Fidelio

~ Release by Beethoven; Chicago Symphony Orchestra & Chorus, Sir Georg Solti (see all versions of this release, 2 available)

Tracklist

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Medium 1
#TitleArtistRatingLength
1Fidelio: Overture
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Overture (1814 version, sometimes op. 72b or op. 72c) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72 (1814 version)
Ludwig van Beethoven6:54
2Fidelio, Act I: Jetz, Schaetzchen, jetzt sind wir allein
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1a. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 1b. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:18
3Fidelio, Act I: Owaer ich schon mit dir vereint
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2a. Aria "O wär' ich schon mit dir vereint" (Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2b. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 2c. "Jaquino!" - "Ja, Meister Rocco?" (Rocco, Jaquino, Marzelline, Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:38
4Fidelio, Act I: Mir ist so wunderbar
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3a. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1805)
librettist:
Jean-Nicolas Bouilly
revised by:
Ludwig van Beethoven (German composer) (in 1814)
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 3b. "Höre, Fidelio!" (Rocco, Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:44
5Fidelio, Act I: Hat man nicht auch Gold beineben
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4a. Aria "Hat man nicht auch Gold beineben" (Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4b. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene I, no. 4c. "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:21
6Fidelio, Act I: Gut, Soehnchen, gut
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven6:45
7Fidelio, Act I: Marsch
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene I, no. 6b. "Drei Schildwachen auf den Wall" (Pizarro, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 6a. Marsch (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:51
8Fidelio, Act I: Ha! welch ein Augenblick!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chicago Symphony Chorus (in 1979-05)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 7a. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:42
9Fidelio, Act I: Jetzt, Alter! Jetzt hat es Eile!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:47
10Fidelio, Act I: Abscheulicher! wo eilst du hin?
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:17
11Fidelio, Act I: Komm, Hoffnung, lass' den letzten Stern
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
partial recording of:
Fidelio, op. 72: Act I, Scene II, no. 9a. Recitative "Abscheulicher! Wo eilst du hin? " - Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 9b. "Marzelline!" - "Nein, ich will nicht..." (Jaquino, Marzelline, Rocco, Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven5:42
12Fidelio, Act I: O welche Lust
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings) and Tony Griffiths (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chicago Symphony Chorus (in 1979-05)
solo bass vocals [Second Prisoner]:
Philip Kraus (in 1979-05)
solo tenor vocals [First Prisoner]:
Robert Johnson (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
balance engineer:
James Lock (engineer) and Kenneth Wilkinson (engineer)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1805, in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven8:16
13Fidelio, Act I: Nun sprecht, wie ging's?
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative "Nun sprecht, wie ging's?" - "Noch heute" (Leonore, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven4:49
14Fidelio, Act I: Ach! Vater, eilt!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10c. Quintet "Ach, Vater, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10d. "Verwegner Alter!" (Pizarro, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven2:22
15Fidelio, Act I: Leb' wohl, du warmes Sonnenlicht
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chicago Symphony Chorus (in 1979-05)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act I, Scene II, no. 10e. "Leb wohl, du warmes Sonnenlicht" (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt I
Ludwig van Beethoven3:54
Medium 2
#TitleArtistRatingLength
1Fidelio, Act II: Gott! Welch drunkel hier!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11a Recitative and Aria "Gott! Welch'dunkel hier!" (Florestan) (in 1979-05)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven5:45
2Fidelio, Act II: In des lebens fruehlingstagen
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 11b "In des Lebens Frühlingstagen" (Florestan) (in 1979-05)
composer:
Ludwig van Beethoven (German composer)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene I, no. 11. Introduktion und Arie: "Gott! Welch Dunkel hier!" - "In des Lebens Frühlingstagen" (Florestan)
Ludwig van Beethoven5:20
3Fidelio, Act II: Wie kalt ist es in diesem unterirdischen gewoelbe!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12a. Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven1:54
4Fidelio, Act II: Nur hurtig fort, nur frisch gegraben
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven5:41
5Fidelio, Act II: Euch werde lohn in bessern welten
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 13b. "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven6:55
6Fidelio, Act II: Er sterbe!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Akt II
part of:
Fidelio, op. 72: Akt II
recording of:
Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco)
composer:
Ludwig van Beethoven (German composer)
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven4:51
7Fidelio, Act II: O namenlose freude
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” (Leonore, Florestan) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Akt II
Ludwig van Beethoven2:45
8Fidelio, Act II: Heil sei den tag!
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chicago Symphony Chorus (in 1979-05)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo bass-baritone vocals [Don Fernando]:
Gwynne Howell (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven1:59
9Fidelio, Act II: Des besten koenigs wink und wille
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chicago Symphony Chorus (in 1979-05)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo bass-baritone vocals [Don Fernando]:
Gwynne Howell (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven8:08
10Fidelio, Act II: Wer ein holdes weib errungen
recording engineer:
David Frost (pianist and Grammy-winning producer of classical recordings), Tony Griffiths (engineer) and James Lock (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
Ray Minshull (record producer)
solo bass vocals [Don Pizarro]:
Theo Adam (German classical bass-baritone) (in 1979-05)
solo bass vocals [Rocco]:
Hans Sotin (operatic bass) (in 1979-05)
solo bass-baritone vocals [Don Fernando]:
Gwynne Howell (operatic bass) (in 1979-05)
solo soprano vocals [Leonore]:
Hildegard Behrens (soprano) (in 1979-05)
solo soprano vocals [Marzelline]:
Sona Ghazarian (soprano) (in 1979-05)
solo tenor vocals [Florestan]:
Peter Hofmann (German tenor/rock singer) (in 1979-05)
solo tenor vocals [Jaquino]:
David Kuebler (tenor) (in 1979-05)
orchestra:
Chicago Symphony Orchestra (in 1979-05)
conductor:
Sir Georg Solti (conductor) (in 1979-05)
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1979-05)
recording of:
Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1979-05)
composer:
Ludwig van Beethoven (German composer) (in 1814)
librettist:
Jean-Nicolas Bouilly
translator:
Joseph Sonnleithner and Georg Friedrich Treitschke
part of:
Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino) (complete finale)
Ludwig van Beethoven3:43

Credits

Release

orchestra:Chicago Symphony Orchestra
conductor:Sir Georg Solti (conductor)
choir vocals:Chicago Symphony Chorus
soprano vocals:Hildegard Behrens (soprano)
tenor vocals:David Kuebler (tenor)
ASIN:US: B0000042G9 [info]