The Complete Dial Sessions

~ Release by Charlie Parker (see all versions of this release, 3 available)

Tracklist

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▼ CD 1: Hollywood Sessions I: Moose the Mooche
#TitleRatingLength
1Diggin' Diz
recording of:
Diggin' Diz (on 1946-02-05)
composer:
Dizzy Gillespie and George Handy
publisher:
EMI Mills Music Limited (PRS for Music-affiliated)
2:54
2Moose the Mooche (take 1)
recording of:
Moose the Mooche (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:00
3Moose the Mooche (take 2)
recording of:
Moose the Mooche (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
3:04
4Moose the Mooche (take 3)
recording of:
Moose the Mooche (on 1946-03-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
2:58
5Yardbird Suite (take 1)
recording of:
Yardbird Suite (lyrics by Bob Dorough: "I sing this song hoping you'll all find out...") (on 1946-03-28)
lyricist:
Bob Dorough (in 1955)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
is based on:
Yardbird Suite (instrumental version)
2:42
6Yardbird Suite (take 4)
recording of:
Yardbird Suite (lyrics by Bob Dorough: "I sing this song hoping you'll all find out...") (on 1946-03-28)
lyricist:
Bob Dorough (in 1955)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
is based on:
Yardbird Suite (instrumental version)
2:57
7Ornithology (take 1)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:04
8Ornithology (take 3)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:19
9Ornithology (take 4)
recording of:
Ornithology (on 1946-03-28)
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
3:02
10A Night in Tunisia (take 1)
recording of:
Night in Tunisia (instrumental) (on 1946-03-28)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
0:51
11A Night in Tunisia (take 4)
recording of:
Night in Tunisia (instrumental) (on 1946-03-28)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
3:09
12A Night in Tunisia (take 5)
recording of:
Night in Tunisia (instrumental) (on 1946-03-28)
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
3:05
13Max (Is) Making Wax
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1946-07-29)
double bass:
Bob Kesterson (on 1946-07-29)
drums (drum set):
Roy Porter (on 1946-07-29)
piano:
Jimmy Bunn (40s jazz pianist) (on 1946-07-29)
trumpet:
Howard McGhee (on 1946-07-29)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1946-07-29)
recording of:
Max Making Wax (on 1946-07-29)
composer:
Oscar Pettiford
2:34
14Lover Man (take A)
instrumental recording of:
Lover Man (on 1946-07-29)
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:23
15The Gypsy (take A)
instrumental recording of:
The Gypsy (on 1946-07-29)
lyricist and composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
3:05
16Bebop (take A)
recording of:
Be-Bop (on 1946-07-29)
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
2:56
17Blues #1
0:49
18Blues #2
1:09
19Yardbird Suite
recording of:
Yardbird Suite (lyrics by Bob Dorough: "I sing this song hoping you'll all find out...") (on 1947-02-01)
lyricist:
Bob Dorough (in 1955)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
is based on:
Yardbird Suite (instrumental version)
2:15
20Lullaby in Rhythm, Part 1
instrumental recording of:
Lullaby in Rhythm (on 1947-02-01)
lyricist:
Walter Hirsch (in 1938)
composer:
Clarence Profit (in 1938), Benny Goodman (clarinetist and bandleader) (in 1938) and Edgar Sampson (in 1938)
1:34
21Lullaby in Rhythm, Part 2
recording of:
Lullaby in Rhythm (on 1947-02-01)
lyricist:
Walter Hirsch (in 1938)
composer:
Clarence Profit (in 1938), Benny Goodman (clarinetist and bandleader) (in 1938) and Edgar Sampson (in 1938)
1:36
22Home Cookin' I
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-01)
2:25
23Home Cookin' II
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-01)
2:10
24Home Cookin' III
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-01)
double bass:
Arnold Fishkind (on 1947-02-01)
drums (drum set):
Jimmy Pratt (on 1947-02-01)
piano:
Russ Freeman (pianist) (on 1947-02-01)
recorded at:
Chuck Kopely's in Hollywood, Los Angeles, California, United States (on 1947-02-01)
instrumental recording of:
I Got Rhythm (on 1947-02-01)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
2:27
▼ CD 2: Hollywood Sessions II: Relaxin' at Camarillo
#TitleRatingLength
1This Is Always (take C, master)
instrumental recording of:
This Is Always (on 1947-02-19)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:16
2This Is Always (take D, alternate)
instrumental recording of:
This Is Always (on 1947-02-19)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:12
3Dark Shadows (take A, alternate)
recording of:
Dark Shadows (on 1947-02-19)
composer:
John ‘Shifty’ Henry
4:05
4Dark Shadows (take B, alternate)
recording of:
Dark Shadows (on 1947-02-19)
composer:
John ‘Shifty’ Henry
3:12
5Dark Shadows (take C, master)
recording of:
Dark Shadows (on 1947-02-19)
composer:
John ‘Shifty’ Henry
3:08
6Dark Shadows (take D, alternate)
recording of:
Dark Shadows (on 1947-02-19)
composer:
John ‘Shifty’ Henry
3:01
7Bird's Nest (take A, master 1)
recording of:
Bird's Nest (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:53
8Bird's Nest (take B, alternate)
recording of:
Bird's Nest (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:52
9Bird's Nest (take C, master 2)
recording of:
Bird's Nest (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:44
10Cool Blues (a.k.a. Hot Blues) (take A, alternate)
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:00
11Cool Blues (a.k.a. Blowtop Blues) (take B, alternate)
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:25
12Cool Blues (take C, master)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-19)
double bass [bass]:
Red Callender (on 1947-02-19)
drums (drum set):
‘Doc’ West (on 1947-02-19)
piano:
Erroll Garner (on 1947-02-19)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-19)
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:09
13Cool Blues (take D, alternate)
recording of:
Cool Blues (on 1947-02-19)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:54
14Relaxin' at Camarillo (take A)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recording of:
Relaxin’ at Camarillo (on 1947-02-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:09
15Relaxin' at Camarillo (take C)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Relaxin’ at Camarillo (on 1947-02-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:08
16Relaxin' at Camarillo (take D)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Relaxin’ at Camarillo (on 1947-02-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:03
17Relaxin' at Camarillo (take E)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Relaxin’ at Camarillo (on 1947-02-26)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:00
18Cheers (take A)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recording of:
Cheers (on 1947-02-26)
composer:
Howard McGhee
3:11
19Cheers (take B)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
George "Red" Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Cheers (on 1947-02-26)
composer:
Howard McGhee
3:06
20Cheers (take C)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recording of:
Cheers (on 1947-02-26)
composer:
Howard McGhee
3:03
21Cheers (take D)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass [bass]:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Cheers (on 1947-02-26)
composer:
Howard McGhee
3:06
22Carvin' the Bird (take A, alternate)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
George "Red" Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Carvin' the Bird (on 1947-02-26)
composer:
Howard McGhee
2:47
23Carvin' the Bird (take B, master)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
George "Red" Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Carvin' the Bird (on 1947-02-26)
composer:
Howard McGhee
2:46
24Stupendous (take A, master)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass [bass]:
George "Red" Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
orchestra:
Charlie Parker's New Stars (on 1947-02-26)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1947-02-26)
recording of:
Stupendous (on 1947-02-26)
composer:
Howard McGhee
2:55
25Stupendous (a.k.a. Surprising) (take B, alternate)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-02-26)
double bass:
Red Callender (on 1947-02-26)
drums (drum set):
Don Lamond (on 1947-02-26)
guitar:
Barney Kessel (on 1947-02-26)
piano:
Dodo Marmarosa (on 1947-02-26)
tenor saxophone:
Wardell Gray (on 1947-02-26)
trumpet:
Howard McGhee (on 1947-02-26)
recording of:
Stupendous (on 1947-02-26)
composer:
Howard McGhee
2:53
▼ CD 3: New York Sessions I: Scrapple From the Apple
#TitleRatingLength
1Dexterity (take A, alternate)
recording of:
Dexterity (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:59
2Dexterity (take B, master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-10-28)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1947-10, on 1947-10-28)
double bass:
Tommy Potter (on 1947-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-10-28)
piano:
Duke Jordan (on 1947-10-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-10-28)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-28)
recording of:
Dexterity (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:02
3Bongo Bop (a.k.a. Blues) (take A, Master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-10-28)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-10-28)
double bass:
Tommy Potter (on 1947-10-28)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-10-28)
piano:
Duke Jordan (on 1947-10-28)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-10-28)
orchestra:
Original Charlie Parker Quintet (on 1947-10-28)
recorded at:
WOR Studios in New York, New York, United States (on 1947-10-28)
recording of:
Bongo Bop (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:47
4Bongo Bop (a.k.a. Blues and Parker's Blues) (take B, alternate)
recording of:
Bongo Bop (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:47
5Dewey Square (a.k.a. Prezology and Bird Feathers) (take A, alternate)
recording of:
Dewey Square (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:31
6Dewey Square (take B, alternate)
recording of:
Dewey Square (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:05
7Dewey Square (take C, master)
recording of:
Dewey Square (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:11
8The Hymn (take A, master)
recording of:
The Hymn (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:34
9The Hymn (a.k.a. Superman) (take B, alternate)
recording of:
The Hymn (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:31
10Bird of Paradise (take A)
recording of:
Bird of Paradise (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:11
11Bird of Paradise (take B)
recording of:
Bird of Paradise (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:13
12Bird of Paradise (take C)
recording of:
Bird of Paradise (on 1947-10-28)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:09
13Embraceable You (take A)
instrumental recording of:
Embraceable You (on 1947-10-28)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:50
14Embraceable You (take B)
instrumental recording of:
Embraceable You (on 1947-10-28)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:26
15Bird Feathers (a.k.a. Schnourphology) (take C, master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-11-04)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-11-04)
double bass:
Tommy Potter (on 1947-11-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-11-04)
piano:
Duke Jordan (on 1947-11-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-11-04)
orchestra:
Original Charlie Parker Quintet (on 1947-11-04)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-04)
recording of:
Bird Feathers (on 1947-11-04)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:54
16Klact-Oveeseds-Tene (take A, master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-11-04)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-11-04)
double bass:
Tommy Potter (on 1947-11-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-11-04)
piano:
Duke Jordan (on 1947-11-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-11-04)
orchestra:
Original Charlie Parker Quintet (on 1947-11-04)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-04)
recording of:
Klactoveedsedstene (on 1947-11-04)
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Songs of Universal, Inc.
3:08
17Klact-Oveeseds-Tene (take B, alternate)
recording of:
Klactoveedsedstene (on 1947-11-04)
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Songs of Universal, Inc.
3:08
18Scrapple From the Apple (take B, alternate)
recording of:
Scrapple From the Apple (on 1947-11-04)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:42
19Scrapple From the Apple (a.k.a. Little Be-Bop) (take C, master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-11-04)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-11-04)
double bass:
Tommy Potter (on 1947-11-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-11-04)
piano:
Duke Jordan (on 1947-11-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-11-04)
orchestra:
Original Charlie Parker Quintet (on 1947-11-04)
recorded at:
WOR Studios in New York, New York, United States (on 1947-11-04)
recording of:
Scrapple From the Apple (on 1947-11-04)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:57
▼ CD 4: New York Sessions II: Drifting on a Reed
#TitleRatingLength
1My Old Flame (take A, master)
recording engineer:
Doug Hawkins (sound engineer) (on 1947-11-04)
producer:
Ross Russell (US jazz producer 1940's-)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1947-11-04)
double bass:
Tommy Potter (on 1947-11-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1947-11-04)
piano:
Duke Jordan (on 1947-11-04)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1947-11-04)
recorded at:
WOR Studios, Broadway in New York, New York, United States (on 1947-11-04)
instrumental recording of:
My Old Flame (on 1947-11-04)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:16
2Out of Nowhere (take A)
instrumental recording of:
Out of Nowhere (on 1947-11-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:06
3Out of Nowhere (take B)
instrumental recording of:
Out of Nowhere (on 1947-11-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:53
4Out of Nowhere (take C)
instrumental recording of:
Out of Nowhere (on 1947-11-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:08
5Don't Blame Me (take A, master)
instrumental recording of:
Don’t Blame Me (on 1947-11-04)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
2:50
6Drifting on a Reed (a.k.a. Giant Swing) (take B, alternate)
recording of:
Drifting on a Reed (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:58
7Drifting on a Reed (take D, alternate)
recording of:
Drifting on a Reed (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:56
8Drifting on a Reed (a.k.a. Air Conditioning) (take E, master)
recording of:
Drifting on a Reed (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:55
9Quasimado (Quasimodo) (take A, alternate)
recording of:
Quasimado (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:57
10Quasimado (Quasimodo) (a.k.a. Trade Winds) (take B, master)
recording of:
Quasimado (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:55
11Charlie's Wig (a.k.a. Bongo Bop) (take B, alternate)
recording of:
Charlie's Wig (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:49
12Charlie's Wig (a.k.a. Drifting on a Road) (take D, alternate)
recording of:
Charlie's Wig (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:49
13Charlie's Wig (take E, master)
recording of:
Charlie's Wig (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
2:44
14Bongo Beep (a.k.a. Dexterity) (take B)
recording of:
Bongo Beep (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:00
15Bongo Beep (a.k.a. Bird Feathers and Charlie's Wig) (take C)
recording of:
Bongo Beep (on 1947-12-17)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
3:00
16Crazeology (Little Benny) (take A, excerpt)
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
1:03
17Crazeology (Little Benny) (take B, excerpt)
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
0:35
18Crazeology (Little Benny) (take C, alternate)
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
3:00
19Crazeology (Little Benny) (a.k.a. Move and Bird Feathers) (take D, master 2)
recording of:
Crazeology (on 1947-12-17)
composer:
Benny Harris
3:00
20How Deep Is the Ocean? (take A, master)
instrumental recording of:
How Deep Is the Ocean? (on 1947-12-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:25
21How Deep Is the Ocean? (take B, alternate)
instrumental recording of:
How Deep Is the Ocean? (on 1947-12-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:07