In Flight (Los Angeles, CA pressing)

~ Release by George Benson (see all versions of this release, 14 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Nature Boy
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (composer of "Nature Boy", artist name lowercase by intent) (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
6:03
A2The Wind and I
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
recording of:
The Wind and I
composer:
Ronnie Foster
publisher:
Triangle Music Company (BMI)
5:09
A3The World Is a Ghetto
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
clavinet and piano:
Jorge Dalto
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
The World Is a Ghetto
writer:
Papa Dee Allen, Harold Brown, B.B. Dickerson, Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar and Howard E. Scott (US funk/rock guitarist, member of War)
publisher:
Carlin Music Corp. and Far Out Music
9:48
B1Gonna Love You More
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Stanley Banks (bassist)
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
recording of:
Gonna Love You More
lyricist and composer:
Morris Albert
publisher:
Fermata International Melodies, Inc. (ended), Augusta Ltda. Editora, Fermata do Brasil and 渡辺音楽出版 CM事業部
4:40
B2Valdez in the Country
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Phil Upchurch
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Valdez in the Country
composer:
Donny Hathaway
publisher:
Kuumba, Microhits Music Corp., Universal Music–MGB Songs, ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
4:30
B3Everything Must Change
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
assistant producer:
Noel Newbolt
producer:
Tommy LiPuma
bass guitar:
Phil Upchurch
drums (drum set):
Harvey Mason (jazz drummer)
electric piano and Minimoog:
Ronnie Foster
guitar:
George Benson (jazz guitarist/singer) and Phil Upchurch
percussion:
Ralph MacDonald
piano:
Jorge Dalto
vocals:
George Benson (jazz guitarist/singer)
conductor:
Claus Ogerman
orchestrator:
Claus Ogerman
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
recorded at and mixed at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (from 1976-08 until 1976-11)
cover recording of:
Everything Must Change
lyricist and composer:
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Trans Traditional Suite
8:10

Credits

Release

art direction and design:Mike Doud (art director/designer)
photography:Antonín Kratochvíl (Czech–American photographer)
Ken Veeder
graphic design:Michael Manoogian
mastering:Doug Sax
copyrighted (©) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977)
mastered at:The Mastering Lab (Hollywood, 1967-2008) in Hollywood, Los Angeles, California, United States
pressed at:Capitol Records Pressing Plant in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2472612 [info]