Matthäus‐Passion

~ Release by Johann Sebastian Bach; Wiener Philharmoniker, Wilhelm Furtwängler (see all versions of this release, 2 available)

Tracklist

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▼ CD 1: Matthäus‐Passion, BWV 244: Erster Teil
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1Matthäus‐Passion, BWV 244: Erster Teil: Chor: “Kommt, ihr Töchter” / Choral: “O Lamm Gottes unschuldig”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:08
2Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da Jesus diese Rede vollendet hatte”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:54
3Matthäus‐Passion, BWV 244: Erster Teil: Choral: “Herzliebster Jesu”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1954-04-14 until 1954-04-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:41
4Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da versammelten sich die Hohenpriester”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:32
5Matthäus‐Passion, BWV 244: Erster Teil: Chor: “Ja nicht auf das Fest”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:17
6Matthäus‐Passion, BWV 244: Erster Teil: Rezitatif: “Da nun Jesus war zu Bethanien”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:38
7Matthäus‐Passion, BWV 244: Erster Teil: Chor: “Wozu dienet dieser Unrat?”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:38
8Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da das Jesus merkete, sprach er zu ihnen”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:56
9Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Du lieber Heiland du”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:23
10Matthäus‐Passion, BWV 244: Erster Teil: Arie: “Buß’ und Reu”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:15
11Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da ging in der Zwölfen Einer”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:43
12Matthäus‐Passion, BWV 244: Erster Teil: Arie: “Blute nur, du liebes Herz!”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:40
13Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Aber am ersten Tage”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:15
14Matthäus‐Passion, BWV 244: Erster Teil: Chor: “Wo willst du”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:28
15Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Er Sprach: Gehet hin in die Stadt”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach2:01
16Matthäus‐Passion, BWV 244: Erster Teil: Choral: “Ich bin’s, ich sollte büßen”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:28
17Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Er antwortete und sprach: Der mit der Hand”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:17
18Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Wiewohl mein Herz in Tränen schwimmt”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:54
19Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Und da sie den Lobgesang gesprochen hatten”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:32
20Matthäus‐Passion, BWV 244: Erster Teil: Choral: “Erkenne mich, mein Hütter”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:57
21Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Petrus aber antwortete und sprach zu ihm”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:18
22Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da kam Jesus”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:14
23Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “O Schmerz!” mit Choral: “Was ist die Ursach”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:04
24Matthäus‐Passion, BWV 244: Erster Teil: Arie: “Ich will bei meinem Jesu wachen” mit Chor "So schlafen unsere Sünden ein"
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:25
25Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Und ging hin ein wenig”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
26Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Der Heiland fällt”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:33
27Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Und er kam zu seinen Jüngern”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:40
28Matthäus‐Passion, BWV 244: Erster Teil: Choral: “Was mein Gott will”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:04
29Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Da kam er zu seinen Jüngern”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:43
30Matthäus‐Passion, BWV 244: Erster Teil: Duett: “So is mein Jesus nun gefangen” mit Chor " Laßt ihn, haltet, bindet nich!"
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:42
31Matthäus‐Passion, BWV 244: Erster Teil: Rezitativ: “Zu der Stund’ sprach Jesus zu den Sharen”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:29
32Matthäus‐Passion, BWV 244: Erster Teil: Choral: “O Mensh, bewein’ dein’ Sünde groß”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:26
▼ CD 2: Matthäus‐Passion, BWV 244: Zweiter Teil
#TitleArtistRatingLength
1Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Ach, nun ist mein Jesus hin!” mit Chor “Wo ist denn dein Freund hingegangen?”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:30
2Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Die aber Jesum gegriffen hatten”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:45
3Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und der Hohepriester stand auf und sprach zu ihm”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:37
4Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und der Hohepriester antwortete”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:39
5Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da speiten sie”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:05
6Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Wer hat dich so geschlagen”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:36
7Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Petrus aber saß draußen im Palast”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:21
8Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da hub er an, sich zu verfluchen”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:38
9Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Erbarme dich, mein Gott”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1954-04-14 until 1954-04-17)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:03
10Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Jesus aber stand vor dem Landpfleger”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:06
11Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Befiehl du deine Wege”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:56
12Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Aud das Fest aber hatte”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
13Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Der Landpfleger sagte”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:15
14Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Er hat uns allen wohlgetan”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:40
15Matthäus‐Passion, BWV 244: Zweiter Teil: Arie: “Aus Liebe will mein Heiland sterben”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:16
16Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Sie Schrieen aber noch mehr”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:22
17Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Erbarm’ es Gott!”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:48
18Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Da nahmen die Kriegsknechte des Landpflegers”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach1:23
19Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “O Haupt voll Blut und Wunden”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:24
20Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Une da sie ihn verspottet hatten”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
21Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und da wurden zween Mörder mit ihm gekreuziget”
choir vocals:
Wiener Singakademie (in 1954-04)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (in 1954-04)
orchestra:
Wiener Philharmoniker (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien, Austria (in 1954-04)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]" (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
22Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Desglichen schmäheten ihn auch die Mörder”
choir vocals:
Wiener Singakademie (in 1954-04)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (in 1954-04)
orchestra:
Wiener Philharmoniker (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien, Austria (in 1954-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:37
23Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Ach, Golgatha”
alto vocals:
Marga Höffgen (contralto) (in 1954-04)
orchestra:
Wiener Philharmoniker (in 1954-04)
conductor:
Wilhelm Furtwängler (conductor) (in 1954-04)
recorded at:
Wiener Konzerthaus in Landstraße, Wien, Austria (in 1954-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1954-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:29
24Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Und von der sechsten Stunde”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
baritone vocals [Jesus]:
Dietrich Fischer‐Dieskau (baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:43
25Matthäus‐Passion, BWV 244: Zweiter Teil: Choral: “Wenn ich einmal soll schneiden”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
26Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ mit Chor: “Und sihe da, der Vorhang im Tempel zerriß in zwei Stück”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:52
27Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Am Abend, da es kühle war”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:28
28Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ: “Une Joseph nahm den Leib”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Singakademie (from 1954-04-14 until 1954-04-17)
tenor vocals [Evangelist]:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:40
29Matthäus‐Passion, BWV 244: Zweiter Teil: Rezitativ mit Chor “Nun ist der Herr zur Ruh’ grabracht”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
alto vocals:
Marga Höffgen (contralto) (from 1954-04-14 until 1954-04-17)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
soprano vocals:
Elisabeth Grümmer (soprano) (from 1954-04-14 until 1954-04-17)
tenor vocals:
Anton Dermota (tenor) (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:38
30Matthäus‐Passion, BWV 244: Zweiter Teil: Chor: “Wir setzen uns mit Tränen nieder”
harpsichord:
Anton Heiller (from 1954-04-14 until 1954-04-17)
organ:
Franz Schütz (organist) (from 1954-04-14 until 1954-04-17)
choir vocals:
Wiener Sängerknaben (from 1954-04-14 until 1954-04-17) and Wiener Singakademie (from 1954-04-14 until 1954-04-17)
orchestra:
Wiener Philharmoniker (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
chorus master:
Hans Gillesberger (from 1954-04-14 until 1954-04-17)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17) and Wiener Konzerthaus in Landstraße, Wien, Austria (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:18