitativo (Soprano) "Falsche Welt, dir trau ich nicht!" (from 1982-10 until 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach1:08
3Kantate "Falsche Welt, dir trau ich nicht", BWV 52: III. Aria "Immerhin"
recording engineer:
Richard Hauck (engineer/producer)
soprano vocals:
Arleen Augér (soprano)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": III. Aria (Soprano) "Immerhin, immerhin, wenn ich gleich verstoßen bin!" (from 1982-10 until 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach3:19
4Kantate "Falsche Welt, dir trau ich nicht", BWV 52: IV. Recitativo "Gott ist getreu"
recording engineer:
Richard Hauck (engineer/producer)
soprano vocals:
Arleen Augér (soprano)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": IV. Recitativo (Soprano) "Gott ist getreu!" (from 1977-09 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach1:17
5Kantate "Falsche Welt, dir trau ich nicht", BWV 52: V. Aria "Ich halt es mit dem lieben Gott"
recording engineer:
Richard Hauck (engineer/producer)
soprano vocals:
Arleen Augér (soprano)
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": V. Aria (Soprano) "Ich halt es mit dem lieben Gott" (from 1982-10 until 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach3:48
6Kantate "Falsche Welt, dir trau ich nicht", BWV 52: VI. Choral "In dich hab ich gehoffet, Herr"
recording engineer:
Richard Hauck (engineer/producer)
choir vocals:
Gächinger Kantorei Stuttgart
conductor:
Helmuth Rilling (conductor)
performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": VI. Choral "In dich hab ich gehoffet, Herr" (from 1982-10 until 1983-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Adam Reusner
part of:
Breitkopf 389 Choralgesänge (number: 212)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
Johann Sebastian Bach1:05
7Kantate "O Ewigkeit, du Donnerwort", BWV 60: I. Aria "O Ewigkeit, du Donnerwort"
alto vocals:
Helen Watts (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach4:52
8Kantate "O Ewigkeit, du Donnerwort", BWV 60: II. Recitativo (Dialogo): "O schwerer Gang zum letzten Kampf und Streite!"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach2:27
9Kantate "O Ewigkeit, du Donnerwort", BWV 60: III. Aria (Duetto): "Mein letztes Lager will mich schrecken"
alto vocals:
Helen Watts (contralto)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach3:25
10Kantate "O Ewigkeit, du Donnerwort", BWV 60: IV. Recitativo ed Arioso "Der Tod bleibt doch der menschlichen Natur verhasst"
alto vocals:
Helen Watts (contralto)
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach5:20
11Kantate "O Ewigkeit, du Donnerwort", BWV 60: V. Choral "Es ist genug"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (from 1977-12 until 1978-01)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
Johann Sebastian Bach1:34
12Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: I. Choral "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": I. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach2:23
13Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: II. Aria "So schnell ein rauschend Wasser schießt"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": II. Aria (Tenore) "So schnell ein rauschend Wasser schießt" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach5:20
14Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: III. Recitativo "Die Freud wird zur Traurigkeit"
alto vocals:
Doris Soffel (mezzo soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": III. Recitativo (Alto) "Die Freude wird zur Traurigkeit" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:56
15Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: IV. Aria "An irdische Schätze das Herze zu hängen"
bass vocals:
Philippe Huttenlocher (baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": IV. Aria (Basso) "An irdische Schätze das Herze zu hängen" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach4:29
16Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: V. Recitativo "Die höchste Herrlichkeit und Pracht"
soprano vocals:
Arleen Augér (soprano)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": V. Recitativo (Soprano) "Die höchste Herrlichkeit und Pracht" (from 1979-10 until 1980-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach0:45
17Kantate "Ach wie flüchtig, ach wie nichtig", BWV 26: VI. Choral "Ach wie flüchtig, ach wie nichtig"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-10 until 1980-04)
recording of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig": VI. Choral "Ach wie flüchtig, ach wie nichtig" (from 1979-10 until 1980-04)
lyricist:
Michael Franck (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 11)
part of:
Kantate, BWV 26 "Ach wie flüchtig, ach wie nichtig"
Johann Sebastian Bach1:00
18Kantate "Es reißet euch ein schrecklich Ende", BWV 90: I. Aria "Es reißet euch ein schrecklich Ende"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach5:42
19Kantate "Es reißet euch ein schrecklich Ende", BWV 90: II. "Des Höchsten Güte wird von Tag zu Tage neu"
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:44
20Kantate "Es reißet euch ein schrecklich Ende", BWV 90: III. Aria "So löschet im Eifer der rächende Richter"
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach3:42
21Kantate "Es reißet euch ein schrecklich Ende", BWV 90: IV. Recitativo "Doch Gottes Auge sieht auf uns als Auserwählte"
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach0:50
22Kantate "Es reißet euch ein schrecklich Ende", BWV 90: V. Choral "Leit uns mit deiner rechten Hand"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka 'Bach-Ensemble')
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1977-12 until 1978-01)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
Johann Sebastian Bach1:08

Credits

Release

ASIN:DE: B000024PDN [info]

Release group

part of:Die Bach-Kantate (Hänssler Classic) (number: 59) (order: 12)