Great Composers: Bach Concert

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleRatingLength
1Cantata, BWV 51 - Aria: Jauchzet Gott in allen Landen
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
trumpet:
Willi Bauer (trumpet player) (in 1959-08)
soprano vocals:
Maria Stader (soprano) (in 1959-08)
orchestra:
Münchener Bach‐Orchester (in 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1959-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:39
2Cantata, BWV 80 - Chorus: Ein feste Burg ist unser Gott
choir vocals:
Münchener Bach‐Chor
orchestra:
Münchener Bach‐Orchester
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott"
5:56
3Cantata, BWV 140 - Chorale: Zion hort die Wachter singen
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe I]:
Manfred Clement (oboist) (in 1977-10, in 1978-03, in 1978-05)
oboe [oboe II]:
Martin Spanner (oboist) (in 1977-10, in 1978-03, in 1978-05)
violin:
Kurt Guntner (violinist) (in 1977-10, in 1978-03, in 1978-05)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1977-10, in 1978-03, in 1978-05)
orchestra:
Münchener Bach‐Orchester (in 1977-10, in 1978-03, in 1978-05)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1977-10, in 1978-03, in 1978-05)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-10, in 1978-03, in 1978-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1978-05)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:02
4Cantata, BWV 147 - Chorale: Jesus bleibet meine Freude
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:35
5Cantata, BWV 208 - Aria: Schafe konnen sicher weiden
soprano vocals:
Arleen Augér (soprano)
orchestra:
Kammerorchester Berlin
conductor:
Peter Schreier (German tenor and conductor)
performer:
Berliner Solisten (1973-1980s East German choir)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
5:53
6Christmas Oratorio, BWV 248 - Sinfonia
recording engineer:
Hans-Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber (producer/engineer)
bassoon:
Karl Kolbinger (bassoonist) (from 1965-02 until 1965-06) and Detlev Kühl (bassoonist) (from 1965-02 until 1965-06)
cello:
Kurt Engert (cellist) (from 1965-02 until 1965-06) and Oswald Uhl (cellist) (from 1965-02 until 1965-06)
double bass:
Herbert Duft (double bass player) (from 1965-02 until 1965-06) and Ludwig Kiblböck (double bass player) (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (German horn player) (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (classical horn player) (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (oboist) (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (flautist) (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (French trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (trumpeter) (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (trumpeter) (from 1965-02 until 1965-06)
violin:
Otto Büchner (violinist) (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1965-02 until 1965-06)
balance engineer:
Hans-Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
7:19
7Mass in B Minor, BWV 232 - Chorus: Credo in umum Deum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
1:55
8Chorus: Patrem omnipotentem
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
1:52
9Duet: Et in unum Dominum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
mezzo-soprano vocals:
Mary Nichols (soprano & alto) (in 1985-02)
soprano vocals:
Patrizia Kwella (soprano) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
4:12
10Chorus: Et incarnatus est
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
3:26
11Chorus: Crucifixus
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Varcoe (bass-baritone) (in 1985-02)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
countertenor vocals:
Michael Chance (British countertenor) (in 1985-02)
mezzo-soprano vocals:
Carol Hall (operatic mezzo‐soprano) (in 1985-02)
tenor vocals:
Wynford Evans (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
3:09
12Chorus: Et resurrexit
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
3:50
13Aria: Et in Spiritum Sanctum
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
oboe [oboe d'amore]:
Valerie Darke (oboist) (in 1985-02) and Sophia McKenna (oboist) (in 1985-02)
bass vocals:
Richard Lloyd-Morgan (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
5:30
14Chorus: Confiteor
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
2:32
15Chorus: Et exspecto resurrectionem
recording engineer:
Klaus Behrens (Engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (Engineer) and Gregor Zielinsky (Balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (worldwide imprint, see annotation) (in 1985)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor)
3:34
▼ CD 2
#TitleRatingLength
1Matthäus-Passion, BWV 244 (Auschnitte), Chor: Kommt, ihr Töchter, helft mir klagen
choir vocals:
Dresdner Kapellknaben (in 1984-09) and MDR Rundfunkchor Leipzig (in 1984-09)
soprano vocals [Soprano in ripieno]:
Dresdner Kapellknaben (in 1984-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-09)
conductor:
Peter Schreier (German tenor and conductor) (in 1984-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
7:56
2Matthäus-Passion, BWV 244 (Auschnitte), Arie: Blute nur, du liebes Herz
soprano vocals:
Lucia Popp (soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
performer:
Lucia Popp (soprano)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:33
3Matthäus-Passion, BWV 244 (Auschnitte), Arie: Ich will bei meinem Jesus wachen
choir vocals:
MDR Rundfunkchor Leipzig
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
5:25
4Matthäus-Passion, BWV 244 (Auschnitte), Arie: Erbarme dich
alto vocals:
Marjana Lipovšek (mezzo soprano)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1984-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:52
5Matthäus-Passion, BWV 244 (Auschnitte), Arie: Mache dich, mein Herze, rein
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:39
6Matthäus-Passion, BWV 244 (Auschnitte), Chor: Wir setzen uns mit Tränen nieder
choir vocals:
MDR Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Peter Schreier (German tenor and conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1984-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:17
7Magnificat D-dur, BWV 243, Chor: Magnificat anima mea
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:48
8Magnificat D-dur, BWV 243, Arie: Et exsultavit spiritus meus
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
soprano vocals:
Patrizia Kwella (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:17
9Magnificat D-dur, BWV 243, Arie: Quia respexit humilitatem
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
soprano vocals:
Nancy Argenta (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:14
10Magnificat D-dur, BWV 243, Chor: Omnes generationes
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:10
11Magnificat D-dur, BWV 243, Arie: Quia fecit mihi magna
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
bass vocals:
David Thomas (British operatic bass) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:00
12Magnificat D-dur, BWV 243, Duett: Et misericordia
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:26
13Magnificat D-dur, BWV 243, Chor: Fecit potentiam
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:43
14Magnificat D-dur, BWV 243, Arie: Deposuit potentes
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:47
15Magnificat D-dur, BWV 243, Arie: Esurientes implevit bonis
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:48
16Magnificat D-dur, BWV 243, Trio: Suscepit Israel
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
soprano vocals:
Nancy Argenta (soprano) (in 1983-11) and Patrizia Kwella (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:01
17Magnificat D-dur, BWV 243, Chor: Sicut locutus est
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:24
18Magnificat D-dur, BWV 243, Chor: Gloria Patri
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:13

Credits

Release

part of:Great Composers (Time Life Music) (number: 10) (order: 14)
other databases:http://www.worldcat.org/oclc/20733198 [info]