Super Blue

~ Release by Freddie Hubbard (see all versions of this release, 7 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Super Blue
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04) and Dale Oehler (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Super Blue (in 1978)
composer:
Benard Ighner
7:52
2To Her Ladyship
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
guitar:
George Benson (jazz guitarist/singer) (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
To Her Ladyship (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
6:01
3Take It to the Ozone
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Take It to the Ozone (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
7:03
4The Gospel Truth
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Gospel Truth (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
5:01
5The Surest Things Can Change
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
The Surest Things Can Change (in 1978)
lyricist and composer:
Gino Vannelli
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Giva Music and ユニバーサル・ミュージック・パブリッシング Synch事業部
6:19
6Theme for Kareem
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Theme for Kareem (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
6:08
7Super Blue (alternate take)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
10:36
8Take It to the Ozone (alternate take)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
6:56
9Theme for Kareem (alternate take)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
6:44