Solid Gold Soul 1965

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (“The Godfather of Soul”)
alto saxophone:
Nat Jones (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
lead vocals:
James Brown (“The Godfather of Soul”) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (“The Godfather of Soul”)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.652:48
2Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (Songwriter and producer)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (Songwriter and producer)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:51
3In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Stax studio pianist, 1960s) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
Wilson Pickett32:33
4We’re Gonna Make It
vocals:
Little Milton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States
cover recording of:
We’re Gonna Make It
writer:
Gene Barge, Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp.
Little Milton32:38
5People Get Ready
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 24), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 28) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 122)
recording of:
People Get Ready
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions42:42
6The Tracks of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Miracles4.252:56
7Stop! In the Name of Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (from 1965-01-05 until 1965-01-11)
background vocals:
The Andantes (from 1965-01-05 until 1965-01-11), Florence Ballard (from 1965-01-05 until 1965-01-11) and Mary Wilson (from 1965-01-05 until 1965-01-11)
lead vocals:
Diana Ross (from 1965-01-05 until 1965-01-11)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1965-01-05 until 1965-01-11)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 13) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 254)
recording of:
Stop! In the Name of Love (from 1965-01-05 until 1965-01-11)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Supremes4.152:54
8Shotgun
bass:
James Jamerson (in 1964)
guitar:
Eddie Willis (in 1964) and Willie Woods (US guitarist & songwriter) (in 1964)
membranophone:
Benny Benjamin (US drummer) (in 1964)
organ:
Victor Thomas (keyboardist) (in 1964)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1964)
tenor saxophone and lead vocals:
Junior Walker (in 1964)
background vocals:
Willie Woods (US guitarist & songwriter) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1964)
recording of:
Shotgun (in 1964)
writer:
Autry De Walt
composer:
Autry De Walt and Junior Walker
publisher:
Jobete Music, Jobete Music (UK), Jobete Music Co. (publisher) and What Does It Take Publishing (BMI-affiliated)
Jr. Walker & the All Stars3:05
9The “In” Crowd
The Ramsey Lewis Trio3:17
10Hold What You’ve Got
recorded in:
Muscle Shoals, Alabama, United States (on 1964-11-06)
recording engineer:
Tom Dowd
producer:
Buddy Killen
baritone saxophone:
Mack Williams (saxophone) (on 1964-11-06)
bass:
Warren Jones (bass, Soul) (on 1964-11-06)
bass [electric bass]:
Clarence Hadley (on 1964-11-06)
drums (drum set):
Clyde Williams (on 1964-11-06)
guitar:
Lee Royal Hadley (guitar, Soul) (on 1964-11-06)
tenor saxophone:
Eddie Williams (saxophone) (on 1964-11-06)
vocals:
Joe Tex (American southern soul musician) (on 1964-11-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 26)
recording of:
Hold What You’ve Got (in 1964)
lyricist and composer:
Joe Tex (American southern soul musician)
publisher:
Fort Knox Music Inc., Sony/ATV Tree Publishing and Trio Music Company
Joe Tex3:10
11Hurt So Bad
recording of:
Hurt So Bad
writer:
Bobby Wilding (US songwriter), Bobby Hart and Teddy Randazzo
publisher:
Vogue Music
Little Anthony & the Imperials2:19
12Papa’s Got a Brand New Bag
producer:
James Brown (“The Godfather of Soul”)
alto saxophone and organ:
Nat Jones (in 1965-02)
baritone saxophone and tenor trombone:
Maceo Parker (US funk/jazz saxophonist) (in 1965-02)
bass:
Bernard Odum (in 1965-02) and Sam Thomas (US rockabilly artist) (in 1965-02)
guitar:
Jimmy Nolen (in 1965-02)
membranophone:
Melvin Parker (in 1965-02)
tenor saxophone:
Al Brisco Clark (in 1965-02), St. Clair Pinckney (in 1965-02) and Eldee Williams (in 1965-02)
trombone:
Wilmer Milton (in 1965-02) and Levi Rasbury (in 1965-02)
trumpet:
Joe Dupars (in 1965-02) and Ron Tooley (in 1965-02)
lead vocals:
James Brown (“The Godfather of Soul”) (in 1965-02)
performer:
The James Brown Band
recorded at:
Arthur Smith Studios in Charlotte, North Carolina, United States (in 1965-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 34) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 72)
partial recording of:
Papa’s Got a Brand New Bag (in 1965-02)
lyricist and composer:
James Brown (“The Godfather of Soul”)
recording of:
Papa’s Got a Brand New Bag
lyricist and composer:
James Brown (“The Godfather of Soul”)
James Brown3.652:03
13Nowhere to Run
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 359)
recording of:
Nowhere to Run
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Martha Reeves and the Vandellas4.652:57
14I Can’t Help Myself (Sugar Pie, Honeybunch)
Four Tops2:45
15Ride Your Pony
Lee Dorsey2:54
16My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Temptations4.452:45
17Baby I’m Yours
remaster of:
Baby, I’m Yours by Barbara Lewis
samples from:
Hello Stranger: The Best of Barbara Lewis by Barbara Lewis
recording of:
Baby, I’m Yours
lyricist and composer:
Van McCoy
publisher:
EMI Blackwood Music Inc. (1989-07-24–present) and Van McCoy Music
Barbara Lewis2:32
18Ain’t That Peculiar
producer:
Smokey Robinson
cover recording of:
Ain’t That Peculiar
writer:
Marv Tarplin, Robert Rogers, Warren Moore and William Robinson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
American Splendor
Marvin Gaye3.653:02
19Got to Get You Off My Mind
Solomon Burke2:00
20Oo Wee Baby, I Love You
recording of:
Oo Wee Baby, I Love You
lyricist and composer:
Richard Parker (Australian singer)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Fred Hughes2:21
21I Do Love You
recording of:
I Do Love You
Billy Stewart3:02
22I’ve Been Loving You Too Long (to Stop Now)
recording of:
I’ve Been Loving You Too Long
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
Otis Redding3:11

Credits

Release group

part of:Solid Gold Soul (Time-Life Music) (number: 12) (order: 12)