Julian Cannonball Adderley

~ Release by Julian Cannonball Adderley (see all versions of this release, 5 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Cannonball
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Cannonball (on 1955-07-29)
composer:
Julian “Cannonball” Adderley
4:17
2Willows
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Willows (on 1955-08-05)
composer:
Quincy Jones
4:59
3Everglade
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Everglade (on 1955-07-29)
composer:
Quincy Jones and Julian “Cannonball” Adderley
3:44
4Cynthia's in Love
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White
3:07
5The Song Is You
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
Jimmy Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:16
6Hurricane Connie
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) and Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Hurricane Connie (on 1955-07-21)
composer:
Quincy Jones
4:18
7Purple Shades
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
recording of:
Purple Shades (on 1955-07-21)
writer:
Phil Dooley, Lew Douglas and Frank LaVere
3:34
8Rose Room
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
Rose Room (on 1955-08-05)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
5:49
9Fallen Feathers
recorded in:
New York, New York, United States (on 1955-08-05)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-08-05)
baritone saxophone:
Cecil Payne (on 1955-08-05)
cornet:
Nat Adderley (on 1955-08-05)
double bass:
Paul Chambers (US jazz bassist) (on 1955-08-05)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1955-08-05)
flute and tenor saxophone:
Jerome Richardson (on 1955-08-05)
piano:
John Williams (American jazz pianist) (on 1955-08-05)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-08-05)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955) and Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2001)
recording of:
Fallen Feathers (on 1955-08-05)
composer:
Quincy Jones
3:48
10You'd Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:36

Credits

Release

ASIN:US: B000094T4X [info]

Release group

associated singles/EPs:Julian Cannonball Adderley
Discogs:https://www.discogs.com/master/420337 [info]
Wikidata:Q6306917 [info]