Tracklist

| |
CD 1
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini2:54
2Tosca: Atto I. “E sempre lava!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini2:33
3Tosca: Atto I. “Dammi i colori… Recondita armonia”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I
Giacomo Puccini4:34
4Tosca: Atto I. “Voi! Cavaradossi!”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:06
5Tosca: Atto I. “Mario! Mario! Mario!”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini12:42
6Tosca: Atto I. “È buona la mia Tosca”
bass vocals [Angelotti]:
Silvio Maionica (operatic bass) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
partial recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:44
7Tosca: Atto I. “Sommo giubilo, Eccellenza!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini1:39
8Tosca: Atto I. “Un tal baccano in chiesa!”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini3:54
9Tosca: Atto I. “Or tutto è chiaro”
bass vocals [Sagrestano]:
Fernando Corena (operatic bass) (in 1959)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I
Giacomo Puccini7:21
10Tosca: Atto I. “Tre sbirri, una carrozza”
baritone vocals:
George London (bass-baritone)
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
choir vocals:
Coro dell’Accademia di Santa Cecilia (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1960)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I
Giacomo Puccini4:40
CD 2
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:01
2Tosca: Atto II. “Ha più forte sapore”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Schiarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini1:24
3Tosca: Atto II. “O galantuomo, come andò la caccia?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:32
4Tosca: Atto II. “Ov’è Angelotti?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
compilation of:
Tosca: Atto II. "Ov'è Angelotti" (Scarpia) (Act II, Scene III) by George London (bass-baritone), Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli (conductor) and Tosca: Atto II. "Mario, tu qui" (Tosca) (start of Act II, Scene IV) by Renata Tebaldi (soprano), Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli (conductor)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:02
5Tosca: Atto II. “Sciarrone, che dice il Cavalier?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini2:50
6Tosca: Atto II. “Orsù, Tosca, parlate”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini3:49
7Tosca: Atto II. “Floria… Amore”
solo soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
solo tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini1:29
8Tosca: Atto II. “Vittoria! Vittoria!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini2:40
9Tosca: Atto II. “Quanto?… Quanto?… Il prezzo!”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini4:58
10Tosca: Atto II. “Vissi d’arte”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini4:19
11Tosca: Atto II. “Chi è là?”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II
Giacomo Puccini1:55
12Tosca: Atto II. “Io tenni la promessa”
bass-baritone vocals [Scarpia]:
George London (bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II
Giacomo Puccini6:48
13Tosca: Atto III. “Io de’ sospiri”
treble vocals [Un pastore]:
Ernesto Palmerini (boy soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini6:33
14Tosca: Atto III. “Mario Cavaradossi? A voi”
bass vocals [Carceriere]:
Giovanni Morese (Italian bass-baritone) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:59
15Tosca: Atto III. “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1959)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III
Giacomo Puccini3:36
16Tosca: Atto III. “Ah! Franchigia a Floria Tosca…”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:02
17Tosca: Atto III. “O dolci mani”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Cavaradossi]:
Mario Del Monaco (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini7:59
18Tosca: Atto III. “Come è lunga l’attesa!”
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini2:28
19Tosca: Atto III. “Presto, su! Mario! Mario!”
bass-baritone vocals [Sciarrone]:
Giovanni Morese (Italian bass-baritone) (in 1959)
soprano vocals [Tosca]:
Renata Tebaldi (soprano) (in 1959)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (in 1959)
orchestra:
Orchestra dell’Accademia di Santa Cecilia, Roma (in 1959)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1959)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III
Giacomo Puccini1:33