Bennett Sings Ellington: Hot & Cool

~ Release by Tony Bennett (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Do Nothin’ Till You Hear From Me
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
4:01
2Mood Indigo
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
trombone:
Al Grey (trombone)
trumpet:
Wynton Marsalis
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:34
3She’s Got It Bad (and That Ain’t Good)
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
I Got It Bad (and That Ain’t Good)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
4:50
4Caravan
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
4:37
5Chelsea Bridge
recording engineer and mixer:
Joel Moss
trumpet:
Wynton Marsalis
cover recording of:
Chelsea Bridge
composer:
Billy Strayhorn (in 1941)
arranger:
Joe Henderson (US jazz tenor saxophonist)
3:59
6Azure
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Azure
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
3:57
7I’m Just a Lucky So and So
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
I’m Just a Lucky So and So
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (ASCAP-affiliated publisher)
3:39
8In a Sentimental Mood
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:32
9Don’t Get Around Much More
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Don’t Get Around Much Anymore
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label)
version of:
Never No Lament
3:16
10Sophisticated Lady
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
violin:
Joel Smirnoff (violinist)
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:43
11In a Mellow Tone
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins
6:54
12Day Dream
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
drums (drum set):
Clayton Cameron
guitar:
Gray Sargent
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Day Dream
lyricist:
John Latouche (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) and Billy Strayhorn (in 1941)
3:56
13Prelude to a Kiss
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
4:55
14It Don’t Mean a Thing (If It Ain’t Got That Swing)
recording engineer and mixer:
Joel Moss
bass:
Paul Langosch
guitar:
Gray Sargent
membranophone:
Clayton Cameron
piano:
Ralph Sharon
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:02