The Hit Singles Collection

~ Release by Doris Day (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Move Over Darling
recording of:
Move Over Darling
writer:
Hal Kanner (director), Joe Lubin and Terry Melcher
publisher:
Daywin Music Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
42:35
2Everybody Loves a Lover
vocals:
Doris Day (on 1958-05-12)
orchestra:
Frank DeVol’s Orchestra (on 1958-05-12)
conductor:
Frank De Vol (on 1958-05-12)
recording of:
Everybody Loves a Lover (on 1958-05-12)
lyricist:
Richard Adler (musical composer/lyricist)
composer:
Robert Allen (US songwriter/arranger/pianist)
2:43
3A Very Precious Love
vocals:
Doris Day (in 1958)
orchestra:
Frank DeVol and His Orchestra (in 1958)
recording of:
A Very Precious Love
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
The 31st Academy Award for Best Original Song (number: 2)
43:05
4Lover Come Back
2:17
5The Deadwood Stage
vocals:
Doris Day (in 1953)
recording of:
The Deadwood Stage (Whip Crack-Away) (from “Calamity Jane”)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
3:14
6If I Give My Heart to You
background vocals:
The Mellomen (American singing quartet) (in 1954)
vocals:
Doris Day (in 1954)
orchestra:
Percy Faith Orchestra (Faith's orchestra before his death in 1976) (in 1954)
conductor:
Percy Faith (in 1954)
recording of:
If I Give My Heart to You
writer:
Jimmie Crane, Al Jacobs and Milton Gabler
2:52
7Anyway the Wind Blows
2:24
8It's Magic
recording of:
It’s Magic
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 21st Academy Award for Best Original Song (number: 2)
3:39
9The Black Hills of Dakota
vocals:
Doris Day (in 1953)
orchestra:
Nat Heindorf and His Orchestra (in 1953)
recording of:
The Black Hills of Dakota (from "Calamity Jane")
lyricist:
Paul Francis Webster
composer:
Sammy Fain
part of:
Calamity Jane (stage musical)
33:00
10Teacher's Pet
2:37
11Love Me or Leave Me
vocals:
Doris Day
recording of:
Love Me or Leave Me
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
2:15
12Perhaps, Perhaps, Perhaps
recording of:
Perhaps, Perhaps, Perhaps
lyricist:
Joe Davis (US lyricist, producer, publisher & promoter)
composer:
Osvaldo Farrés
translated version of:
Quizás, quizás, quizás
2:35
13Secret Love
vocals:
Doris Day (on 1953-08-05)
orchestra:
The Warner Bros. Orchestra (on 1953-08-05)
conductor:
Ray Heindorf (on 1953-08-05)
recording of:
Secret Love (song from “Calamity Jane”) (on 1953-08-05)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!) and Warner Chappell North America
sub-publisher:
Universal/MCA Music Ltd. (not for release label use!) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 26th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 26)
part of:
Calamity Jane (stage musical)
33:43
14Whatever Will Be Will Be (Que será será)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
recording of:
Que será, será (Whatever Will Be, Will Be)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
2:04
15My Love and Devotion
recording of:
My Love and Devotion (by “Milton Carson”)
writer:
Howard Barnes, Harold Fields and Joe Roncoroni (songwriter, aka Dominic John)
3:04
16Let's Walk That-A-Way (feat. Johnnie Ray)
recording of:
Let's Walk That-A-Way
writer:
Kay Twomey, Ben Weisman and Fred Wise
2:39
17April in Paris
recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
43:11
18Ready Willing and Able
vocals:
Doris Day (in 1958)
orchestra:
Frank DeVol and His Orchestra (in 1958)
recording of:
Ready, Willing and Able
writer:
Dick Gleason, Floyd Huddleston and Al Rinker
2:27
19Sugarbush (feat. Frankie Laine)
vocals:
Doris Day (on 1952-02-07) and Frankie Laine (on 1952-02-07)
additional orchestra:
Carl Fischer and His Orchestra (on 1952-02-07)
recording of:
Sugarbush (Based on a the Afrikaans melody Suikerbossie) (on 1952-02-07)
arranger:
Josef Marais (South African singer, songwriter)
2:00
20When I Fall in Love
choir vocals:
The Norman Luboff Choir (on 1952-06-05)
vocals:
Doris Day (on 1952-06-05)
orchestra:
Percy Faith Orchestra (Faith's orchestra before his death in 1976) (on 1952-06-05)
conductor:
Percy Faith (on 1952-06-05)
cover recording of:
When I Fall in Love (on 1952-06-05)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:57
21Pillow Talk
recording of:
Pillow Talk
writer:
Inez James and Buddy Pepper
2:12
22The Sound of Music
2:52
23Love Him
2:22
24I'll Never Stop Loving You
recording of:
I’ll Never Stop Loving You
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
part of:
The 28th Academy Award for Best Original Song (number: 2)
3:05
25Bewitched
background vocals:
The Mellomen (American singing quartet) (in 1950)
vocals:
Doris Day (in 1950)
orchestra:
John Rarig and His Orchestra (in 1950)
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
2:44
26Sentimental Journey
recording of:
Sentimental Journey
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM)
3:15

Credits

Release

ASIN:CA: B000065FPX [info]