Film Works 1995–2005

~ Release by Craig Armstrong (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1William Shakespeare’s Romeo + Juliet: O Verona
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
producer:
Nellee Hooper
choir vocals:
Metro Voices
spoken vocals [narrator/Father Laurence]:
Pete Postlethwaite
orchestra:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
William Shakespeare’s Romeo + Juliet: O Verona
orchestrator:
Craig Armstrong (Scottish score composer)
composer:
Craig Armstrong (Scottish score composer), Marius de Vries and Nellee Hooper
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
1:28
2Plunkett & Macleane: Escape
producer:
Craig Armstrong (Scottish score composer) and Stephen Hilton
recording of:
Plunkett & Macleane: Escape
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
publisher:
Polygram Music
version of:
Escape
3:12
3The Quiet American: Main Theme
producer:
Craig Armstrong (Scottish score composer)
vocals:
Hồng Nhung (singer)
recording of:
The Quiet American: Main Theme
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
version of:
The Quiet American
5:03
4Moulin Rouge!: One Day I’ll Fly Away
additional engineer and additional producer:
Simon Franglen (English score composer)
engineer:
Geoff Foster (sound engineer)
producer:
Craig Armstrong (Scottish score composer), BLAM (Baz Luhrmann and Anton Monsted), Josh G. Abrahams (aka Puretone) and Marius DeVries
mixer:
Andy Bradfield
vocals:
Nicole Kidman (actress)
orchestra:
London Orchestra
conductor:
Cecilia Weston
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Interscope Records (in 2001)
recording of:
One Day I’ll Fly Away
lyricist:
Will Jennings
composer:
Joe Sample
publisher:
Four Knights Music Co., Irving Music, Inc. and Leeds Music Ltd.
43:20
5The Negotiator: Rise
producer:
Craig Armstrong (Scottish score composer) and Richard T. Norris (producer / mixer)
recording of:
The Negotiator: Rise
orchestrator and composer:
Craig Armstrong (Scottish score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
3:11
6William Shakespeare’s Romeo + Juliet: Balcony Scene
engineer:
Andy Bradfield
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
producer:
Craig Armstrong (Scottish score composer) and Nellee Hooper
mixer:
Craig Armstrong (Scottish score composer)
orchestra:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
William Shakespeare’s Romeo + Juliet: Balcony Scene
composer:
Craig Armstrong (Scottish score composer), Marius de Vries and Nellee Hooper
publisher:
Melankolic and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
5:26
7Love Actually: Glasgow Love Theme
miscellaneous support:
Isobel Griffiths
assistant engineer:
Jake Jackson (recording engineer)
producer:
Craig Armstrong (Scottish score composer)
mixer:
Geoff Foster (sound engineer)
conductor:
Cecilia Weston
arranger:
Craig Armstrong (Scottish score composer)
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
phonographic copyright (℗) by:
Universal Pictures Music (in 2003)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Love Actually: Glasgow Love Theme
orchestrator:
Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
publisher:
Island Music (Island Music Ltd.)
arrangement of:
Glasgow Love Theme
2:07
8Plunkett & Macleane: The Ball
producer:
Craig Armstrong (Scottish score composer) and Stephen Hilton
recording of:
Plunkett & Macleane: The Ball
orchestrator and composer:
Craig Armstrong (Scottish score composer)
publisher:
Polygram Music
version of:
Ball
3:04
9The Quiet American: Will You Come Back to Me
producer:
Craig Armstrong (Scottish score composer)
recording of:
The Quiet American: Will You Come Back to Me
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
1:33
10Plunkett & Macleane: Rebecca
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Simon Francis and Matt Tait
associate engineer:
Nick Woolgate
additional producer:
Geoff Foster (sound engineer)
producer:
Craig Armstrong (Scottish score composer) and Stephen Hilton
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recording of:
Plunkett & Macleane: Rebecca
orchestrator and composer:
Craig Armstrong (Scottish score composer)
publisher:
Polygram Music
2:39
11Cruel Intentions: This Love
producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
vocals:
Elizabeth Fraser (Cocteau Twins)
recording of:
Cruel Intentions: This Love
orchestrator:
Craig Armstrong (Scottish score composer)
composer:
Craig Armstrong (Scottish score composer) and Jerry Burns
publisher:
EMI Music Publishing (do not use as a release label!)
version of:
This Love
4:47
12Ray: Della’s Theme
assistant recording engineer:
Jake Jackson (recording engineer)
recording engineer and mixer:
Geoff Foster (sound engineer)
engineer:
David Donaldson (Scottish engineer/producer and musician)
producer:
Craig Armstrong (Scottish score composer), David Donaldson (Scottish engineer/producer and musician) and Taylor Hackford
assistant mixer:
Olga FitzRoy
editor:
Curt Sobel
conductor:
Cecilia Weston
arranger:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Bristol Bay Productions LLC
recording of:
Ray: Della's Theme
orchestrator:
Matt Dunkley
composer and arranger:
Craig Armstrong (Scottish score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
4:45
13The Clearing: Main Theme
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Cenda Kotzmann and Olda Slezak (engineer)
producer:
Craig Armstrong (Scottish score composer) and David Donaldson (Scottish engineer/producer and musician)
assistant mixer:
Nick Cervonaro and Adam Noble (engineer, producer & mixer)
violin:
Clio Gould (violinist, soloist‐director and orchestra‐leader)
conductor:
Matt Dunkley
phonographic copyright (℗) by:
Twentieth Century Fox Film Corporation (do not use as a release label! for copyrights use only)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Clearing: Main Theme
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
1:21
14Orphans: Main Theme
producer:
Craig Armstrong (Scottish score composer)
recording of:
Orphans: Main Theme
orchestrator and composer:
Craig Armstrong (Scottish score composer)
publisher:
EMI Music Publishing (do not use as a release label!)
3:51
15The Bone Collector: New York City
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer), Geoff Foster (sound engineer) and Stephen Hilton
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Bone Collector: New York City
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer and arranger:
Craig Armstrong (Scottish score composer)
3:01
16Moulin Rouge!: Nature Boy
recording engineer:
Tony Visconti (from 2000 until 2001-03-02)
engineer:
Geoff Foster (sound engineer)
producer:
Craig Armstrong (Scottish score composer), BLAM (Baz Luhrmann and Anton Monsted), Josh G. Abrahams (aka Puretone) and Tony Visconti
mixer:
Andy Bradfield
lead vocals:
David Bowie (English singer‐songwriter) (on 2001-03-02)
vocals:
Ewan McGregor
conductor:
Craig Armstrong (Scottish score composer) (from 2000 until 2001-02)
orchestrator:
Craig Armstrong (Scottish score composer)
recorded at:
Looking Glass Studios in Manhattan, New York, New York, United States (on 2001-03-02: lead vocals)
cover recording of:
Nature Boy (from 2000 until 2001-03-02)
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3.53:30
17William Shakespeare’s Romeo + Juliet: Death Scene
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
producer:
Nellee Hooper
orchestra:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
edit of:
Death Scene by The London Session Orchestra, Craig Armstrong (Scottish score composer)
recording of:
William Shakespeare’s Romeo + Juliet: Death Scene
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer), Marius de Vries and Nellee Hooper
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
2:11
18Moulin Rouge!: Ascension
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
recording of:
Moulin Rouge!: Ascension
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Craig Armstrong (Scottish score composer)
3:16
19N° 5: The Film: Clair de lune
producer:
Craig Armstrong (Scottish score composer)
orchestra:
Sydney Symphony Orchestra
arranger:
Craig Armstrong (Scottish score composer)
music videos:
N° 5 the Film by Baz Luhrmann
recording of:
N° 5: The Film: Clair de lune (arr. Craig Armstrong, for Chanel)
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer:
Claude Debussy (composer) (from 1890 until 1905)
arrangement of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano)
2:01

Credits

Release

manufactured in:EU
mastering:Kevin Metcalfe
rights society:BIEM (international rights organization representing member societies from 58 countries)
SABAM (Belgium rights society; do not use this as a label or work publisher!)
distributed by and marketed by:Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyrighted (©) by and phonographic copyright (℗) by:Family Recordings (a division of Universal Music Operations Limited) (in 2005)
licensed to:Universal Music TV (UK, a division of Universal Music Operations Limited)
Discogs:https://www.discogs.com/release/737885 [info]
ASIN:UK: B000B8J0ES [info]
discography entry:http://www.craigarmstrongonline.com/solo_albums/film_works.htm [info]