The Art of Beverly Sills: Angel Voices

~ Release by Beverly Sills (see all versions of this release, 2 available)

Annotation

Digitally remastered from 1974 compilation album. Related to "The Art of Beverly Sills, Album 2," 1985 release with 10 tracks. This 1986 release only has 8 tracks (dropped the 2 Verdi tracks from "Atilla" and "Il Corsaro").
>http://www.beverlysillsonline.com/text/cartofsillsemi1.htm

Annotation last modified on 2017-02-11 22:59 UTC.

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Ah! tardai troppo...O luce di quest'anima (Donizetti - "Linda di Chamounix")
recording engineer:
Herbert Zeithammer (engineer) (in 1968-06)
producer:
Dr. Kurt Rapf (Austrian composer, conductor, pianist, harpsichordist and organist) (in 1968-06) and James Grayson (Recording Producer) (in 1968-06)
editor:
Hendrik Weber (in 1968-06)
soprano vocals:
Beverly Sills (soprano) (in 1968-06)
orchestra:
Orchester der Wiener Volksoper (in 1968-06)
conductor:
Jussi Jalas (conductor) (in 1968-06)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (from 1974 to present)
recorded at:
Konzerthaus: Mozartsaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
Linda di Chamounix: Atto I. No. 3 Recitativo e cavatina “Ah! Tardai troppo” … “O luce di quest'anima” (Linda) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Linda di Chamounix: Atto I
Gaetano Donizetti6:29
A2Care compagne...Come per mi sereno (Bellini - "La Sonnambula")
choir vocals:
Vienna Academy Chorus (in 1968-06)
soprano vocals:
Beverly Sills (soprano) (in 1968-06)
orchestra:
Orchester der Wiener Volksoper (in 1968-06)
conductor:
Jussi Jalas (conductor) (in 1968-06)
performer:
Orchester der Wiener Volksoper
recording of:
La sonnambula: Atto I, scena 1. Aria “Come per me sereno” (Amina, Coro) (in 1968-06)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne” (Amina, Coro) (in 1968-06)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini9:27
A3Cielo, a' miei lunghi spasimi (Donizetti - "Anna Bolena")
recording engineer:
Michael Gray (UK classical recording engineer) (in 1972-08) and Richard Hale (recording engineer) (in 1972-08)
producer:
David Mottley (producer) (in 1972-08)
bass vocals:
Robert Lloyd (operatic bass) (in 1972-08)
choir vocals:
The John Alldis Choir (in 1972-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1972-08)
soprano vocals:
Beverly Sills (soprano) (in 1972-08)
tenor vocals:
Stuart Burrows (tenor) (in 1972-08)
vocals:
The John Alldis Choir (in 1972-08)
orchestra:
London Symphony Orchestra (in 1972-08)
conductor:
Julius Rudel (conductor) (in 1972-08)
chorus master:
John Aldis (chorusmaster and conductor) (in 1972-08)
performer:
The John Alldis Choir
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
recording of:
Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Tutti) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Tutti) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
medley of:
Anna Bolena: Atto II
recording of:
Anna Bolena: Atto II, Scena III. "Coppia iniqua, l'estrema vendetta" (Anna, Tutti) (in 1972-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Anna Bolena: Atto II
Gaetano Donizetti7:30
A4Ella a fui, la tourterelle! (Offenbach - :The Tales of Hoffman")
soprano vocals:
Beverly Sills (soprano) (in 1972-07)
orchestra:
London Symphony Orchestra (in 1972-07)
conductor:
Julius Rudel (conductor) (in 1972-07)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (in 1972-07)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach5:14
B1Regnava nel silencio...Quando rapiti in estasi (Donizerri - "Lucia di Lammermoor")
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (in 1970-08)
soprano vocals:
Beverly Sills (soprano) (in 1970-08)
orchestra:
London Symphony Orchestra (in 1970-08)
conductor:
Thomas Schippers (conductor and composer) (in 1970-08)
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3b) “Regnava nel silenzio” (Lucia, Alisa) (in 1970-08)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
recording of:
Lucia di Lammermoor: Atto I, Scena 2. (no. 3c) Stretta “Quando rapito in estasi” (Lucia, Alisa) (in 1970-08)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto I
Gaetano Donizetti9:17
B2Oui, pour ce soir...Je suis Titania (Thomas - "Mignon")
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1969-05)
soprano vocals:
Beverly Sills (soprano) (in 1969-05)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra (in 1969-05)
conductor:
Charles Mackerras (Australian conductor) (in 1969-05)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1969-05)
recording of:
Mignon: Acte II, no. 12ter. Polonaise "Oui! Pour ce soir" ... "Je suis Titania" (Philine) (in 1969-05)
composer:
Ambroise Thomas (opera composer)
part of:
Mignon : Acte II
Ambroise Thomas6:03
B3Depuis le jour (Charpentier - "Louise")
soprano vocals:
Beverly Sills (soprano) (in 1969-05)
orchestra:
Royal Philharmonic Orchestra (in 1969-05)
conductor:
Charles Mackerras (Australian conductor) (in 1969-05)
recording of:
Louise: Acte III, Scène I. “Depuis le jour” (Louise) (in 1969-05)
composer:
Gustave Charpentier (composer)
part of:
Louise: Acte III, Scène I.
Gustave Charpentier5:38
B4Vilja (Lehar - "The Merry Widow")
solo soprano vocals:
Beverly Sills (soprano)
soprano vocals:
Beverly Sills (soprano) (in 1971-05)
orchestra:
London Philharmonic Orchestra (LPO) (in 1971-05)
conductor:
Julius Rudel (conductor) (in 1971-05)
recording of:
Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) (in 1971-05)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
part of:
Die lustige Witwe: Akt II
Franz Lehár7:19

Credits

Release

phonographic copyright (℗) by:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972, in 1973, in 1974, in 1986)
ASIN:US: B009WQMYXY [info]