9 Symphonies

~ Release by Beethoven; Orchestre Révolutionnaire et Romantique, Gardiner (see all versions of this release, 4 available)

Tracklist

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CD 1
#TitleArtistRatingLength
1Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
recording engineer:
Ulrich Vette (engineer) (in 1993-03)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven8:22
2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
recording engineer:
Ulrich Vette (engineer) (in 1993-03)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven6:33
3Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace
recording engineer:
Ulrich Vette (engineer) (in 1993-03)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven4:05
4Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace
recording engineer:
Ulrich Vette (engineer) (in 1993-03)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven5:31
5Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
recording engineer:
Ulrich Vette (engineer) (in 1991-11)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1991-11)
conductor:
Sir John Eliot Gardiner (in 1991-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1991-11)
recording of:
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio (in 1991-11)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven12:08
6Symphony no. 2 in D major, op. 36: II. Larghetto
recording engineer:
Ulrich Vette (engineer) (in 1991-11)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1991-11)
conductor:
Sir John Eliot Gardiner (in 1991-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1991-11)
recording of:
Symphony no. 2 in D major, op. 36: II. Larghetto (in 1991-11)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven10:19
7Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
recording engineer:
Ulrich Vette (engineer) (in 1991-11)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1991-11)
conductor:
Sir John Eliot Gardiner (in 1991-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1991-11)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (in 1991-11)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven4:26
8Symphony no. 2 in D major, op. 36: IV. Allegro molto
recording engineer:
Ulrich Vette (engineer) (in 1991-11)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1991-11)
conductor:
Sir John Eliot Gardiner (in 1991-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Blackheath Halls in London (Greater London), England, United Kingdom (in 1991-11)
recording of:
Symphony no. 2 in D major, op. 36: IV. Allegro molto (in 1991-11)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven6:08
CD 2
#TitleArtistRatingLength
1Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven15:36
2Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven12:41
3Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven5:33
4Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1993-03)
live recording of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E-flat major, op. 55 “Eroica”
Ludwig van Beethoven10:49
5Symphony no. 4 in B‐flat major, op. 60: I. Adagio - Allegro vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven10:56
6Symphony no. 4 in B‐flat major, op. 60: II. Adagio
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven9:24
7Symphony no. 4 in B‐flat major, op. 60: III. Allegro vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven5:17
8Symphony no. 4 in B‐flat major, op. 60: IV. Allegro ma non troppo
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1993-03)
conductor:
Sir John Eliot Gardiner (in 1993-03)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (in 1993-03)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven6:24
CD 3
#TitleArtistRatingLength
1Symphony no. 5 in C minor, op. 67: I. Allegro con brio
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans-Rudolf Müller
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:30
2Symphony no. 5 in C minor, op. 67: II. Andante con moto
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans-Rudolf Müller
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:15
3Symphony no. 5 in C minor, op. 67: III. Allegro
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans-Rudolf Müller
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:12
4Symphony no. 5 in C minor, op. 67: IV. Allegro
recording engineer:
Mark Bücker (recording engineer), Stephan Flock and Hans-Rudolf Müller
executive producer:
Dr. Peter Czornyj
producer:
Arend Prohmann (producer / editor)
editor:
Stephan Flock and Rainer Hebborn
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
contrabassoon:
David Chatterton
double bass:
Elizabeth Bradley (double bass), Andrew Durban, Mark Horn, Chi-Chi Nwanoku (double bass) and Paul Sherman (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Raúl Díaz (horn player), Gavin Edwards (horn player) and Jonathan Peskett
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trombone:
Tom Lees, Anthony Neal and Stephen Saunders (bass trombone / euphonium / tuba / sackbut)
trumpet:
Anthony Cross (trumpet player), Michael Harrison (British brass player) and Robert Vanryne
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Abigail Brown, Alison Bury (violinist), Adrian Butterfield (violinist), Elizabeth Edwards (violinist), Catherine Ford, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Susie Mészáros, Roy Mowatt (violinist, musicologist, producer), Pamela Munks, Pauline Nobes (violinist), Stephen Rouse, Lucy Russell (violinist), Anne Schumann (violinist), Susan Kinnersley and Hildburg Williams
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-03)
conductor:
Sir John Eliot Gardiner (in 1994-03)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
live recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (in 1994-03)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven9:58
5Symphony no. 6 in F major, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (Engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (horn player), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (violinist), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven11:13
6Symphony no. 6 in F major, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (Engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (horn player), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (violinist), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven12:00
7Symphony no. 6 in F major, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (Engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (horn player), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (violinist), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven4:49
8Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (Engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (horn player), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (violinist), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:39
9Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto
recording engineer:
Reinhard Lagemann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
editor:
Mark Bücker (recording engineer) and Ingmar Haas (Engineer)
bassoon:
Alastair Mitchell (bassoonist) and Philip Turbett (bassoonist)
cello:
Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin (cellist)
clarinet:
Timothy Lines and Lesley Schatzberger (clarinetist)
double bass:
Elizabeth Bradley (double bass), Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku (double bass)
flute:
Rachel Beckett (flute and recorder player) and Janet See
horn:
Susan Dent (horn player), Gavin Edwards (horn player) and Roger Montgomery (horn player)
instruments:
Rainer Hebborn
oboe:
Richard Earle (Oboist) and Anthony Robson (oboist)
piccolo:
Utako Ikeda
timpani:
John Chimes (percussionist)
trumpet:
Phillip Bainbridge and David Blackadder (trumpet player)
viola:
Lisa Cochrane (violist), Peter Collyer, Alan George (UK classical viola player), Kate Heller, Annette Isserlis (violist), Colin Kitching, Kenneth Mitchell (violist/violinist) and Rosemary Nalden
violin:
Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield (violinist), Ruth Crouch (violinist), Catherine Ford, Roger Foxwell, Miranda Fulleylove (violinist), Jane Gillie, Jennifer Godson, Lucy Howard (violinist), Stephen Jones (Classical violinist), Peter Lissauer, Anna McDonald (violinist), Stephen Rouse, Stephen Rowlinson, Lucy Russell (violinist), Gregory Squire, Maurice Whitaker (Violinist), Elizabeth Wilcock (violinist), Hildburg Williams and Katharina Wolff
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven9:16
CD 4
#TitleArtistRatingLength
1Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven13:09
2Symphony no. 7 in A major, op. 92: II. Allegretto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: II. Allegretto (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven7:45
3Symphony no. 7 in A major, op. 92: III. Presto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: III. Presto (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven8:30
4Symphony no. 7 in A major, op. 92: IV. Allegro con brio
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 7 in A major, op. 92: IV. Allegro con brio (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (from 1811 until 1812)
part of:
Symphony no. 7 in A major, op. 92
Ludwig van Beethoven9:13
5Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven8:41
6Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:46
7Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 8 in F major, op. 93: III. Tempo di menuetto (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven5:28
8Symphony no. 8 in F major, op. 93: IV. Allegro vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1992-12)
recording of:
Symphony no. 8 in F major, op. 93: IV. Allegro vivace (in 1992-12)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven6:17
CD 5
#TitleArtistRatingLength
1Symphony no. 9 in D minor, op. 125: Allegro ma non troppo, un poco maestoso
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:05
2Symphony no. 9 in D minor, op. 125: Molto vivace
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven13:07
3Symphony no. 9 in D minor, op. 125: Adagio molto e cantabile
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven12:06
4Symphony no. 9 in D minor, op. 125: Presto
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Gilles Cachemaille (bass-baritone) (in 1992-10)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-10)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-10)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven5:30
5Symphony no. 9 in D minor, op. 125: Presto: “O Freunde, nicht diese Töne!” Allegro assai
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Arend Prohmann (producer / editor)
bass vocals:
Gilles Cachemaille (bass-baritone) (in 1992-10)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1992-10)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1992-10)
soprano vocals:
Ľuba Orgonášová (soprano) (in 1992-10)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1992-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-10)
conductor:
Sir John Eliot Gardiner (in 1992-10)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1994)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-10)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy) (in 1992-10)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven15:54