Someone to Watch Over Me

~ Release by Bennie Wallace (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Nice Work If You Can Get It
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
Nice Work If You Can Get It (in 1998)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
5:15
2The Man I Love
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
The Man I Love (in 1998)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (soundtrack of the 1977 film)
5:48
3Who Cares
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
Who Cares? (Of Thee I Sing) (in 1998)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing (1931 musical)
6:55
4Someone to Watch Over Me
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1998)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
5:14
5I Was Doing All Right
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
I Was Doing All Right (in 1998)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
7:23
6How Long Has This Been Going On
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (in 1998)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
5:22
7It Ain't Necessarily So
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1998)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
is based on:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
12:21
8I Loves You Porgy
recording engineer:
Joe Marciano (from 1998-06-30 until 1998-07-01)
producer:
Joe Harley
double bass [bass]:
Peter Washington (American jazz double bassist) (in 1998)
drums (drum set):
Yoron Israel (in 1998)
piano:
Mulgrew Miller (in 1998)
tenor saxophone:
Bennie Wallace (in 1998)
instrumental recording of:
I Loves You, Porgy (use this for non-operatic performances) (in 1998)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
6:43