Matthäus-Passion, BWV 244

~ Release by Johann Sebastian Bach; Theo Altmeyer, Franz Crass, Teresa Żylis‐Gara, Julia Hamari, Nicolai Gedda, Hermann Prey, Hans Sotin, Siegfried Haertel, Süddeutscher Madrigalchor, Consortium Musicum & Wolfgang Gönnenwein (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244 (Erster Teil): No. 34 Rezitativ (Ev, Je): Und siehe, einer aus denen, die mit Jesus waren, reckte die Hand aus
bass vocals [Jesus]:
Franz Crass (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:48
2Matthäus-Passion, BWV 244 (Erster Teil): No. 35 Choral: O Mensch, bewein dein Sünde groß
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:21
3Matthäus-Passion, BWV 244 (Zweiter Teil): No. 36 Arie (A): Ach! Nun ist mein Jesus hin / Wo ist denn dein Freund hingegangen
solo mezzo-soprano vocals [Arien]:
Júlia Hamari (Hungarian mezzo-soprano) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:51
4Matthäus-Passion, BWV 244 (Zweiter Teil): No. 37 Rezitativ (Ev): Die aber Jesum gegriffen hatten
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:15
5Matthäus-Passion, BWV 244 (Zweiter Teil): No. 38 Choral: Mir hat die Welt trüglich gericht't
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1968-05-25 until 1968-06-16)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:55
6Matthäus-Passion, BWV 244 (Zweiter Teil): No. 39 Rezitativ (Ev, Zeugen, HP): Und wiewohl viel falsche Zeugen herzutraten
bass vocals [Hoherpriester]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
contralto vocals [Erster Zeuge]:
Vera Scherr (Contralto) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist] and tenor vocals [Zweiter Zeuge]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:19
7Matthäus-Passion, BWV 244 (Zweiter Teil): No. 40 Rezitativ (T): Mein Jesus schweigt
solo tenor vocals [Arien]:
Nicolai Gedda (tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
8Matthäus-Passion, BWV 244 (Zweiter Teil): No. 41 Arie (T): Geduld! Geduld!
solo tenor vocals [Arien]:
Nicolai Gedda (tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:57
9Matthäus-Passion, BWV 244 (Zweiter Teil): No. 42a Rezitativ (Ev, HP, Je): Und der Hohepriester antwortete und sprach
bass vocals [Hoherpriester]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
bass vocals [Jesus]:
Franz Crass (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:37
10Matthäus-Passion, BWV 244 (Zweiter Teil): No. 42b Chor: Er ist des Todes schuldig
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:13
11Matthäus-Passion, BWV 244 (Zweiter Teil): No. 43a Rezitativ (Ev): Da speieten sie aus in sein Angesicht
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:16
12Matthäus-Passion, BWV 244 (Zweiter Teil): No. 43b Chor: Weissage uns, Christe
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:22
13Matthäus-Passion, BWV 244 (Zweiter Teil): No. 44 Choral: Wer hat dich so geschlagen
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1968-05-25 until 1968-06-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
14Matthäus-Passion, BWV 244 (Zweiter Teil): No. 45a Rezitativ (Ev, 1. Magd, Pe, 2. Magd): Petrus aber saß draußen im Palast
bass vocals [Petrus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
other vocals [Zweite Magd]:
Susanne Dürr (from 1968-05-25 until 1968-06-16)
soprano vocals [Erste Magd]:
Liselotte Renner (Soprano) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:06
15Matthäus-Passion, BWV 244 (Zweiter Teil): No. 45b Chor: Wahrlich, du bist auch einer von denen
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:14
16Matthäus-Passion, BWV 244 (Zweiter Teil): No. 46 Rezitativ (Ev, Pe): Da hub er an, sich zu verfluchen
bass vocals [Petrus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:28
17Matthäus-Passion, BWV 244 (Zweiter Teil): No. 47 Arie (A): Erbarme dich, mein Gott
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
solo violin:
Wilhelm Melcher
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
solo mezzo-soprano vocals [Arien]:
Júlia Hamari (Hungarian mezzo-soprano) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05 until 1968-06, from 1968-05-25 until 1968-06-16)
performer:
Consortium Musicum
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1968-05-25 until 1968-06-16)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1968-05-26 until 1968-06-18)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:33
18Matthäus-Passion, BWV 244 (Zweiter Teil): No. 48 Choral: Bin ich gleich von dir gewichen
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1968-05-25 until 1968-06-16)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
19Matthäus-Passion, BWV 244 (Zweiter Teil): No. 49a Rezitativ (Ev, Ju): Des Morgens aber hielten alle Hohepriester
bass vocals [Judas]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:04
20Matthäus-Passion, BWV 244 (Zweiter Teil): No. 49b Chor: Was gehet uns das an?
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:10
21Matthäus-Passion, BWV 244 (Zweiter Teil): No. 50 Rezitativ (Ev, 1. Pr, 2. Pr): Und er warf die Silberlinge in den Tempel
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:48
22Matthäus-Passion, BWV 244 (Zweiter Teil): No. 51 Arie (B): Gebt mir meinen Jesum wieder!
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
bass vocals:
Hermann Prey (baritone)
solo bass vocals [Arien]:
Hermann Prey (baritone) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05 until 1968-06, from 1968-05-25 until 1968-06-16)
performer:
Consortium Musicum
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1968-05-26 until 1968-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:49
23Matthäus-Passion, BWV 244 (Zweiter Teil): No. 52 Rezitativ (Ev, Pi, Je): Sie hielten aber einen Rat
bass vocals [Jesus]:
Franz Crass (operatic bass) (from 1968-05-25 until 1968-06-16)
bass vocals [Pontius Pilatus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:34
24Matthäus-Passion, BWV 244 (Zweiter Teil): No. 53 Choral: Befiehl du deine Wege
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1968-05-25 until 1968-06-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:20
25Matthäus-Passion, BWV 244 (Zweiter Teil): No. 54a Rezitativ (Ev, Pi, Pilati Weib, Chor): Auf das Fest aber hatte der Landpfleger
bass vocals [Pontius Pilatus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
soprano vocals [Pilati Weib]:
Noor Leertouwer (Soprano) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach2:28
26Matthäus-Passion, BWV 244 (Zweiter Teil): No. 54b Chor: Laß ihn kreuzigen
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:25
27Matthäus-Passion, BWV 244 (Zweiter Teil): No. 55 Choral: Wie wunderbarlich ist doch diese Strafe
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1968-05-25 until 1968-06-16)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:01
28Matthäus-Passion, BWV 244 (Zweiter Teil): No. 56 Rezitativ (Ev, Pi): Der Landpfleger sagte
bass vocals [Pontius Pilatus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
29Matthäus-Passion, BWV 244 (Zweiter Teil): No. 57 Rezitativ (S): Er hat uns allen wohlgetan
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
solo soprano vocals [Arien]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1968-05-25 until 1968-06-16)
soprano vocals:
Teresa Żylis‐Gara (Polish operatic soprano)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05 until 1968-06, from 1968-05-25 until 1968-06-16)
performer:
Consortium Musicum
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1968-05-26 until 1968-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:16
30Matthäus-Passion, BWV 244 (Zweiter Teil): No. 58 Arie (S): Aus Liebe will mein Heiland sterben
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
solo soprano vocals [Arien]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1968-05-25 until 1968-06-16)
soprano vocals:
Teresa Żylis‐Gara (Polish operatic soprano)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05 until 1968-06, from 1968-05-25 until 1968-06-16)
performer:
Consortium Musicum
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (from 1968-05-26 until 1968-06-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:20
31Matthäus-Passion, BWV 244 (Zweiter Teil): No. 59a Rezitativ (Ev): Sie schrien aber noch mehr
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:04
32Matthäus-Passion, BWV 244 (Zweiter Teil): No. 59b Chor: Laß ihn kreuzigen!
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:20
33Matthäus-Passion, BWV 244 (Zweiter Teil): No. 59c Rezitativ (Ev, Pi): Da aber Pilatus sahe
bass vocals [Pontius Pilatus]:
Hans Sotin (operatic bass) (from 1968-05-25 until 1968-06-16)
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:34
34Matthäus-Passion, BWV 244 (Zweiter Teil): No. 59d Chor: Sein Blut komme über uns
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:52
35Matthäus-Passion, BWV 244 (Zweiter Teil): No. 59e Rezitativ (Ev): Da gab er ihnen Barrabam los
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:25
36Matthäus-Passion, BWV 244 (Zweiter Teil): No. 60 Rezitativ (A): Erbarm' es Gott
solo mezzo-soprano vocals [Arien]:
Júlia Hamari (Hungarian mezzo-soprano) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:57
37Matthäus-Passion, BWV 244 (Zweiter Teil): No. 61 Arie (A): Können Tränen meiner Wangen nichts erlangen
solo mezzo-soprano vocals [Arien]:
Júlia Hamari (Hungarian mezzo-soprano) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:49
38Matthäus-Passion, BWV 244 (Zweiter Teil): No. 62a Rezitativ (Ev): Da nahmen die Kriegsknechte
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:40
39Matthäus-Passion, BWV 244 (Zweiter Teil): No. 62b Chor: Gegrüßest seist du, Judenkönig
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:12
40Matthäus-Passion, BWV 244 (Zweiter Teil): No. 62c Rezitativ (Ev): Und speieten ihn an
tenor vocals [Evangelist]:
Theo Altmeyer (German tenor) (from 1968-05-25 until 1968-06-16)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (from 1968-05-25 until 1968-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:18
41Matthäus-Passion, BWV 244 (Zweiter Teil): No. 63 Choral: O Haupt voll Blut und Wunden
producer:
Gerd Berg (producer) (from 1968-05 until 1968-06)
choir vocals:
Süddeutscher Madrigalchor (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
orchestra:
Consortium Musicum (from 1968-05-25 until 1968-06-16)
conductor:
Wolfgang Gönnenwein (conductor) (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
performer:
Consortium Musicum (from 1968-05-26 until 1968-06-18)
balance engineer:
Wolfgang Gülich (engineer) and Ernst Rothe (engineer)
recorded at:
Johanneskirche (Kirche Schwaigern, Evangelische Stadtkirche) in Schwaigern, Baden-Württemberg, Germany (from 1968-05-25 until 1968-06-16, from 1968-05-26 until 1968-06-18)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-25 until 1968-06-16)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1968-05-26 until 1968-06-18)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:28
▶ CD 3