The Great Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

Nabucco is remasterised in 1998, Macbeth in 1999, Rigoletto in 1997, Simon Boccanegra in 2000, un ballo in maschera in 1997 and Don Carlo in 2000. The others are originals.

Annotation last modified on 2017-02-04 16:36 UTC.

Tracklist

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▼ CD 1: Nabucco CD 1 (Muti, 1977-78)
#TitleRatingLength
1Nabucco: Ouverture (Orchestra)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Sinfonia (Overture) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco
7:10
2Nabucco: Gil arredi festivi (Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
4:57
3Nabucco: Sperate, o figli! (Chorus, Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo “Sperate, o figli!” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
1:32
4Nabucco: D'egitto là sui lidi (Zaccaria, Chorus, Ismaele)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Cavatina “D’Egitto là sui lidi” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
4:09
5Nabucco: Come notte a sol fulgente (Zaccaria, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Cabaletta “Come notte a sol fulgente” (Zaccaria, coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
2:59
6Nabucco: Fenena!...O mia diletta! (Ismaele, Fenena, Abigaille)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Fenena! O mia diletta!” (Ismaele, Fenena) (from 1977-07-10 until 1978-02-08)
lyricist and librettist:
Temistocle Solera
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Nabucco: Parte I. Gerusalemme
3:35
7Nabucco: Io t'amava! Una furia è quest'amore (Abigaille, Fenena, Ismaele)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo e terzettino “Io t'amava!” (Abigaille, Ismaele, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
4:22
8Nabucco: Lo vedeste? Fulminando egli irrompe nella folta! (Chorus, Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Coro “Lo vedeste?” (Anna, Coro, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
1:18
9Nabucco: Viva Nabucco! (Abigaille, Chorus, Zaccaria, Ismaele)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Viva Nabucco!” (Abigaille, Coro, Zaccaria, Ismaele, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
2:03
10Nabucco: Che tenti? (Zaccaria, Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Recitativo “Che tenti? Oh trema, insano!” (Zaccaria, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
1:14
11Nabucco: Tremin gl'insani (Nabucco, Fenena, Anna, Ismaele, Zaccaria, Abigaille, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Si finga … Tremin gl'insani del mio furore!” (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Coro, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
3:35
12Nabucco: O vinti, il capo (Nabucco, Zaccaria, Ismaele)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “O vinti, il capo a terra!” (Nabucco, Zaccaria, Ismaele, Abigaille, Anna, Fenena, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
0:58
13Nabucco: Mio furor (Nabucco, Abigaille, Anna, Fenena, Ismaele, Zaccaria, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte I. Finale “Mio furore, non più costretto” (Nabucco, Abigaille, Anna, Fenena, Ismaele, Zaccaria, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
2:46
14Nabucco: Ben io t'invenni, o fatal scritto! (Abigaille)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. Recitativo “Ben io t’invenni, o fatal scritto!” (Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:56
15Nabucco: Anch'io dischiuso un giorno (Abigaille)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. Aria “Anch’io dischiuso un giorno” (Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:43
16Nabucco: Chi s'avanza? (Abigaille, Gran Sacerdote, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 1. “Chi s’avanza?” (Abigaille, Gran Sacerdote, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
4:08
17Nabucco: Veni, o Levita! (Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. Preghiera “Vieni, o Levita!” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:43
18Nabucco: Tu sul labbro de'veggenti fulminasti (Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “Tu sul labbro dei veggenti” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:17
▼ CD 2: Nabucco CD 2 (Muti, 1977-78)
#TitleRatingLength
1Nabucco: Che si vuol? (Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
0:59
2Nabucco: Il maledetto non ha fratelli (Chorus, Ismaele)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
1:39
3Nabucco: Deh, fratelli, perdonate! (All))
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “Deh, fratelli, perdonate!” (Anna, Coro, Zaccaria, Fenena, Ismaele, Abdallo, Gran Sacerdote, Abigaille, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
1:57
4Nabucco: Sapressan gl'istanti d'un 'ira fatale.. (Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “S’appressan gl’istanti” (Nabucco, Abigaille, Ismaele, Fenena, Zaccaria, Anna, Abdallo, Gran Sacerdote, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
3:02
5Nabucco: S'oda or me! (Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. “S’oda or me!” (Nabucco, Fenena, Gran Sacerdote, Zaccaria, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:41
6Nabucco: Chi mi toglie il regio scettro? (All)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte II, scena 2. Finale “Chi mi toglie il regio scettro?” (Nabucco, Zaccaria, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
2:46
7Nabucco: E l'Assiria una regina (Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III. Coro d’introduzione “È l’Assiria una regina” (Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
3:25
8Nabucco: Eccelsa donna, che d'Assiria il fato reggi (Gran Sacerdote, Abigaille, Nabucco, Abd
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 1. Recitativo “Eccelsa donna, che d'Assiria il fato reggi …” (Gran Sacerdote, Abigaille, Nabucco, Abdallo) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
3:01
9Nabucco: Donna, chi sei? (Nabucco, Abigaille)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 1. “Donna, chi sei?” (Nabucco, Abigaille) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
11:08
10Nabucco: Va, pensiero, sull'ali dorate.. (Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
5:11
11Nabucco: Oh, chi piange? (Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Recitativo “Oh, chi piange?” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
0:51
12Nabucco: Del futuro nel buio discerno (Chorus of Hebrew Slaves) (Zaccaria, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Finale III “Del futuro nel buio discerno” (Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
2:56
13Nabucco: Son pur queste mie membral (Nabucco, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Son pur queste mie membra!” (Nabucco, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
5:07
14Nabucco: Dio di Guida!...L'ara, il tempio (Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Dio di Giuda! L’ara, il tempio a te sacro, sorgeranno” (Nabucco, Abdallo, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
3:02
15Nabucco: Porta fatal, oh, t'asprira (Nabucco, Chorus, Abdallo)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV, scena 1. “Porta fatal, oh, t’aprirai!” (Nabucco, Abdallo, Coro) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
0:53
16Nabucco: Cadran, cadranno i perfidi (Abdallo, Chorus, Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV, scena 1. “Cadran, cadranno i perfidi” / “O prodi miei, seguitemi” (Abdallo, Coro, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
2:03
17Nabucco: Marcia funebre
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Marcia funebre (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
2:23
18Nabucco: Va! la palma del martirio (Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Preghiera “Va, la palma del martirio … Oh, dischiuso è il firmamento!” (Zaccaria, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
0:49
19Nabucco: Oh dischiuso è il firmamento (Fenena)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. Preghiera “Va, la palma del martirio … Oh, dischiuso è il firmamento!” (Zaccaria, Fenena) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
2:19
20Nabucco: Viva Nabucco! (Chorus, Anna, Fenena, Ismaele, Zaccaria, Nabucco)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte IV. Finale “Viva Nabucco!” … “Ah! Torna Israello” (Coro, Anna, Fenena, Ismaele, Zaccaria, Gran Sacerdote, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
0:39
21Nabucco: Ah, torna Israello (All)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. Finale “Viva Nabucco!” … “Ah! Torna Israello” (Coro, Anna, Fenena, Ismaele, Zaccaria, Gran Sacerdote, Nabucco) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
3:50
22Nabucco: Oh, chi vegg'io? (Nabucco, Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. “Oh! chi vegg’io?” … “Su me, morente, esanime” (Nabucco, Coro, Abigaille, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
0:53
23Nabucco: Su me...morente...esanime...discenda il tuo perdono! (Abigaille, Chorus, Zaccaria)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1977-07-10 until 1978-02-08)
partial recording of:
Nabucco: Parte IV. “Oh! chi vegg’io?” … “Su me, morente, esanime” (Nabucco, Coro, Abigaille, Zaccaria) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte IV. L’idolo infranto
3:44
▼ CD 3: Ernani CD 1 (Muti, 1982)
#TitleRatingLength
1Ernani: Preludio (Adagio)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 1) Preludio (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:20
2Ernani: Evviva! Beviam! (Chorus)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:27
3Ernani: Mercè, diletti amici ... Come rugiada al cespite (Ernani, Chorus)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
4:20
4Ernani: Dell' esilio nel dolore ... Oh tu che I'anima adora (Ernani, Chorus)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:22
5Ernani: Surta è la notte (Elvira)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
2:35
6Ernani: Ernani! Ernani, involami ... Quante d'lberia giovani (Elvira, Chorus)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:01
7Ernani: Tutto sprezzo che d'Ernani ... Fa che a me venga, e tosto (Elvira, Carlo, Giovanna, Chorus)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 4d) “Tutto sprezzo, che d’Ernani” (Elvira, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:28
8Ernani: Qui mi trasse amor possente (Carlo, Elvira)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5a) Scena “Fa’ che a me venga…” (Carlo, Giovanna, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:27
9Ernani: Da quel dì che t'ho veduta (Carlo, Elvira, Ernani)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:37
10Ernani: Tu se' Ernani! (Carlo, Elvira, Ernani)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 5d) Terzetto “Tu se’, Ernani!…mel dice lo sdegno” (Carlo, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
2:56
11Ernani: Che mai vegg'io! ... Infelice! E tu credevi ... Ma signore (Silvia, All)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
live recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
live recording of:
Ernani: Atto I. (no. 6e) Scena “Uscite…Ma, signore…” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:52
12Ernani: Vedi come il buon vegliardo (All)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto I. (no. 6f) “Vedi come il buon vegliardo” (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
7:07
▼ CD 4: Ernani CD 2 (Muti, 1982)
#TitleRatingLength
1Ernani: Esultiamo! (Chorus, Silvia, Ernani, Elvira)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
5:07
2Ernani: Oro, quant'oro ogn'avido (Ernani, Elvira, Silva)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8a) Recitativo “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
live recording of:
Ernani: Atto II. (no. 8b) Terzetto “Oro, quant’oro ogni avido” (Ernani, Elvira, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
5:17
3Ernani: Ah, morir, potessi adesso (Ernani, Elvira, Silva, Iago)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8e) “Ah, morir, potessi adesso” (Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:34
4Ernani: No, vendetta più tremenda (Silva, Ernani, Elvira)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:09
5Ernani: Cugino, a che munito (Carlo, Silva)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9a) Gran Scena “Cugino, a che munito” (Carlo, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:25
6Ernani: Lo vedremo, veglio audace ... Fu esplorata del castello (Carlo, Silva, Elvira
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9b) Aria “Lo vedremo, veglio audace” (Carlo, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
5:21
7Ernani: Vieni meco, sol di rose (Carlo, Giovanna, Riccardo, Silva, Elvira, Chorus)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 9d) Cabaletta “Vieni meco, sol di rose” (Carlo, Elvira, Giovanna, Riccardo, Silva, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:31
8Ernani: A te, scegli, seguimi! (Silva, Ernani, Chorus)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto II. (no. 10b) Duetto “Esci…a te, scegli, seguimi!” (Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
6:41
9Ernani: È questo il loco? (Carlo, Riccardo)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11a) Scena “È questo il loco?” (Carlo, Riccardo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
3:57
10Ernani: Gran Dio! Costor sui sepolcrali marmi (Carlo)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11b) Recitativo “Gran Dio! costor sui sepolcrali marmi” (Carlo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
1:46
11Ernani: Oh, de' verd'anni miei (Carlo)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 11c) Aria “Oh, de’ verd’anni miei” (Carlo) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
8:27
12Ernani: Un patto! Un giuramento! Si ridete il Leon de Castiglia (Chorus, Silvia, Ernani, Elvira)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 12b) “Un patto! Un giuramento!…Si redesti il Leon di Castiglia” (Tutti) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
5:55
13Ernani: O sommo Carlo, più del tuo nome (Chorus, Elvira, Ernani, Silvia)
baritone vocals [Carlo]:
Renato Bruson (baritone) (in 1982-12)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
mezzo-soprano vocals [Giovanna]:
Jolanda Michieli (mezzo-soprano) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto III. (no. 13c) Settimino “O sommo Carlo, più del tuo nome” (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
4:39
14Ernani: O come felici gioiscon gli sposi! (Carlo, Riccardo)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto IV. (no. 14) Coro “Oh, come felici gioiscon gli sposi!” (Coro) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
7:42
15Ernani: Tutto ora tace intorno (All)
bass vocals [Iago]:
Alfredo Giacomotti (operatic bass) (in 1982-12)
bass vocals [Silva]:
Nicolaï Ghiaurov (operatic bass) (in 1982-12)
soprano vocals [Elvira]:
Mirella Freni (soprano) (in 1982-12)
tenor vocals [Ernani]:
Plácido Domingo (tenor) (in 1982-12)
tenor vocals [Riccardo]:
Gianfranco Manganotti (tenor) (in 1982-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (in 1982-12)
conductor:
Riccardo Muti (conductor) (in 1982-12)
live recording of:
Ernani: Atto IV. (no. 15a) Gran Scena “Cessaro i suoni, disparì ogni face” (Ernani, Elvira, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15b) “Tutto ora tace d’intorno… T'arresta” (Ernani, Silva) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15c) “Ecco il pegno” … “Solingo, errante, misero” (Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
live recording of:
Ernani: Atto IV. (no. 15d) Finale e Terzetto “Ferma, crudele, estinguere” (Elvira, Silva, Ernani) (in 1982-12)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto IV (La maschera)
13:20
▼ CD 5: Giovanna d'Arco CD 1 (Levine, 1972)
#TitleRatingLength
1Giovanna d’Arco: Sinfonia
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Sinfonia (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco
7:21
2Giovanna d’Arco: Prologo. “Qual v'ha speme?” (Borghigiani, Ufficiali)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 1. Coro "Qual v'ha speme?" (Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
4:05
3Giovanna d’Arco: Prologo. “Il Re!” (Delil, Borghigiani, Ufficiali, Carlo)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
tenor vocals [Delil]:
Keith Erwen (operatic tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 2a. Scena "Il re! - Nel suo bel volto" (Delil, Carlo, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Prologo
2:52
4Giovanna d’Arco: Prologo. “Sotto una quercia parvemi” (Carlo, Borghigiani, Ufficiali)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
2:49
5Giovanna d’Arco: Prologo. “V'ha dunque un loco simile” (Carlo, Borghigiani, Ufficiali)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 1. Coro "Qual v'ha speme?" (Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
2:38
6Giovanna d’Arco: Prologo. “Pondo è letal, martiro” (Carlo, Coro)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 2d. Cabaletta "Pondo è letal, martiro" (Carlo, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
2:48
7Giovanna d’Arco: Prologo. “Gelo, terrore m'invade!” (Giacomo)
baritone vocals [Giacomo]:
Sherrill Milnes (baritone) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 3. Scena "Gelo, terror m'invade!" (Giacomo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
3:29
8Giovanna d’Arco: Prologo. “Oh, ben s'addice questo torbido cielo” (Giovanna)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 4a. Scena "O ben s'addice questo torbido cielo" (Giovanna) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
1:43
9Giovanna d’Arco: Prologo. “Sempre all'alba ed alla sera” (Giovanna)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 4b. Cavatina "Sempre all'alba ed alla sera" (Giovanna) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
4:31
10Giovanna d’Arco: Prologo. “Paventi, Carlo, tu forse?” (Carlo)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 5a. Scena "Paventi, Carlo, tu forse?" (Carlo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
1:04
11Giovanna d’Arco: Prologo. “Tu sei bella” (Coro)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 5b. Coro "Tu sei bella" (Spiriti malvagi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
2:58
12Giovanna d’Arco: Prologo. “Pronta sono!...Son guerriera” (Giovanna, Carlo, Giacomo)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 5d. Scena "Pronta sono!" (Giovanna, Carlo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
4:48
13Giovanna d’Arco: Atto I. “Ai lari!...Alla patria!” (Soldati, Talbot)
bass vocals [Talbot]:
Robert Lloyd (operatic bass) (in 1972)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 6. Coro “Ai lari! … Alla patria!” (Coro, Talbot) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto I
2:03
14Giovanna d’Arco: Atto I. “Questa rea che vi percuote” (Giacomo, Talbot, Soldati)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Prologo, Nº 5e. Cabaletta "Son guerriera che a gloria t'invita..." (Giovanna, Carlo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
0:39
15Giovanna d’Arco: Atto I. “Franco son io, ma in core” (Giacomo, Soldati, Talbot, Coro)
baritone vocals [Giacomo]:
Sherrill Milnes (baritone) (in 1972)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 7b. Aria “Franco son io, ma in core” (Giacomo, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto I
4:24
16Giovanna d’Arco: Atto I. “So che per via di triboli ”(Giacomo, Coro)
baritone vocals [Giacomo]:
Sherrill Milnes (baritone) (in 1972)
bass vocals [Talbot]:
Robert Lloyd (operatic bass) (in 1972)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 7d. Cabaletta “So che per via di triboli” (Giacomo, Talbot, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto I
4:08
17Giovanna d’Arco: Atto I. “Qui! qui...dove più s'apre libero il cielo“ (Giovanna)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 8a. Scena “Qui! qui! … dove più s'apre libero il cielo” (Giovanna) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Atto I
2:43
18Giovanna d’Arco: Atto I. “O faticida foresta” (Giovanna)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 8b. Romanza “O fatidica foresta” (Giovanna) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Atto I
2:38
19Giovanna d’Arco: Atto I. “Ho risolto“ (Giovanna, Carlo, Voci eteree)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 9a. Scena “Ho risolto” … “E in tai momenti“ (Giovanna, Carlo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Atto I
3:19
20Giovanna d’Arco: Atto I. “T'arretri e palpiti!” (Carlo, Giovanna)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d'Arco: Atto I, Nº 9b. Duetto “Dunque, o cruda, e gloria e trono“ … “Guai se terreno affetto” … “T'arretri e palpiti” (Carlo, Giovanna, Coro) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Atto I
4:21
21Giovanna d’Arco: Atto I. “Taci!...Le vie traboccano” (Carlo, Ufficiali, Delil, Giovanna)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
soprano vocals [Giovanna]:
Montserrat Caballé (soprano) (in 1972)
tenor vocals [Carlo]:
Plácido Domingo (tenor) (in 1972)
tenor vocals [Delil]:
Keith Erwen (operatic tenor) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 9c. Finale “Le vie traboccano” (Coro, Delil, Giovanna, Carlo) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto I
1:37
22Giovanna d’Arco: Atto I. “Vieni al tempio” (Carlo, Giovanna, Coro)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1972)
orchestra:
London Symphony Orchestra (in 1972)
conductor:
James Levine (US conductor and pianist) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973)
recording of:
Giovanna d’Arco: Atto I, Nº 9d. Coro Finale “Vittoria, vittoria! … plaudiamo a Satàna” (Spiriti malvagi) (in 1972)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto I
4:23
▶ CD 6: Giovanna d'Arco CD 2 (Levine, 1972)
▶ CD 7: Attila, CD 1 (Muti, 1989)
▶ CD 8: Attila, CD 2 (Muti, 1989)
▶ CD 9: Macbeth, CD 1 (Muti, 1976)
▶ CD 10: Macbeth, CD 2 (Muti, 1976)
▶ CD 11: Rigoletto, CD 1 (Serafin, 1955)
▶ CD 12: Rigoletto, CD 2 (Serafin, 1955)
▶ CD 13: Il Trovatore CD 1 (Pappano, 2001)
▶ CD 14: Il Trovatore CD 2 (Pappano, 2001)
▶ CD 15: La traviata, CD 1 (Muti, 1980)
▶ CD 16: La traviata, CD 2 (Muti, 1980)
▶ CD 17: I Vespri Siciliani, CD 1 (Muti, 1989-90)
▶ CD 18: I Vespri Siciliani, CD 2 (Muti, 1989-90)
▶ CD 19: I Vespri Siciliani, CD 3 (Muti, 1989-90)
▶ CD 20: Simon Boccanegra, CD 1 (Santini, 1957)
▶ CD 21: Simon Boccanegra, CD 2 (Santini, 1957)
▶ CD 22: Un ballo in maschera, CD 1 (Muti, 1975)
▶ CD 23: Un ballo in maschera, CD 2 (Muti, 1975)
▶ CD 24: La forza del destino, CD 1 (Muti, 1986)
▶ CD 25: La forza del destino, CD 2 (Muti, 1986)
▶ CD 26: La forza del destino, CD 3 (Muti, 1986)
▶ CD 27: Don Carlo, CD 1 (Giulini, 1970)
▶ CD 28: Don Carlo, CD 2 (Giulini, 1970)
▶ CD 29: Don Carlo, CD 3 (Giulini, 1970)
▶ CD 30: Aida, CD 1 (Mehta, 1967)
▶ CD 31: Aida, CD 2 (Mehta, 1967)
▶ CD 32: Othello, CD 1
▶ CD 33: Othello, CD 2
▶ CD 34: Falstaff, CD 1
▶ CD 35: Falstaff, CD 2

Credits

Release group

includes:Il trovatore (2001 studio cast) by Giuseppe Verdi (Italian opera composer); Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Thomas Hampson (baritone), Larissa Diadkova (mezzo-soprano), Ildebrando d’Arcangelo (operatic bass), London Voices, London Symphony Orchestra, Antonio Pappano (conductor and pianist)
Nabucco (1977–78 studio cast) by Giuseppe Verdi (Italian opera composer); Matteo Manuguerra (baritone), Renata Scotto (operatic soprano), Nicolaï Ghiaurov (operatic bass), Elena Obraztsova (mezzo-soprano), Veriano Luchetti (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976), Riccardo Muti (conductor)