Original Album Classics

~ Release by Luther Vandross (see all versions of this release, 2 available)

Tracklist

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Digital Media 1: Never Too Much
#TitleRatingLength
1Never Too Much
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Bashiri Johnson
drums (drum set):
Buddy Williams (drummer)
guitar:
Georg Wadenius
horn [horns] and strings:
Paul Riser
keyboard [keyboards]:
Nat Adderley, Jr.
percussion:
Crusher Bennett
background vocals [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis and Sybil Thomas
background vocals [male backup vocals] and lead vocals:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
music videos:
Never Too Much by Luther Vandross
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 466)
recording of:
Never Too Much
lyricist and composer:
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. and Uncle Ronnie’s Music Company Inc.
4.153:51
2Sugar and Spice (I Found Me a Girl)
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Sugar and Spice (I Found Me a Girl)
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Uncle Ronnie’s Music Company Inc.
4:57
3Don’t You Know That?
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr. and Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
Don't You Know That?
writer:
Luther Vandross
publisher:
CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Uncle Ronnie’s Music Company Inc.
4:02
4I’ve Been Working
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
I’ve Been Working
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
6:35
5She’s a Super Lady
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Paul Riser
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981, in 1985) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1981)
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
She’s a Super Lady
lyricist and composer:
Luther Vandross
publisher:
CBS Songs Ltd. and SBK Songs Ltd.
5:05
6You Stopped Loving Me
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
recorded at:
Mediasound Studios in New York, New York, United States
recording of:
You Stopped Loving Me
writer:
Luther Vandross
publisher:
CBS Songs Ltd. and Uncle Ronnie’s Music Company Inc.
5:16
7A House Is Not a Home
recording engineer and mixer:
Michael H. Brauer (engineer)
assistant engineer:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) and Don Wershba (engineer)
engineer:
Carl Beatty (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981, in 1986), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981, in 1989)
recorded at:
Mediasound Studios in New York, New York, United States
cover recording of:
A House Is Not a Home
lyricist:
Hal David (in 1964)
composer:
Burt Bacharach (in 1964)
publisher:
Diplomat Music (ended), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (ended), Famous Chappell, Famous Music (UK) Ltd. and Sony/ATV Harmony
7:07
Digital Media 2: Forever, for Always, for Love
#TitleRatingLength
1Bad Boy / Having a Party
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Georg Wadenius and Doc Powell
keyboard:
Nat Adderley, Jr.
percussion:
Ralph Mac Donald
synthesizer:
Ed Walsh (US synthesizer player & programmer)
background vocals:
Nat Adderley, Jr., Phillip Ballou, Brenda White, Paulette Mc Williams, Fonzi Thornton and Luther Vandross
arranger:
Marcus Miller (jazz musician) and Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Bad Boy / Having a Party
writer:
Sam Cooke, Marcus Miller (jazz musician) and Luther Vandross
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), April Music (publisher), April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kags Music Ltd., Legs Music Inc., Sunset Burgundy Music and Westminster Music Ltd.
medley of:
Having a Party
5:16
2You’re the Sweetest One
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
percussion:
Ralph Mac Donald
background vocals:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston and Yvonne Lewis
horn arranger and strings arranger:
Paul Riser
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
You’re the Sweetest One
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
April Music Inc., CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), Sunset Burgundy Music and Uncle Ronnie's Music Co. Inc.
4:46
3Since I Lost My Baby
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist) and Sammy Figueroa
background vocals:
Tawatha Agee, Phillip Ballou, Brenda White, Cissy Houston, Paulette McWilliams, Fonzi Thornton, Luther Vandross and Norma Jean Wright
horn arranger and strings arranger:
Paul Riser
arranger:
Nat Adderley, Jr. and Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982)
recording of:
Since I Lost My Baby
writer:
Warren Moore and William Robinson
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
5:28
4Forever, for Always, for Love
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Buddy Williams (drummer)
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
solo flute:
Lawrence Feldman
horn arranger and strings arranger:
Paul Riser
arranger:
Nat Adderley, Jr. and Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Forever, for Always, for Love
writer:
Luther Vandross
publisher:
April Music Ltd. and SBK Songs (publisher)
6:23
5Better Love6:25
6Promise Me
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals and lead vocals:
Luther Vandross
horn arranger and strings arranger:
L. Leon Pendarvis, Jr.
arranger:
Nat Adderley, Jr. and Luther Vandross
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Promise Me
lyricist and composer:
Luther Vandross
publisher:
April Music Inc. and Uncle Ronnie's Music Co. Inc.
4:43
7She Loves Me Back
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Michelle Cobbs, Marcus Miller (jazz musician), Fonzi Thornton and Luther Vandross
vocals:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston and Yvonne Lewis
horn arranger and strings arranger:
L. Leon Pendarvis, Jr.
arranger:
Nat Adderley, Jr. and Luther Vandross
vocals arranger:
Luther Vandross
recording of:
She Loves Me Back
writer:
Luther Vandross
6:09
8Once You Know How
recording engineer and mixer:
Michael Brauer (engineer)
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
drums (drum set):
Buddy Williams (drummer)
electric piano:
Nat Adderley, Jr.
guitar:
Doc Powell
piano:
Luther Vandross
background vocals:
Tawatha Agee, Phillip Ballou, Brenda White, Michelle Cobbs, Fonzi Thornton, Luther Vandross and Norma Jean Wright
horn arranger and strings arranger:
L. Leon Pendarvis, Jr.
arranger and vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982)
recording of:
Once You Know How
writer:
Luther Vandross
publisher:
April Music (publisher)
4:35
Digital Media 3: Busy Body
#TitleArtistRatingLength
1I Wanted Your Love
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Tawatha Agee, Phillip Ballou, Robin Clark (soul vocalist), Fonzi Thornton, Luther Vandross and Brenda White-King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recording of:
I Wanted Your Love
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
April Music Inc., CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., Thriller Miller Music and Uncle Ronnie's Music Co. Inc.
Luther Vandross5:41
2Busy Body
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
bongos:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Tawatha Agee, Alfa Anderson, Phillip Ballou, Robin Clark (soul vocalist), Cissy Houston, Luther Vandross and Brenda White-King
strings arranger:
Nat Adderley, Jr.
arranger:
Nat Adderley, Jr. and Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recording of:
Busy Body
writer:
Marcus Miller (jazz musician) and Luther Vandross
Luther Vandross4:46
3I’ll Let You Slide
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Tawatha Agee, Alfa Anderson, Robin Clark (soul vocalist), David Lasley, Darlene Love, Cheryl Lynn (1970s Disco singer), Paulette McWilliams, Luther Vandross and Brenda White-King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
recording of:
I’ll Let You Slide
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
April Music Inc., CBS Songs, CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., Thriller Miller Music and Uncle Ronnie's Music Co. Inc.
Luther Vandross5:22
4Make Me a BelieverLuther Vandross5:23
5For the Sweetness of Your Love
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Tawatha Agee, Phillip Ballou, Robin Clark (soul vocalist), David Lasley, Yvonne Lewis, Darlene Love, Cheryl Lynn (1970s Disco singer), Paulette McWilliams, Fonzi Thornton, Luther Vandross and Brenda White-King
arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
recording of:
For the Sweetness of Your Love
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., SBK Songs (publisher) and SBK Songs Ltd.
Luther Vandross7:27
6How Many Times Can We Say Goodbye
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
John “Skip” Anderson (funk/soul producer and songwriter)
background vocals:
Alfa Anderson, Patti Austin, Phillip Ballou, Michelle Cobbs, Cissy Houston, Yvonne Lewis, Luther Vandross and Brenda White-King
vocals:
Dionne Warwick
horn and strings arranger:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
vocals arranger:
Luther Vandross
recording of:
How Many Times Can We Say Goodbye
lyricist and composer:
Steve Goldman (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Goldrian Music, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Dionne Warwick, Luther Vandross3:26
7Superstar / Until You Come Back to Me (That’s What I’m Gonna Do)
recorded in:
Los Angeles, California, United States
recording engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
bass:
Marcus Miller (jazz musician)
congas:
Steve Kroon
drums (drum set):
Yogi Horton
keyboard:
Nat Adderley, Jr.
percussion:
Paulinho da Costa (Brazilian percussionist) and Michael White (American jazz drummer)
synthesizer:
John “Skip” Anderson (funk/soul producer and songwriter) and Marcus Miller (jazz musician)
background vocals:
Tawatha Agee, Phillip Ballou, Robin Clark (soul vocalist), Luther Vandross and Brenda White-King
horn arranger and strings arranger:
Nat Adderley, Jr.
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983)
medley including a cover recording of:
Superstar
writer:
Bonnie Bramlett and Leon Russell
publisher:
Black Bull Music, Delbon Publishing Co., Embassy Music Corporation, Jobete Music (UK) Ltd., Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., Solo Copyright Bureau, Stuck On Music and Teddy Jack Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
medley including a cover recording of:
Until You Come Back to Me (That’s What I’m Gonna Do)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
Luther Vandross9:15
Digital Media 4: The Night I Fell in Love
#TitleRatingLength
1’Til My Baby Comes Home
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
bass:
Tinker Barfield
organ:
Billy Preston
arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recording of:
’Til My Baby Comes Home
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., MCA Music Ltd., SBK Songs Ltd., Thriller Miller Music, Uncle Ronnie’s Music Company Inc. and Universal‐MCA Music Publishing (US)
5:32
2The Night I Fell in Love
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recording of:
The Night I Fell in Love
writer:
Marcus Miller (jazz musician) and Luther Vandross
6:08
3If Only for One Night
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr.
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
cover recording of:
If Only for One Night
lyricist and composer:
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Rutland Road Music and ユニバーサル・ミュージック・パブリッシング Synch事業部
44:15
4Creepin’
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr.
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1985) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
cover recording of:
Creepin’
composer:
Stevie Wonder
4:05
5It’s Over Now
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
arranger:
Marcus Miller (jazz musician)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recording of:
It’s Over Now
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
April Music Inc., CBS Songs, MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., Thriller Miller Music and Uncle Ronnie's Music Co. Inc.
6:10
6Wait for Love
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr.
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1985)
recording of:
Wait for Love
writer:
Nat Adderley, Jr. and Luther Vandross
publisher:
April Music Inc., CBS Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music and Uncle Ronnie's Music Co. Inc.
5:17
7My Sensitivity (Gets in the Way)
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
arranger:
Nat Adderley, Jr.
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1985) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
recording of:
My Sensitivity (Gets in the Way)
writer:
Luther Vandross
publisher:
SBK Songs Ltd.
4:10
8Other Side of the World5:57
Digital Media 5: Give Me the Reason
#TitleRatingLength
1Stop to Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Luther Vandross
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Stop to Love
lyricist and composer:
Nat Adderley, Jr. and Luther Vandross
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Dillard Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
5:09
2See Me
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
See Me
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
CBS Songs Ltd., MCA Music Ltd., SBK Songs (publisher), April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
5:27
3I Gave It Up (When I Fell in Love)
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
I Gave It Up (When I Fell in Love)
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd., April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
4:44
4So Amazing
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
horn arranger and strings arranger:
Nat Adderley, Jr. and Paul Riser
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
So Amazing
lyricist and composer:
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), April Music Inc. (in 1986), Uncle Ronnie's Music Co. Inc. (in 1986) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
43:38
5Give Me the Reason
recording engineer, engineer and mixer:
Ray Bardani
synthesizer programming:
Wayne Warnecke
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony Music Entertainment (not for release label use! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
recorded at:
Minot Sound in White Plains, New York, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Give Me the Reason
writer:
Nat Adderley and Luther Vandross
publisher:
April Music Inc. (, in 1986), CBS Songs, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dillard Music (, in 1986), EMI April Music Inc., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd., SBK Songs (publisher) and Uncle Ronnie's Music Co. Inc. (in 1986)
54:43
6There’s Nothing Better Than Love
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
guest vocals:
Gregory Hines
performer:
Gregory Hines
arranger:
Nat Adderley, Jr. and John “Skip” Anderson (funk/soul producer and songwriter)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986, in 1987) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
There’s Nothing Better Than Love
writer:
John Anderson (funk/soul producer and songwriter) and Luther Vandross
publisher:
Eaton Music Limited, EMI April Music Inc., JVA Publishing Co., SBK Songs Ltd., The 2 P(i)eters, April Music Inc. (in 1986), JVA Music (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
4:42
7I Really Didn’t Mean It
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
guitar:
Ira Siegel
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
I Really Didn’t Mean It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), SBK Songs (publisher), SBK Songs Ltd., Sunset Burgundy Music, April Music Inc. (in 1986), Sunset Burgundy, Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
5:42
8Because It’s Really Love
engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
recording of:
Because It’s Really Love
lyricist and composer:
Luther Vandross
publisher:
April Music Inc. (in 1986) and Uncle Ronnie's Music Co. Inc. (in 1986)
6:12
9Anyone Who Had a Heart
recording engineer, engineer and mixer:
Ray Bardani
executive producer:
Larkin Arnold
producer:
Marcus Miller (jazz musician) and Luther Vandross
solo saxophone:
Kirk Whalum
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
translated version of:
Quelli che hanno un cuore
5:44