Bach 2000: The Complete Bach Edition, Volume 2: Sacred Cantatas: BWV 48-52, 54-69, 69A, 70-99

~ Release by Johann Sebastian Bach (see all versions of this release, 13 available)

Tracklist

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▼ CD 1: Sacred Cantatas: BWV 48-51
#TitleRatingLength
1Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. (Coro) "Ich elender Mensch, wer wird mich erlösen"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": I. Coro "Ich elender Mensch, wer wird mich erlösen" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
5:32
2Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo "O Schmerz, o Elend, so mich trifft"
alto vocals:
Paul Esswood (countertenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": II. Recitativo (Alto) "O Schmerz, o Elend, so mich trifft" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:17
3Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral (Coro) "Solls ja so sein"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": III. Choral "Solls ja so sein, daß Straf und Pein" (from 1974-11 until 1975-05)
lyricist:
Martin Rutilius (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 4)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:42
4Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach lege das Sodom der sündlichen Glieder"
alto vocals:
Paul Esswood (countertenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": IV. Aria (Alto) "Ach, lege das Sodom der sündlichen Glieder" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
3:01
5Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": V. Recitativo (Tenore): "Hier aber tut des Heilands Hand"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": V. Recitativo (Tenore) "Hier aber tut des Heilands Hand" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
0:39
6Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VI. Aria (Tenore): "Vergibt mir Jesus meine Sünden"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VI. Aria (Tenore) "Vergibt mir Jesus meine Sünden" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
3:48
7Cantata, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VII. Choral (Coro): "Herr Jesu Christ, einiger Trost"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen": VII. Choral "Herr Jesu Christ, einiger Trost" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 144)
part of:
Kantate, BWV 48 "Ich elender Mensch, wer wird mich erlösen"
1:04
8Cantata, BWV 49 "Ich geh und suche mit Verlangen": I. Sinfonia
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": I. Sinfonia (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
6:37
9Cantata, BWV 49 "Ich geh und suche mit Verlangen": II. Aria (Basso) "Ich geh und suche mit Verlangen"
bass vocals:
Ruud van der Meer (from 1975-02 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": II. Aria (Basso) "Ich geh und suche mit Verlangen" (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
5:01
10Cantata, BWV 49 "Ich geh und suche mit Verlangen": III. Recitativo ed Arioso (Basso, Soprano) "Mein Mahl ist zubereit'
bass vocals:
Ruud van der Meer (from 1975-02 until 1975-05)
treble vocals:
Peter Jelosits (tenor) (from 1975-02 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": IIIa. Récitatif. "Mein Mahl ist zu bereit't / IIIb. Arioso. "Komm, Schönste, komm und lass dich küssen (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
2:05
11Cantata, BWV 49 "Ich geh und suche mit Verlangen": IV. Aria (Soprano) "Ich bin herrlich, ich bin schön"
treble vocals:
Peter Jelosits (tenor) (from 1975-02 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": IV. Aria (Soprano) "Ich bin herrlich, ich bin schön" (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
5:16
12Cantata, BWV 49 "Ich geh und suche mit Verlangen": V. Recitativo (Soprano, Basso): "Mein Glaube hat mich selbst so angezogen"
bass vocals:
Ruud van der Meer (from 1975-02 until 1975-05)
treble vocals:
Peter Jelosits (tenor) (from 1975-02 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": V. Recitativo (Soprano, Basso) "Mein Glaube hat mich selbst so angezogen" (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
1:14
13Cantata, BWV 49 "Ich geh und suche mit Verlangen": VI. Aria (Duetto: Soprano, Basso) "Dich hab ich je und je geliebet"
bass vocals:
Ruud van der Meer (from 1975-02 until 1975-05)
treble vocals:
Peter Jelosits (tenor) (from 1975-02 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": VIa. Duetto. "Dich hab' ich je und je geliebet / VIb. Duetto. "Wie bin ich doch so herzlich froh (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
5:11
14Cantata, BWV 50 "Nun ist das Heil und die Kraft": I. (Coro) "Nun ist das Heil und die Kraft"
choir vocals:
Chorus Viennensis (from 1967-03-02 until 1967-09-18) and Wiener Sängerknaben (from 1967-03-02 until 1967-09-18)
orchestra:
Concentus Musicus Wien (from 1967-03-02 until 1967-09-18)
conductor:
Nikolaus Harnoncourt (conductor) (from 1967-03-02 until 1967-09-18)
recorded at:
Casino Zögernitz in Wien, Austria (from 1967-03-02 until 1967-09-18)
recording of:
Kantate, BWV 50 "Nun ist das Heil und die Kraft": Coro "Nun ist das Heil und die Kraft" (from 1967-03-02 until 1967-09-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 50)
3:38
15Cantata, BWV 51 "Jauchzet Gott in allen Landen": I. Aria (Soprano) "Jauchzet Gott in allen Landen!"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:40
16Cantata, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo (Soprano): "Wir beten zu dem Tempel an"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:19
17Cantata, BWV 51 "Jauchzet Gott in allen Landen": III. Aria (Soprano) "Höchster, mache deine Güte"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
5:01
18Cantata, BWV 51 "Jauchzet Gott in allen Landen": IV. Choral (Soprano): "Sei Lob und Preis mit Ehren"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
3:36
19Cantata, BWV 51 "Jauchzet Gott in allen Landen": V. Aria (Soprano) "Alleluja!"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:15
▼ CD 2: Sacred Cantatas: BWV 52, 54-56
#TitleRatingLength
1Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": I. Sinfonia (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
4:18
2Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": II. Recitativo (Soprano): "Falsche Welt, dir trau ich nicht!"
treble vocals:
Seppi Kronwitter (from 1975-01-26 until 1975-01-27)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": II. Recitativo (Soprano) "Falsche Welt, dir trau ich nicht!" (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
1:15
3Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": III. Aria (Soprano): "Immerhin, immerhin, wenn ich gleich verstoßen bin!"
treble vocals:
Seppi Kronwitter (from 1975-01-26 until 1975-01-27)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": III. Aria (Soprano) "Immerhin, immerhin, wenn ich gleich verstoßen bin!" (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
4:02
4Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": IV. Recitativo (Soprano) "Gott ist getreu!"
treble vocals:
Seppi Kronwitter (from 1975-01-26 until 1975-01-27)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": IV. Recitativo (Soprano) "Gott ist getreu!" (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
1:32
5Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": V. Aria (Soprano) "Ich halt es mit dem lieben Gott"
treble vocals:
Seppi Kronwitter (from 1975-01-26 until 1975-01-27)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": V. Aria (Soprano) "Ich halt es mit dem lieben Gott" (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
4:46
6Cantata, BWV 52 "Falsche Welt, dir trau ich nicht": VI. Choral (Coro) "In dich hab ich gehoffet, Herr"
choir vocals:
Knabenchor Hannover (German boys choir) (from 1975-01-26 until 1975-01-27)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-26 until 1975-01-27)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-26 until 1975-01-27)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-26 until 1975-01-27)
recording of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht": VI. Choral "In dich hab ich gehoffet, Herr" (from 1975-01-26 until 1975-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Adam Reusner
part of:
Breitkopf 389 Choralgesänge (number: 212)
part of:
Kantate, BWV 52 "Falsche Welt, dir trau ich nicht"
0:43
7Cantata, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde"
alto vocals:
Paul Esswood (countertenor) (on 1974-12-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1974-12-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1974-12-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1974-12-06)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": I. Aria (Alto) "Widerstehe doch der Sünde" (on 1974-12-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
8:15
8Cantata, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden"
alto vocals:
Paul Esswood (countertenor) (on 1974-12-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1974-12-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1974-12-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1974-12-06)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": II. Recitativo (Alto) "Die Art verruchter Sünden" (on 1974-12-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
1:15
9Cantata, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) "Wer Sünde tut, der ist vom Teufel"
alto vocals:
Paul Esswood (countertenor) (on 1974-12-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1974-12-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1974-12-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1974-12-06)
recording of:
Kantate, BWV 54 "Widerstehe doch der Sünde": III. Aria (Alto) Wer Sünde tut, der ist vom Teufel (on 1974-12-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 54 "Widerstehe doch der Sünde"
2:58
10Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": I. Aria (Tenore): "Ich armer Mensch, ich Sündenknecht"
tenor vocals:
Kurt Equiluz (tenor) (from 1975-01-20 until 1975-01-25)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-20 until 1975-01-25)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-20 until 1975-01-25)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-20 until 1975-01-25)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": I. Aria (Tenore) "Ich armer Mensch, ich Sündenknecht" (from 1975-01-20 until 1975-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
5:23
11Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": II. Recitativo (Tenore) "Ich habe wider Gott gehandelt"
tenor vocals:
Kurt Equiluz (tenor) (from 1975-01-20 until 1975-01-25)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-20 until 1975-01-25)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-20 until 1975-01-25)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-20 until 1975-01-25)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": II. Recitativo (Tenore) "Ich habe wider Gott gehandelt" (from 1975-01-20 until 1975-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
1:30
12Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": III. Aria (Tenore) "Erbarme dich, laß die Tränen dich erweichen"
tenor vocals:
Kurt Equiluz (tenor) (from 1975-01-20 until 1975-01-25)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-20 until 1975-01-25)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-20 until 1975-01-25)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-20 until 1975-01-25)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": III. Aria (Tenore) "Erbarme dich!" (from 1975-01-20 until 1975-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
3:47
13Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": IV. Recitativo (Tenore) "Erbarme dich! Jedoch nun"
tenor vocals:
Kurt Equiluz (tenor) (from 1975-01-20 until 1975-01-25)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-20 until 1975-01-25)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-20 until 1975-01-25)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-20 until 1975-01-25)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": IV. Recitativo (Tenore) "Erbarme dich!" (from 1975-01-20 until 1975-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
1:28
14Cantata, BWV 55 "Ich armer Mensch, ich Sündenknecht": Choral (Coro): "Bin ich gleich von dir gewichen"
choir vocals:
Knabenchor Hannover (German boys choir) (from 1975-01-20 until 1975-01-25)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-20 until 1975-01-25)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-20 until 1975-01-25)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-20 until 1975-01-25)
recording of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht": V. Choral "Bin ich gleich von dir gewichen" (from 1975-01-20 until 1975-01-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann von Rist (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 362)
part of:
Kantate, BWV 55 "Ich armer Mensch, ich Sündenknecht"
0:52
15Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria (Basso) "Ich will den Kreuzstab gerne tragen"
bass vocals:
Michael Schopper (bass-baritone) (from 1975-01-25 until 1975-06-03)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-25 until 1975-06-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-25 until 1975-06-03)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-25 until 1975-06-03)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (from 1975-01-25 until 1975-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
7:12
16Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitativo (Basso) "Mein Wandel auf der Welt"
bass vocals:
Michael Schopper (bass-baritone) (from 1975-01-25 until 1975-06-03)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-25 until 1975-06-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-25 until 1975-06-03)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-25 until 1975-06-03)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (from 1975-01-25 until 1975-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
2:14
17Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria (Basso) "Endlich, endlich wird mein Joch"
bass vocals:
Michael Schopper (bass-baritone) (from 1975-01-25 until 1975-06-03)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-25 until 1975-06-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-25 until 1975-06-03)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-25 until 1975-06-03)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (from 1975-01-25 until 1975-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
6:40
18Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitativo (Basso) "Ich stehe fertig und bereit"
bass vocals:
Michael Schopper (bass-baritone) (from 1975-01-25 until 1975-06-03)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-25 until 1975-06-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-25 until 1975-06-03)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-25 until 1975-06-03)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (from 1975-01-25 until 1975-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:40
19Cantata, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Choral (Coro) "Komm, o Tod, du Schlafes Bruder"
choir vocals:
Knabenchor Hannover (German boys choir) (from 1975-01-25 until 1975-06-03)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1975-01-25 until 1975-06-03)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1975-01-25 until 1975-06-03)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1975-01-25 until 1975-06-03)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (from 1975-01-25 until 1975-06-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
1:11
▼ CD 3: Sacred Cantatas: BWV 57-60
#TitleRatingLength
1Cantata, BWV 57 "Selig ist der Mann": I. Aria (Basso/Jesus) "Selig ist der Mann"
bass vocals:
Ruud van der Meer (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
3:12
2Cantata, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano/Anima) "Ach! Dieser süße Trost"
treble vocals:
Peter Jelosits (tenor) (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:12
3Cantata, BWV 57 "Selig ist der Mann": III. Aria (Soprano) "Ich wünschte mir den Tod"
treble vocals:
Peter Jelosits (tenor) (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
6:01
4Cantata, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand"
bass vocals:
Ruud van der Meer (from 1975-06 until 1975-11)
treble vocals:
Peter Jelosits (tenor) (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
0:24
5Cantata, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen"
bass vocals:
Ruud van der Meer (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
5:14
6Cantata, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Basso) "In meiner Schoß liegt Ruh und Leben"
bass vocals:
Ruud van der Meer (from 1975-06 until 1975-11)
treble vocals:
Peter Jelosits (tenor) (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Récitatif (Soprano, Bass). "In meinen Schoss liegt Ruh' und Leben" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
1:17
7Cantata, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben"
treble vocals:
Peter Jelosits (tenor) (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
4:15
8Cantata, BWV 57 "Selig ist der Mann": VIII. Choral (Coro) "Richte dich, Liebste, nach meinem Gefallen"
choir vocals:
Tölzer Knabenchor (from 1975-06 until 1975-11)
orchestra:
Concentus Musicus Wien (from 1975-06 until 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-06 until 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (from 1975-06 until 1975-11)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (from 1975-06 until 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
0:49
9Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": I. Choral - Aria (Soprano, Basso) "Ach Gott, wie manches Herzeleid"
bass vocals:
Ruud van der Meer (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"
3:38
10Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"
1:18
11Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden"
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"
3:48
12Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen"
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"
1:11
13Cantata, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria (Soprano, Basso): "Ich hab für mir ein schwere Reis"
bass vocals:
Ruud van der Meer (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Behm (in 1610)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid"
2:19
14Cantata, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet"
bass vocals:
Ruud van der Meer (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": I. Duetto (Soprano, Basso) "Wer mich liebet, der wird mein Wort halten" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
4:25
15Cantata, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das vor Ehren"
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": II. Recitativo (Soprano) "O, was sind das für Ehren" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:58
16Cantata, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral (Coro) "Komm, heiliger Geist, Herre Gott!"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": III. Choral "Komm, Heiliger Geist, Herre Gott" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Breitkopf 389 Choralgesänge (number: 220)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:38
17Cantata, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": IV. Aria (Basso) "Die Welt mit allen Königreichen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
2:34
18Cantata, BWV 59 "Wer mich liebet, der wird mein Wort halten": V. Choral (Coro) "Du heilige Brunst"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten": V. Choral "Gott Heil"ger Geist" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1723 until 1724)
part of:
Kantate, BWV 59 "Wer mich liebet, der wird mein Wort halten"
1:41
19Cantata, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Duetto: Alto/Furcht, Tenore/Hoffnung) "O Ewigkeit, du Donnerwort"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": I. Aria (Coro Alto, Tenore) "O Ewigkeit, du Donnerwort" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
5:02
20Cantata, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang zum letzten Kampf"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": II. Recitativo (Alto, Tenore) "O schwerer Gang" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
2:16
21Cantata, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Duetto: Alto/Tenore) "Mein letztes Lager will mich schrecken"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": III. Aria (Alto, Tenore) "Mein letztes Lager will mich schrecken" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
3:20
22Cantata, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso/Vox Christi) "Der Tod bleibt doch der menschlichen Natur verhaßt"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": IV. Recitativo (Alto, Basso) "Der Tod bleibt doch der menschlichen Natur verhaßt" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
4:12
23Cantata, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral (Coro) "Er ist genung: Herr, wenn es dir gefällt"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort": V. Choral "Es ist genug; Herr, wenn es dir gefällt" (in 1975-11)
lyricist:
Franz Joachim Burmeister (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 91)
part of:
Kantate, BWV 60 "O Ewigkeit, du Donnerwort"
1:19
▼ CD 4: Sacred Cantatas: BWV 61-63
#TitleRatingLength
1Cantata, BWV 61 "Nun komm, der Heiden Heiland": I. Ouverture (Coro) "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (in 1975-11) and Wiener Sängerknaben (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:42
2Cantata, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore) "Der Heiland ist gekommen"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": II. Recitativo (Tenore): "Der Heiland ist gekommen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:34
3Cantata, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": III. Aria (Tenore) "Komm, Jesu, komm zu deiner Kirche" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:59
4Cantata, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": IV. Recitativo (Basso) "Siehe, ich stehe vor der Tür und klopfe an" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
1:04
5Cantata, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze"
treble vocals:
Seppi Kronwitter (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": V. Aria (Soprano) "Öffne dich, mein ganzes Herze" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
3:23
6Cantata, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Amen, Amen! Komm du schöne Freudenkrone"
choir vocals:
Tölzer Knabenchor (in 1975-11) and Wiener Sängerknaben (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland": VI. Choral "Amen, Amen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 61 "Nun komm, der Heiden Heiland"
0:57
7Cantata, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:54
8Cantata, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen, dies große Geheimnis"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": II. Aria (Tenore) "Bewundert, o Menschen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
7:29
9Cantata, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": III. Recitativo (Basso) "So geht aus Gottes Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:36
10Cantata, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": IV. Aria (Basso) "Streite, siege, starker Held!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
5:09
11Cantata, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Soprano, Alto) "Wir ehren diese Herrlichkeit"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": V. Recitativo (Duetto: Soprano, Alto) "Wir ehren diese Herrlichkeit" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:58
12Cantata, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral (Coro) "Lob sei Gott, dem Vater, ton"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": VI. Choral "Lob sei Gott, dem Vater, g'ton" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 265)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
0:39
13Cantata, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
performer:
Concentus Musicus Wien
phonographic copyright (℗) by:
TELDEC Classics International GmbH (in 1983)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
5:17
14Cantata, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! O ungemeines Heute"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
3:32
15Cantata, BWV 63 "Christen, ätzet diesen Tag": III. Duetto (Soprano, Basso) "Gott, du hast es wohl gefüget"
bass vocals:
Ruud van der Meer (in 1975-11)
treble vocals:
Peter Jelosits (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
6:24
16Cantata, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid"
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
0:53
17Cantata, BWV 63 "Christen, ätzet diesen Tag": V. Duetto (Alto, Tenore) "Ruft und fleht den Himmel an"
alto vocals:
Paul Esswood (countertenor) (in 1975-11)
tenor vocals:
Kurt Equiluz (tenor) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
4:23
18Cantata, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach"
bass vocals:
Ruud van der Meer (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
1:06
19Cantata, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an"
choir vocals:
Tölzer Knabenchor (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Wien, Austria (in 1975-11)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
7:19
▶ CD 5: Sacred Cantatas: BWV 64-66
▶ CD 6: Sacred Cantatas: BWV 67-69a
▶ CD 7: Sacred Cantatas: BWV 70-73
▶ CD 8: Sacred Cantatas: BWV 74-75
▶ CD 9: Sacred Cantatas: BWV 76-78
▶ CD 10: Sacred Cantatas: BWV 79-82
▶ CD 11: Sacred Cantatas: BWV 83-86
▶ CD 12: Sacred Cantats BWV 87-90
▶ CD 13: Sacred Cantatas BWV 91-93
▶ CD 14: Sacred Cantatas BWV 94-96
▶ CD 15: Sacred Cantatas BWV 97-99