Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) (= classikon 53)

~ Release by Henry Purcell (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Dido and Æneas: Overture
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
2:41
2Dido and Æneas: Act I. “Ah! Belinda” / “Grief increases” / “When monarchs unite”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
5:31
3Dido and Æneas: Act I. “See, your royal guest appears” / “Cupid only throws.”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
1:29
4Dido and Æneas: “If not for mine” / “Pursue thy conquest, Love”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
1:28
5Dido and Æneas: Act II. “Prelude for.” / “Harms our.” / “The Queen” / “Ho,ho,ho”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
2:39
6Dido and Æneas: “Ruinnd ere” / “Ho,ho,ho” / “But ere.” / “In our deep.”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
2:48
7Dido and Æneas: Act II. “Behold, upon my bending spear” / “Haste, haste to town”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (in 1967-10)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
1:26
8Dido and Æneas: Act III. “Thy hand, Belinda” / “When I am laid in earth”
orchestra:
Kammerorchester des Norddeutschen Rundfunks (German chamber orchestra) (in 1967-10)
conductor:
Charles Mackerras (Australian conductor) (in 1967-10)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1967-10)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
5:53
9The Fairy Queen: Act I. Overture
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Act I, no. 5. Overture (in 1981-06)
composer:
Henry Purcell (baroque composer)
part of:
The Fairy Queen, Z. 629
2:06
10The Fairy Queen: Act I. Scene of the Drunken Poet: “Fill up the Bowl”
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then" (in 1981-06)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
6:43
11The Fairy Queen: Act II no. 17. “Hush, no more”
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (in 1981-06)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
3:23
12The Fairy Queen: Act III. Dialog: “Now the Maids and the Men”
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay" (in 1981-06)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
3:59
13The Fairy Queen: Act V. The Plaint
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!" (in 1981-06)
composer:
Henry Purcell (baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
7:46
14The Fairy Queen: Act V. Monkey’s Dance
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Act V, no. 49. Monkeys' Dance (in 1981-06)
composer:
Henry Purcell (baroque composer)
part of:
The Fairy Queen, Z. 629
1:07
15The Fairy Queen: Act V. Hark! The Ech’ing Air
orchestra:
English Baroque Soloists (in 1981-06)
conductor:
Sir John Eliot Gardiner (in 1981-06)
recording of:
The Fairy Queen, Z. 629: Act V, no. 51. Song and Chorus: "Hark! The Ech'ing Air" (2nd Woman) (in 1981-06)
composer:
Henry Purcell (baroque composer)
part of:
The Fairy Queen, Z. 629
2:54
16Te Deum Laudamus and Jubilate Deo in D, Z232: Te Deum Laudamus
organ:
Francis Grier (composer, organist and choir director) (in 1980-11)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1980-11) and Simon Preston (organist, conductor, composer) (in 1980-11)
recording of:
Te Deum and Jubilate Deo in D, Z. 232: Te Deum
composer:
Henry Purcell (baroque composer)
part of:
Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232
14:05
17Te Deum Laudamus and Jubilate Deo in D, Z232: Jubilate Deo
organ:
Francis Grier (composer, organist and choir director) (in 1980-11)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1980-11)
orchestra:
The English Concert (in 1980-11)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1980-11) and Simon Preston (organist, conductor, composer) (in 1980-11)
recording of:
Te Deum and Jubilate Deo in D, Z. 232: Jubilate Deo
composer:
Henry Purcell (baroque composer)
part of:
Te Deum and Jubilate Deo, for St. Cecilia's Day, Z. 232
8:18

Credits

Release

part of:Classikon (Deutsche Grammophon) (number: 439474) (order: 146)
Discogs:https://www.discogs.com/release/640004 [info]
ASIN:DE: B000025WVB [info]