Opera Highlights

~ Release by Mozart; Sir John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Idomeneo: Overture
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
orchestra:
English Baroque Soloists (in 1990-06)
conductor:
Sir John Eliot Gardiner (in 1990-06)
balance engineer:
Ulrich Vette (engineer) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
Idomeneo, rè di Creta, K. 366: Ouverture (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Idomeneo, rè di Creta, K. 366
Wolfgang Amadeus Mozart4:34
2Die Entführung aus dem Serail: Act I, no. 4. Recitative and Aria (Belmonte): “Konstanze, dich....”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart5:10
3Die Entführung aus dem Serail: Act I, no. 5b. Chorus of Janissaries: “Singt dem grossen...”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5b Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart1:37
4Die Entführung aus dem Serail: Act III, no. 19. Aria (Osmin): “O, wie will ich triumphieren”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa] and bass vocals [Osmin]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:25
5Die Entführung aus dem Serail: Act III, no. 21a. Finale. Vaudeville (Tutti): “Nie Werd”
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Angela East (cellist) (in 1991-07)
flute:
Janet See (in 1991-07)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1991-07)
oboe:
Anthony Robson (oboist) (in 1991-07)
violin:
Alison Bury (violinist) (in 1991-07)
baritone vocals [Solo quartet in the Janissaries' chorus]:
Julian Clarkson (baritone) (in 1991-07)
bass vocals [Osmin, Aufseher über das Landhaus des Bassa]:
Cornelius Hauptmann (operatic bass) (in 1991-07)
countertenor vocals [Solo quartet in the Janissaries' chorus]:
Richard Wyn Roberts (in 1991-07)
soprano vocals [Blonde, Zofe der Konstanze]:
Cyndia Sieden (in 1991-07)
soprano vocals [Konstanze, Geliebte des Belmonte]:
Ľuba Orgonášová (soprano) (in 1991-07)
soprano vocals [Solo quartet in the Janissaries' chorus]:
Angela Kazimierczuk (Classical soprano) (in 1991-07)
tenor vocals [Belmonte]:
Stanford Olsen (tenor) (in 1991-07)
tenor vocals [Pedrillo, Diener des Belmonte und Aufseher über die Gärten des Bassa]:
Uwe Peper (tenor) (in 1991-07)
tenor vocals [Solo quartet in the Janissaries' chorus]:
Paul Tindall (tenor) (in 1991-07)
orchestra:
English Baroque Soloists (in 1991-07)
conductor:
Sir John Eliot Gardiner (in 1991-07)
balance engineer:
Ulrich Vette (engineer) (in 1991-07)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1991-07)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (in 1991-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart4:59
6Le nozze di Figaro: Act I, no. 10. Aria: “Non piu andrai, farfallone amoroso”
producer:
Karl-August Naegler (balance engineer)
instruments and orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
bass vocals and bass-baritone vocals [Figaro]:
Bryn Terfel (bass-baritone opera singer) (from 1993-06 until 1993-07)
conductor:
John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07: bass-baritone vocals)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
edit of:
Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) (w/ applause) by Bryn Terfel (bass-baritone opera singer), English Baroque Soloists, Sir John Eliot Gardiner
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I
Wolfgang Amadeus Mozart3:37
7Le nozze di Figaro: Act IV, no. 28. Aria: “Deh vieni, non tardar”
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro] and soprano vocals [Susanna]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV
Wolfgang Amadeus Mozart3:14
8Don Giovanni: Act I, no. 7. Duettino: “La ci darem la mano”
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:09
9Don Giovanni: Act I, no. 11. Aria: “Fin ch'han dal vino”
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
10Don Giovanni: Act II, no. 16. Canzonette: “Deh, vieni alla finestra”
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
baritone vocals [Don Giovanni]:
Rodney Gilfy (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:19
11Don Giovanni: Act II: from Finale Act II: “Don Giovanni, a cenar teco”
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (in 1994-07)
conductor:
Sir John Eliot Gardiner (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:33
12Così fan tutte: Act I, no. 19. Terzettino: “Soave sia il vento'
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (in 1992-06)
conductor:
Sir John Eliot Gardiner (in 1992-06)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:59
13Così fan tutte: Act I, no. 14. Aria: “Come scoglio”
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (in 1992-06)
conductor:
Sir John Eliot Gardiner (in 1992-06)
recorded at:
Teatro Comunale di Ferrara in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:32
14La clemenza di Tito: Act I, no. 9. Aria (Sesto): “Parto, ma tu ben mio”
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:59
15Die Zauberflöte: Act I, no. 2. Aria: “Der Vogelfanger bin ich ja”
recording engineer:
Gernot von Schultzendorff (Engineer) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (in 1995-07)
conductor:
Sir John Eliot Gardiner (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:28
16Die Zauberflöte: Act I, no. 7. Duet: “Bei Maaern, welche Liebe fuhlen”
recording engineer:
Gernot von Schultzendorff (Engineer) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (soprano) (in 1995-07)
orchestra:
English Baroque Soloists (in 1995-07)
conductor:
Sir John Eliot Gardiner (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:03
17Die Zauberflöte: Act II, no. 10. Aria with Chorus: “O Isis und Osiris”
recording engineer:
Gernot von Schultzendorff (Engineer) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
bass vocals [Sarastro]:
Harry Peeters (Dutch operatic bass-baritone) (in 1995-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1995-07)
orchestra:
English Baroque Soloists (in 1995-07)
conductor:
Sir John Eliot Gardiner (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:23
18Die Zauberflöte: Act II, no. 14. Aria: “Der Holle Rache kocht in meinem Herzen”
recording engineer:
Gernot von Schultzendorff (Engineer) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals and soprano vocals [Königin der Nacht]:
Cyndia Sieden (in 1995-07)
orchestra:
English Baroque Soloists (in 1995-07)
conductor:
Sir John Eliot Gardiner (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:53
19Die Zauberflöte: Act II: from No. 8 Finale Act I: “Es lebe Sarastro”
orchestra:
English Baroque Soloists
conductor:
Sir John Eliot Gardiner
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:15

Credits

Release

ASIN:US: B0000057FP [info]