The Bone Collector: Original Motion Picture Soundtrack

~ Release by Craig Armstrong (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1New York City
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer), Geoff Foster (sound engineer) and Stephen Hilton
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The Bone Collector: New York City
orchestrator:
Craig Armstrong (Scottish score composer) and Matt Dunkley
composer and arranger:
Craig Armstrong (Scottish score composer)
2:57
2Prelude
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Prelude
composer and arranger:
Craig Armstrong (Scottish score composer)
4:32
3Taxi Ride
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Taxi Ride
composer and arranger:
Craig Armstrong (Scottish score composer)
1:37
4Amelia’s Song
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Amelia’s Song
composer and arranger:
Craig Armstrong (Scottish score composer)
3:23
5Race Against Time
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Race Against Time
composer and arranger:
Craig Armstrong (Scottish score composer)
2:26
6Walking the Grid
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Walking the Grid
composer and arranger:
Craig Armstrong (Scottish score composer)
2:32
7Working the Evidence
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Working the Evidence
composer and arranger:
Craig Armstrong (Scottish score composer)
2:04
8Seizure
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Seizure
composer and arranger:
Craig Armstrong (Scottish score composer)
2:23
9Rhyme and Amelia’s Love Theme
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Rhyme and Amelia’s Love Theme
composer and arranger:
Craig Armstrong (Scottish score composer)
3:00
10MacKenzie
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
MacKenzie
composer and arranger:
Craig Armstrong (Scottish score composer)
3:50
11Amelia’s Crisis
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Amelia’s Crisis
composer and arranger:
Craig Armstrong (Scottish score composer)
4:13
12Pier Pressure
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Pier Pressure
composer and arranger:
Craig Armstrong (Scottish score composer)
5:07
13Underground
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Underground
composer and arranger:
Craig Armstrong (Scottish score composer)
2:29
14Final Confrontation
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
Final Confrontation
composer and arranger:
Craig Armstrong (Scottish score composer)
4:02
15The City Awakes
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
recording of:
The City Awakes
composer and arranger:
Craig Armstrong (Scottish score composer)
2:48
16New York City (orchestral version)
recording engineer and mixer:
Geoff Foster (sound engineer)
assistant engineer:
Emma Ford and Ricky Graham (engineer)
producer:
Craig Armstrong (Scottish score composer)
editor:
Joe E. Rand (editor)
orchestra:
London Symphony Orchestra
conductor:
Cecilia Weston
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom
2:54