The Cry of My People

~ Release by Archie Shepp (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Rest Enough (Song to Mother)
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
drums (drum set):
Bernard “Pretty” Purdie (from 1972-09-25 until 1972-09-27)
electric upright bass:
Ron Carter (US jazz double-bassist) (from 1972-09-25 until 1972-09-27)
guitar:
Cornell Dupree (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
tambourine:
Nene DeFense (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
4:41
2A Prayer
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
cello:
Pat Dixon (from 1972-09-25 until 1972-09-27) and Esther Mellon (from 1972-09-25 until 1972-09-27)
drums (drum set):
Bernard “Pretty” Purdie (from 1972-09-25 until 1972-09-27)
percussion:
Nene DeFense (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
soprano saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27) and Charles Stephens (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
violin:
John Blake (US jazz violinist) (from 1972-09-25 until 1972-09-27), Gayle Dixon (from 1972-09-25 until 1972-09-27), Leroy Jenkins (American composer and violinist) (from 1972-09-25 until 1972-09-27), Jerry Little (violinist) (from 1972-09-25 until 1972-09-27) and Lois Siessinger (from 1972-09-25 until 1972-09-27)
vocals:
Andre Franklin (from 1972-09-25 until 1972-09-27) and Patterson Singers (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
6:30
3All God's Children Got a Home in the Universe
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
drums (drum set):
Beaver Harris (jazz drummer) (from 1972-09-25 until 1972-09-27)
electric upright bass:
Ron Carter (US jazz double-bassist) (from 1972-09-25 until 1972-09-27)
guitar:
Cornell Dupree (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
tambourine:
Nene DeFense (from 1972-09-25 until 1972-09-27)
tenor saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27) and Charles Stephens (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
vocals:
Andre Franklin (from 1972-09-25 until 1972-09-27) and Patterson Singers (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
2:59
4The Lady
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
cello:
Pat Dixon (from 1972-09-25 until 1972-09-27) and Esther Mellon (from 1972-09-25 until 1972-09-27)
drums (drum set):
Beaver Harris (jazz drummer) (from 1972-09-25 until 1972-09-27)
percussion:
Nene DeFense (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
soprano saxophone and tenor saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27) and Charles Stephens (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
violin:
Noel DaCosta (Nigerian-Jamaican composer) (from 1972-09-25 until 1972-09-27), Gayle Dixon (from 1972-09-25 until 1972-09-27), Leroy Jenkins (American composer and violinist) (from 1972-09-25 until 1972-09-27) and Jerry Little (violinist) (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
5:32
5The Cry of My People
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
cello:
Pat Dixon (from 1972-09-25 until 1972-09-27) and Esther Mellon (from 1972-09-25 until 1972-09-27)
drums (drum set):
Beaver Harris (jazz drummer) (from 1972-09-25 until 1972-09-27)
electric upright bass:
Ron Carter (US jazz double-bassist) (from 1972-09-25 until 1972-09-27)
percussion:
Nene DeFense (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
tenor saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27) and Charles Stephens (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
violin:
John Blake (US jazz violinist) (from 1972-09-25 until 1972-09-27), Gayle Dixon (from 1972-09-25 until 1972-09-27), Leroy Jenkins (American composer and violinist) (from 1972-09-25 until 1972-09-27), Jerry Little (violinist) (from 1972-09-25 until 1972-09-27) and Lois Siessinger (from 1972-09-25 until 1972-09-27)
vocals:
Andre Franklin (from 1972-09-25 until 1972-09-27) and Patterson Singers (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
5:45
6African Drum Suite, Part 1
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
piano:
Dave Burrell (from 1972-09-25 until 1972-09-27)
saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
0:36
7African Drum Suite, Part 2
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
cello:
Pat Dixon (from 1972-09-25 until 1972-09-27) and Esther Mellon (from 1972-09-25 until 1972-09-27)
piano:
Dave Burrell (from 1972-09-25 until 1972-09-27)
soprano saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Greenlee (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
violin:
John Blake (US jazz violinist) (from 1972-09-25 until 1972-09-27), Noel DaCosta (Nigerian-Jamaican composer) (from 1972-09-25 until 1972-09-27), Gayle Dixon (from 1972-09-25 until 1972-09-27), Leroy Jenkins (American composer and violinist) (from 1972-09-25 until 1972-09-27) and Jerry Little (violinist) (from 1972-09-25 until 1972-09-27)
vocals:
Andre Franklin (from 1972-09-25 until 1972-09-27) and Patterson Singers (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
7:34
8Come Sunday
engineer:
Tony May (Engineer)
producer:
Ed Michel
mixer:
Baker Bigsby
bass:
Jimmy Garrison (from 1972-09-25 until 1972-09-27)
berimbau and percussion:
Guilherme Franco (from 1972-09-25 until 1972-09-27)
cello:
Pat Dixon (from 1972-09-25 until 1972-09-27) and Esther Mellon (from 1972-09-25 until 1972-09-27)
percussion:
Nene DeFense (from 1972-09-25 until 1972-09-27)
piano:
Harold Mabern (American jazz pianist) (from 1972-09-25 until 1972-09-27)
tenor saxophone:
Archie Shepp (from 1972-09-25 until 1972-09-27)
trombone:
Charles Stephens (from 1972-09-25 until 1972-09-27)
trumpet:
Charles McGhee (from 1972-09-25 until 1972-09-27)
violin:
John Blake (US jazz violinist) (from 1972-09-25 until 1972-09-27), Noel DaCosta (Nigerian-Jamaican composer) (from 1972-09-25 until 1972-09-27), Gayle Dixon (from 1972-09-25 until 1972-09-27), Leroy Jenkins (American composer and violinist) (from 1972-09-25 until 1972-09-27) and Jerry Little (violinist) (from 1972-09-25 until 1972-09-27)
recorded at:
Allegro Sound Studios in New York, New York, United States (from 1972-09-25 until 1972-09-27)
mixed at:
The Village (aka The Village Recorder) in Los Angeles, California, United States
recording of:
Come Sunday (1958 revision with lyrics) (in 1972-09)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
9:30